tag:blogger.com,1999:blog-91651012400909851612024-03-05T22:14:03.615-08:00THE OPUS PROJECTCelebrating the Creative Spirit ChronologicallyIn Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comBlogger81125tag:blogger.com,1999:blog-9165101240090985161.post-65585211152537595612022-04-06T22:17:00.001-07:002022-04-25T20:36:02.288-07:00April 23 - Opus 94: Re-Entry<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdUNW4ifhwTrZ0i35PGjVeokQ0cqE3Ir46P0Sse_Dt1R3uajwJTnGZX0FNdjo7udpxoyJXbqG1Te61s7c_-RQlJJfI5ZGo71CfBI63JAPL6w_Hhb_wWNlQlydzLCAnG13O9thT2WfaWQAiE4ZDPynundcT5qsfoNokfEgxNHWCyMSIPQTTQDEAiSNW3w/s1650/2013Opus94-220423Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1275" data-original-width="1650" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdUNW4ifhwTrZ0i35PGjVeokQ0cqE3Ir46P0Sse_Dt1R3uajwJTnGZX0FNdjo7udpxoyJXbqG1Te61s7c_-RQlJJfI5ZGo71CfBI63JAPL6w_Hhb_wWNlQlydzLCAnG13O9thT2WfaWQAiE4ZDPynundcT5qsfoNokfEgxNHWCyMSIPQTTQDEAiSNW3w/s320/2013Opus94-220423Poster.jpg" width="320" /></a></div><br /><span style="font-size: x-large;">THE OPUS PROJECT</span><br />presents<br /><i><span style="font-size: large;">OPUS 94<br />Re-Entry</span></i><br />8pm, Saturday, April 23, 2022<br />Center for New Music<br />55 Taylor Street<br />San Francisco, CA<br /><br />Domenico Scarlatti (1685- 1757) <br /> <i>Sonata in F</i>, K. 94 (1757)<br /><br />F.J. Haydn (1732-1809) <br /> <i>Symphony No. 94 ("Surprise")</i> (1791)<br /> II. Andante<br /><br />W.A. Mozart (1756-1792) <br /> <i>Minuet in D Major</i>, K. 94 (1768)<br /> <br /> The Opus Project Ensemble<br /><br />Ludwig van Beethoven (1770-1827) <br /> <i>An die Hoffnung</i>, Op. 94 (1815)<br /><br /> Megan Cullen, Soprano<br /> The Opus Project Ensemble<br /><br />Johann Baptist Cramer (1771-1858) <br /> <i>3 Nocturnes</i>, Op. 94 (1841)
<br /> III. La Sentimente<br /><br />Franz Schubert (1797-1828) <br /> <i>6 Moments Musicaux</i>, Op. 94 (1828)<br /> II. Allegro moderato<br /> VI. Allegretto<br /><br /> Hussein Al-Nasrawi and Megan Cullen, Piano<br /><br />Hector Berlioz (1803-1869) <br /> <i>La Belle Isabeau</i>, H. 94 (1843)<br /><br />Frederic Chopin (1810-1849) <br /> <i>Mazurkas</i>, Op. 68 (1849)<br /> III. Mazurka in F Major<br /><br />Johannes Brahms (1833-1897) <br /> <i>5 Lieder</i>, Op. 94 (1884)<br /> I. Mit vierzig Jahren ist der Berg erstiegen<br /><br /> Megan Cullen, Soprano<br /> Hussein Al-Nasrawi, Piano<br /><br />Gabriel Faure (1845-1924) <br /> <i>Chanson</i>, Op. 94 (1906)<br /> <br /> Megan Cullen, Soprano<br /> Monica Chew, Piano<br /><br />Moritz Moszkowski (1854-1925) <br /> <i>10 Petits Morceaux</i>, Op. 94<br /> VII. Bagatelle<br /><br />Jean Sibelius (1865-1957) <br /> <i>6 Pieces for Piano</i>, Op. 94 (1919)<br /> V. Mélodie<br /><br /> Megan Cullen, Piano<br /><br />Igor Stravinsky (1882-1971) <br /> <i>Orpheus</i>, A. 94 (1947)<br /> Orpheus Weeps for Eurydice
<br /><br /> The Opus Project Ensemble<br /><br />Mark Alburger (b. 1957) <br /> <i>The Bald Soprano</i>, Op. 94 (2001)<br /> XVIII. Fire<br /><br /> Megan Cullen, Soprano<br /> Mark Alburger, Piano<br /> <br />Sheli Nan (b. 1960) <br /> <i>Black and Blue Times Two</i> (2022, Premiere)<br /><br /> Robert Giambruno, Trumpet<br /> Katelyn Tan, Piano<br /><br />Michael Cooke (b. 1970) <br /> <i>Zelensky says, “Slava Ukraine” (2022)</i><br /><br /> Michael Cooke, Tenor Sax<br /><br />Monica Chew <br /> <i>Pitter Patter</i> (2021)<br /><br /> Monica Chew, Piano<br /><br />Roberto Novegno (b. 1981) <br /> <i>Preludes X</i>, tbp 94<br /> VIII. In C Major<br /><br /> Megan Cullen, Piano<br /><br />Hussein Al-Nasrawi (b. 1991) <br /> Mark and Harriet's Wedding (2022)<br /><br /> Mark Alburger / Megan Cullen / Harriet March Page, Voices<br /> Hussein Al-Nasrawi, Piano & Multi-Media<br /><br /><br />THE OPUS PROJECT ENSEMBLE<br /><br />Mark Alburger, Music Director <br />Megan Cullen, Associate Music Director<br /><br /><b>Flute</b><br />Harry Bernstein<br /><br /><b>Tenor Saxophone</b>
<br />Michael Cooke<br /><br /><b>Trumpet</b><br />Robert Giambruno<br /><br /><b>Horn</b><br />Bob Satterford<br /><br /><b>
Soprano</b><br />Megan Cullen<br /><br /><b>Alto</b><br />Harriet March Page<br /><br /><b>Tenor</b><br />Mark Alburger<br /><br /><b>Piano</b><br />Monica Chew<br />Hussein Al-Naswari<br />
Megan Cullen<br />Katelyn Tan
<br /><br /><b>Viola</b><br />Kat WalshIn Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-54767702227156389012021-03-13T19:00:00.001-08:002021-03-13T22:55:01.048-08:00March 13 - Opus 87: Angles and Divots<div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw1BU78Cdk2EWk8gg1mep_fMuf71lLRl_Ic1thmWyMaRVIAT1Wy9uMPyf9JRCfm4oEkxWyGwcQEt_1Z94TXcR3Lyjl1Yjk_2pcbVbiR8zSZdcUE2CbWyw4zOVIe4mTcpA_IkwLvh_Q_UNH/s1650/2013Opus87-210313Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1275" data-original-width="1650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw1BU78Cdk2EWk8gg1mep_fMuf71lLRl_Ic1thmWyMaRVIAT1Wy9uMPyf9JRCfm4oEkxWyGwcQEt_1Z94TXcR3Lyjl1Yjk_2pcbVbiR8zSZdcUE2CbWyw4zOVIe4mTcpA_IkwLvh_Q_UNH/s320/2013Opus87-210313Poster.jpg" width="320" /></a></b></div><p><b><br /><span style="font-size: x-large;">THE OPUS PROJECT</span></b><br />presents<br /><span style="font-size: large;"><i>OPUS 87</i></span><br /><i><span style="font-size: large;">Angles and Divots</span></i><br />7pm, Saturday, March 13, 2020<br />Zoom Everywhere!<br /><br /> <br />Ludwig van Beethoven (1770-1827) <br /> <i>Trio in C Major</i>, Op. 87 (1795)<br /> II. Adagio
<br /><br /> Kat Walsh, Bassoon Trio<br /><br /> <a href="https://www.youtube.com/watch?v=KhEewXpREFg">https://www.youtube.com/watch?v=KhEewXpREFg</a><br /><br />
IV. Finale<br /><br /> Kristen Kline and Kat Walsh, Violins and Viola<br /><br /> <a href="https://www.youtube.com/watch?v=jStBFx5ELus">https://www.youtube.com/watch?v=jStBFx5ELus</a><br /><br />Hector Berlioz (1803-1869) <br /> <i>L'île inconnue (The Unknown Island)</i>, H. 87 (1841)<br /><br /> Megan Cullen, Soprano<br /> Appcomanist<br /><br /> <a href="https://youtu.be/732hLUE1JIw">https://youtu.be/732hLUE1JIw</a><br /><br />César Cui (1835-1918) <br /> <i>Musical Miniatures, Humorescques, and Letters</i>, Op. 87 (1910)<br /> I. Miniatures: VIII<br /><br /> Megan Cullen, Soprano and Piano<br /><br /> <a href="https://youtu.be/a7MfCp_U55g">https://youtu.be/a7MfCp_U55g</a><br /><br />Gabriel Fauré (1845-1924) <br /> <i>2 Songs</i>, Op. 87 (1904)<br /> II. Le ramier<br /><br /> Megan Cullen, Soprano<br /> Appcompanist<br /><br /> <a href="https://youtu.be/xIZ89BcWTmU">https://youtu.be/xIZ89BcWTmU</a><br /><br />Gabriel Verdalle (1847-1918) <br /> <i>Scherzetto</i>, Op. 87 (1901)<br /><br /> Katrina Szederkenyi, Harp<br /><br /> <a href="https://youtu.be/VzWkAH-yCd4">https://youtu.be/VzWkAH-yCd4</a><br /><br />Moritz Moszkowski (1854-1925) <br /> <i>3 Morceaux</i>, Op. 87 (1911)<br /> III. Impromptu<br /><br /> Megan Cullen, Piano<br /><br /> <a href="https://youtu.be/FZD0PrTDn_4">https://youtu.be/FZD0PrTDn_4</a><br /><br />Cécile Chaminade (1857-1944) <br /> <i>6 Pièces humoristiques</i>, Op. 87 (1907)<br /> IV. Autrefois (In the Old Days)<br /><br /> <a href="https://youtu.be/tcGg4E3IvZo">https://youtu.be/tcGg4E3IvZo</a><br /><br />Charles Koechlin (1867-1950) <br /> <i>4 Nouvelles sonatines</i>, Op. 87 (1924)<br /> <i>No. 1</i><br /> I. Moderato, sans lenteur<br /><br /> Hussein Al-Nasrawi, Piano<br /><br /> <a href="https://youtu.be/skBa_K-FOt0">https://youtu.be/skBa_K-FOt0</a><br /><br /> II. Andante moderato<br /><br /> <a href="https://youtu.be/rjFcjY5rqBg">https://youtu.be/rjFcjY5rqBg</a><br /><br /> <i>No. 2</i><br /> II. Andante espressivo<br /><br /> <a href="https://youtu.be/DxtFazfEmkA">https://youtu.be/DxtFazfEmkA</a><br /><br /> <i>No. 3</i><br /> II. Mouvement de Sicillene<br /><br /> Megan Cullen, Piano<br /><br /> <a href="https://youtu.be/8xpMBXB5YO4">https://youtu.be/8xpMBXB5YO4</a><br /><br />Nicolai Myaskovsky (1881-1950) <br /> <i>From Many Years</i>, Op. 87 (1936)<br /> IX. (1908)<br /> <br /> Megan Cullen, Soprano<br /> Appcompanist<br /><br /> <a href="https://youtu.be/DrlX_K6IWgo">https://youtu.be/DrlX_K6IWgo</a><br /><br />Paul Hindemith (1895-1963) <br /> <i> Symphony ("Mathis der Maler")</i> (1934)<br /> I. Engelkonzert<br /><br /> Mark Alburger, re-interpreted as<br /> <i>Alma Maria Schinder Mahler Gropius Werfel</i>, Op. 232 (2018)<br /> LVI. 1934 - Elias Canetti / Maid<br /><br /> J.S. Bach (1685-1750 <br /> <i>The Well-Tempered Clavier, Book I</i> (BWV 846-869) <br /> Prelude and Fugue No. 1 in C Major
<br /><br /> <a href="https://youtu.be/mTmL49wAfKI">https://youtu.be/mTmL49wAfKI</a><br /><br /> <a href="https://youtu.be/mmmOeoRIFsQ">https://youtu.be/mmmOeoRIFsQ</a><br /><br />Dmitri Shostakovich (1906-1975) <br /> <i>24 Preludes and Fugues</i>, Op. 87 (1951)<br /> Prelude and Fugue No. 1 in C Major<br /><br /> Mark Alburger and Megan Cullen, Piano<br /><br /> Prelude No. 19 in Eb Major<br /><br /> Hussein Al-Nasrawi, Piano<br /><br /> <i> </i><a href="https://youtu.be/mzFOtmVY_Dg">https://youtu.be/mzFOtmVY_Dg</a><br /> <br /> G.F. Handel (1685-1759) <br /> <i>Water Music</i> (1717)<br /> VII. Minuet<br /><br />John Cage (1912-1992) <br /> <i>Water Music</i> (1952)<br /> Radio at 102.5<br /><br /> Mark Alburger, Electronics, reinterpreted as <br /> <i>Genre Implosions No. 3 ("Time Cyclone"),</i> Op. 168 (2008)<br /> II. Baroque - (1685) G.F. Handel / Cage Water Music
<br /><br /> Mark Alburger (b. 1957) <br /> <i>Water Music</i>, Op. 224 (2014)<br /> I. If It Behaved<br /><br /> Mark Alburger, Electronics
and Voice<br /><br />Michael Kimbell (b. 1946) <br /> <i>Three Sonnets from the Portuguese</i>, Op. 1 (1965)<br /> I. When Our Two Souls<br /><br /> Alec Jeong, Tenor<br /> Asako Tsumagari, Piano <br /><br /> <a href="https://youtu.be/K6YLfR1MF5k">https://youtu.be/K6YLfR1MF5k</a><br /><br />Mark Alburger (b. 1957) <br /> <i>Violin Concerto ("Ticklish")</i>, Op. 87 (2000)<br /> II. Adagio<br /><br /> Kristen Kline, Violin<br /> Megan Cullen, Piano<br /><br />
Rob Peters (b. 1969) <br /> <i>3 Pieces for Wind Instruments</i>, Op. 87 (1997)<br /> I. Fugue<br /><br /> Kat Walsh, Bassoon Trio<br /><br /> <a href="https://www.youtube.com/watch?v=0ATCWqdl3-o">https://www.youtube.com/watch?v=0ATCWqdl3-o</a><br /><br />Hussein Al-Nasrawi (b. 1991)<br /> <i>Homage to Fumiyo</i><br /><br /> Hussein Al-Nasrawi, Piano<br /><br /> <a href="https://youtu.be/1f9rkxvT9j8">https://youtu.be/1f9rkxvT9j8</a><br /></p><br /><b>The Opus Project Performers</b><br /><br />Mark Alburger <b>Music Director</b><br />Megan Cullen <b>Associate Music Director</b><br /><br /><b>Bassoon</b><br />Kat Walsh<br /><br /><b>Soprano</b><br />Megan Cullen<br /><br /><b>Tenor</b><br />Mark Alburger<br />Alec Jeong<br /><br /><b>Harp</b><br /> Katrina Szederkenyi<br /><br /><b>Piano</b><br />Hussein Al-Nasrawi<br />Megan Cullen<br />Asako Tsumagari<br /><br /><b>Electronics</b><br />Mark Alburger<br /><br /><b>Violin</b><br />Kristen Kline<br /><br /><b>Viola</b><br />Kat Walsh
In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-78447279362363560502021-01-30T19:00:00.001-08:002021-03-12T17:17:01.326-08:00January 30 - Opus 86: Totally...!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Uptattt40eoasp5i9NDarF33uDit9Tqjn9ODDr_xd4nZS_gBT_7jNh2w8BXWvC3hi3fMp2VlaSR5TFk5JmMwR2GaiTvQ2_4qDS8ZEAnBgBRFUupVwO97LkN8UX5uGncqWTb5UjdAW2nx/s1650/2013Opus86-210130Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1275" data-original-width="1650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Uptattt40eoasp5i9NDarF33uDit9Tqjn9ODDr_xd4nZS_gBT_7jNh2w8BXWvC3hi3fMp2VlaSR5TFk5JmMwR2GaiTvQ2_4qDS8ZEAnBgBRFUupVwO97LkN8UX5uGncqWTb5UjdAW2nx/s320/2013Opus86-210130Poster.jpg" width="320" /></a></div><span style="font-size: large;"><b><br />THE OPUS PROJECT</b></span><br />presents<br /><i><span style="font-size: large;">OPUS 86 ONLINE!</span></i><br />Totally...!<br />7pm, Saturday, January 30, 2021<br />Zoom Meeting Everywhere<br /> <br /><br />Anonymous (fl. 1486?) / Michael Kimbell (b. 1946)<br /> <i>Fantasia on Een vrolic wesen</i> (December 28, 2020)<br /><br /> <a href="https://youtu.be/6mNO3I-sMbk">https://youtu.be/6mNO3I-sMbk</a> <br /><br /> Edith Kimbell, Tenor Viol<br /> Michael Kimbell, Bass Viol
<br /><br />Ludwig van Beethoven (1770-1827) <br /> <i>Mass in C Major</i>, Op. 86 (1807)<br /> I. Kyrie<br /><br /> Mark Alburger, Voice and Electronics, reinterpreted as<br /> <i>Mass in C Minus</i>, Op. 345 (2021)<br /> I. Kyrie<br /><br />Felix Mendelssohn (1809-1847) <br /> <i>6 Songs</i>, Op. 86 (1847)<br /> I. Es lauschte das Laub so dunkelgrün (The Dark Green Leaves Eavesdropped) <br /><br /> <a href="https://youtu.be/6bjILOs89y8">https://youtu.be/6bjILOs89y8</a><br /><br /> Megan Cullen, Soprano<br /><br />Frederic Chopin (1810-1849) <br /> <i>Prelude in A-Flat Major</i> (B. 86)<br /><br /> <a href="https://www.youtube.com/watch?v=jWB8P6UFaBI">https://www.youtube.com/watch?v=jWB8P6UFaBI</a><br /><br /> Dominic Pang, Piano
<br /><br />Charles Dancla (1817-1907) <br /> <i>Le Melodiste</i>, Op. 86 (1858)<br /> I. Norma (Belini), Semiramide (Rossini), and L'elisir d'amore (Donizetti)<br /><br /> <a href="https://www.youtube.com/watch?v=-BDJ5xuLvzc&t=40s">https://www.youtube.com/watch?v=-BDJ5xuLvzc&t=40s</a><br /><br /> Kristen Kline, Violin<br /> Megan Cullen, Piano<br /> <br />Johannes Brahms (1883-1897) <br /> <i>6 Lieder</i>, Op. 86 (1879)<br /> IV. Über die Heide (Across the Heath)<br /><br /> <a href="https://youtu.be/Au_2DcuwQb8">https://youtu.be/Au_2DcuwQb8</a><br /><br /> Megan Cullen, Soprano<br /> Jean-Paul Bjorlin, Piano<br /><br />
Robert Fuchs (1847-1927) <br /> <i>Viola Sonata</i>, Op. 86 (1899)<br /> I. Allegro moderato, ma passionato<br /><br /> <a href="https://youtu.be/pFeTb658xl8">https://youtu.be/pFeTb658xl8</a><br /><br /> Kat Walsh, Viola<br /> Ben Malkevitch, Piano<br /><br />Benjamin Godard (1849-1895) <br /> <i>Promenade en Mer (Sea Trip)</i>, Op. 86 (c. 1883)<br /><br /> <a href="https://youtu.be/OHrXu4N3L6E">https://youtu.be/OHrXu4N3L6E</a><br /><br />Vincent d'Indy (1851-1931) <br /> <i>Contes des Fées (Fairy Tales)</i>, Op. 86 (1925)<br /> V. Ronde de villageois (Village Round Dance)<br /><br /> <a href="https://youtu.be/UTQX60MY4Tw">https://youtu.be/UTQX60MY4Tw</a><br /><br /> Megan Cullen, Piano<br /><br />Christian Sinding (1856-1941) <br /> <i>7 Klavierstucke</i>, Op. 86 (1908)<br /> II. Wellen (Waves)<br /><br /> <a href="https://youtu.be/sWSUg33fG3w">https://youtu.be/sWSUg33fG3w</a><br /><br /> IV. Humoreske<br /><br /> <a href="https://youtu.be/kW4Ve3HBoxw">https://youtu.be/kW4Ve3HBoxw</a><br /><br /> Hussein Al-Nasrawi and Megan Cullen, Piano<br /><br />
Claude Debussy (1862-1918) <br /> <i>Fêtes Galantes</i>, CD / FL 86<br /> I. En Sourdine (Muted)<br /><br /> <a href="https://youtu.be/E11bcQFLRSg">https://youtu.be/E11bcQFLRSg</a><br /><br /> Megan Cullen, Soprano<br /> Appcompanist<br /><br /> <i>Prélude à l'après-midi d'un faune</i>, L 86 (1894)<br /><br /> Mark Alburger, reinterpreted as<br /> <i>The Pied Piper of Hamelin</i>, Op. 116 (2004)<br /> VII. Into the Street
<br /><br /> <a href="https://www.youtube.com/watch?v=ucA8BEXSMVM">https://www.youtube.com/watch?v=ucA8BEXSMVM</a><br /><br /> Suzanna Mizell, Soprano
<br /> Goat Hall Productions
<br /><br />Jean Sibelius (1865-1957) <br /> <i>6 Songs</i>, Op. 86 (1957)<br /> IV. Och finns dat en tanke (And Is There a Thought?)<br /><br /> <a href="https://youtu.be/Ukb8dOhK8Pw">https://youtu.be/Ukb8dOhK8Pw</a><br /><br /> Megan Cullen, Voice and Piano <br /><br />Florent Schmitt (1870-1958) <br /> <i>3 Danses</i>, Op. 86 (1935)<br /> II. Bocane<br /><br /> <a href="https://youtu.be/hpSDjaOvhXg">https://youtu.be/hpSDjaOvhXg</a><br /><br /> III. Danse de corde<br /><br /> <a href="https://youtu.be/TT3ASGBYjU0">https://youtu.be/TT3ASGBYjU0</a><br /><br /> Megan Cullen and Hussein Al-Nasrawi, Piano<br /><br />Igor Stravinsky (1882-1971) <br /> <i>Babel</i> (1944)<br /><br /> Mark Alburger, Voice and Electronics, reinterpreted as<br /> <i>Babel</i>, Op. 47 (1992)<br /> I. And the Whole Earth<br /><br />
Ernst Toch (1887-1964) <br /> Reflections, Op. 86 (1962)<br /> I. Quarter about 100-104<br /><br /> <a href="https://youtu.be/NImDnqvrHU4">https://youtu.be/NImDnqvrHU4</a><br /><br /> III. Allegretto grazioso<br /><br /> <a href="https://youtu.be/u8tCZcatbpI">https://youtu.be/u8tCZcatbpI</a><br /><br /> IV. Pensive, andante (Quarter about 72)<br /><br /> Megan Cullen, Hussein Al-Nasrawi, and Mark Alburger, Piano<br /> <br />Malcolm Arnold (1921-2006) <br /> <i> Fantasy for Solo Bassoon</i>, Op. 86 (1966)<br /><br /> <a href="https://www.youtube.com/watch?v=voFcy0L4syQ">https://www.youtube.com/watch?v=voFcy0L4syQ</a><br /><br /> Kat Walsh, Bassoon<br /><br />Allan Crossman (b. 1942) <br /> <i>Alibye</i> (1991)<br /> <br /> Maria Sokolova, Mezzo-Soprano<br /> Allan Crossman, Piano<br /><br />
Michael Kimbell (b. 1946) <br /> <i>Celestial Encounters</i> (1986)<br /><br /> <a href="https://www.youtube.com/watch?v=2LZhtmY4vxg">https://www.youtube.com/watch?v=2LZhtmY4vxg</a><br /><br /> Sally Christian, Piano<br /><br /> Claudio Monteverdi (1567-1643) <br /> <i>Vespers</i> (1610)<br /> XIII. Magnificat<br /><br /> J.S. Bach (1685-1750) <br /> <i>Magnificat</i> (1735)<br /> I. Chorus<br /> <br /> Alan Hovhaness (1911-2000) <br /> <i>Magnificat</i> (1959)<br /> II. Magnificat<br /><br /> Mark Alburger, Electronics, reinterpreted as <br /> <i>Genre Implosions No. 3 ("Time Cyclone")</i>, Op. 167 (2008)<br /> II. Baroque... - Monteverdi / J.S. Bach / Hovhaness Magnificat<br /> <br />Mark Alburger (b. 1957) <br /> <i>Magnificat</i> (2000), Op. 86<br /> I. Magnificat anima mea<br /><br /> Mark Alburger, Voice and Electronics<br /><br />Eliza O'Malley (b. 1969) <br /> <i>Weave</i> (2020)<br /><br /> <a href="https://www.youtube.com/watch?v=blYNBAbexTc&list=PLKauPZXbvIggdMeXtDuld5ncbcuWyayby&index=3">https://www.youtube.com/watch?v=blYNBAbexTc&list=PLKauPZXbvIggdMeXtDuld5ncbcuWyayby&index=3</a><br /><br /> Eliza O'Malley, Soprano Trio
<br /><br /><br /><b>The Opus Project Performers</b><br /><br />Mark Alburger <b>Music Director</b><br />Megan Cullen <b>Associate Music Director</b><br /><br /><b>Bassoon</b><br />Kat Walsh<br /><br /><b>Electronics</b><br />Mark Alburger<br /><br /><b>Soprano</b><br />Megan Cullen<br />Eliza O'Malley<br />Suzanna Mizell<br /><br /><b>Mezzo-Soprano</b><br />Maria Sokolova<br /><br /><b>Tenor</b><br />Mark Alburger<br /><br /><b>Piano</b><br />Mark Alburger<br />Hussein Al-Nasrawi<br />Jean-Paul Bjorlin<br />Sally Christian<br />Allan Crossman<br />Megan Cullen<br />Ben Malkevitch<br />Dominic Pang<br /><br /><b>Violin</b><br />Kristen Kline<br /><br /><b>Viola</b><br />Kat Walsh<br /><br /><b>Tenor Viol</b><br />Edith Kimbell<br /> <br /><b>Bass Viol</b><br />Michael KimbellIn Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-27887917544698154082020-12-03T17:00:00.003-08:002021-03-12T17:20:01.541-08:00December 12 - Opus 85: Global Warning<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaVCjHD3EdITguE8ZtWPf1wDX630EVC8dSKDfrlNtFAsW7bgWxrHCHypQEsWopGqtVfkGwzuMoLQtviyZ8U-Z5_c3whLcXgSM16EOVG2YW-VbeViMbnuRnfP1SMhdMGYUu9uKIxtExAKys/s1481/2013Opus085-201212Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="927" data-original-width="1481" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaVCjHD3EdITguE8ZtWPf1wDX630EVC8dSKDfrlNtFAsW7bgWxrHCHypQEsWopGqtVfkGwzuMoLQtviyZ8U-Z5_c3whLcXgSM16EOVG2YW-VbeViMbnuRnfP1SMhdMGYUu9uKIxtExAKys/s320/2013Opus085-201212Poster.jpg" width="320" /></a></div><span style="font-size: x-large;"><b></b></span><p><br /><span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />presents<br /><i><span style="font-size: large;">OPUS 85 ONLINE</span></i><br /><i>Global Warning</i> <br />7pm, Saturday, December 12, 2020<br />as a Zoom Meeting<br />(email invitation sent c. 1 hour prior)<br /><br /><br />Orkney Islands Composer (b. c. 1085) <br /> <i>Hymn to St. Magnus</i> (c. 1115)<br /><br /> Mark Alburger, Electronics<br /><br />Johann Sebastian Bach (1685-1750) <br /> <i>The Well-Tempered Clavier</i><br /> Prelude and Fugue in D Major, BWV 850<br /><br /> Dominic Pang, Harpsichord<br /><br />Felix Mendelssohn (1809-1847) <br /> <i>Songs Without Words, Book VII</i>, Op. 85 (1845)<br /> I. Andante espressivo<br /><br /> Megan Cullen, Piano<br /><br />Johannes Brahms (1833-1897) <br /> <i>Six Songs</i>, Op. 85 (1882)<br /> VI. In Waldeseinsamkeit (In the Loneliness of the Forest)<br /><br /> Megan Cullen, Soprano<br /> Hussein Al-Nasrawi, Piano<br /><br />Camille Saint-Saens (1835-1921) <br /> <i>Les Cloches du Soir</i>, Op. 85 (1889)<br /><br />Josef Rheinberger (1839-1901) <br /> <i>Klosterlied (Cloister Song)</i>, Op. 85 (1857)<br /><br />Antonin Dvorak (1841-1904) <br /> <i> Poetic Tone Pictures</i>, Op. 85 (1889)<br /> VI. Vzpominani (Reverie) - Andante (B Major)<br /><br /> Megan Cullen, Soprano and Piano<br /><br /> XII. U mohyly (At a Hero's Grave) - Grave, Tempo di marcia (F Minor)<br /><br /> Hussein Al-Nasrawi, Piano<br /><br />Gabriel Faure (1845-1924)<br /> <i>Three Songs</i>, Op. 18 (1878)<br /> III. Automne<br /><br /> Lorraine Helvick, Mezzo-Soprano<br /> <br /> <i>Three Songs</i>, Op. 85 (1902)<br /> I. Dans le Foret du Septiembre<br /> <br /> Megan Cullen, Soprano <br /> Appcompanist<br /><br />Julius Rontgen (1855-1932) <br /> <i>Schuler-Konzert (School Concerto) No. 1</i>, Op. 85 (1927)<br /> II. Andantino<br /><br /> Kat Walsh, Violin<br /> Megan Cullen, Piano<br /><br />Christian Sinding (1856-1941) <br /> <i>Seven Poems</i>, Op. 85 (1909)<br /> V. Kalte (Coldness)<br /><br /> Megan Cullen, Soprano and Piano<br /> <br />Richard Strauss (1864-1949) <br /> <i>Eight Songs from "Letzte Blatter" ("Last Songs")</i> (1885)<br /> III. Die Nacht (The Night)<br /> IV. Die Georgine (The Dahlia)<br /> VIII. Allerseelen (All Souls' Day)<br /><br /> Jean-Paul Bjorlin, Voice and Piano<br /><br />Jean Sibelius (1865-1957) <br /> <i>Five Piano Pieces</i>, Op. 85 (1917)<br /> II. Oeillet<br /><br />Ignaz Friedman (1882-1948) <br /> <i>Six Mazurkas</i>, Op. 85 (1925)<br /> I. Allegro simplice<br /><br /> Megan Cullen, Piano<br /><br />George Crumb (b. 1929) <br /> <i>Makrokosmos, Volume I </i>(1972)<br /> XI. Dream Images<br /><br /> Hussein Al-Nasrawi, Piano<br /><br />Larry Bell (b. 1952)<br /> <i>Five Poems for Trumpet and Piano</i>, Op. 85<br /> based on the song cycle <i>Dream within a Dream</i>, Op. 79 (2006)<br /> IV. There came a wind like a bugle<br /><br /> Michael Cox, Trumpet<br /><br />Mark Alburger (b. 1957) <br /> <i>The Gospel According to St. Matthew</i>, Op. 85 (2000)<br /> II. The People That Walked in Darkness <br /><br /> Mark Alburger, Voice and Electronics<br /><br />Hussein Al-Nasrawi (b. 1992) <br /> <i> Improvisation on "The Prayer" </i>(2020)<br /><br /> Hussein Al-Nasrawi, Piano<br /><br /><br /><b>The Opus Project Performers</b><br /><br />Mark Alburger <b>Music Director</b><br />Megan Cullen <b>Associate Music Director</b><br /><br /><b>Trumpet</b><br />Michael Cox<br /><br /><b>Electronics</b><br />Mark Alburger<br /><br /><b>Soprano</b> <br />Megan Cullen<br /><br /><b>Mezzo-Soprano</b><br />Lorraine Helvick<br /><br /><b>Tenor</b><br />Mark Alburger<br />Jean-Paul Bjorlin<br /><br /><b>Harpsichord</b><br />Dominic Pang<br /><br /><b>Piano</b><br />Hussein Al-Nasrawi<br />Jean-Paul Bjorlin<br />Megan Cullen<br /><br /><b>Violin</b><br />Kat Walsh<br /><br /></p><p> </p>In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-83611714531870869692020-02-29T20:00:00.001-08:002020-12-03T17:06:26.515-08:00February 29 - Opus 83-84: Mythos in Tempore Belli<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9q08wHbvShdhkk4ZYBy510ZqIqEYezkXwLEs0OLbAff_B3AoQFGMsP2Jt7NubnXZ9omBhCE2t7K1Rv94holxvSXr7uk33FC4k2ftP9Hovk_UgVPEO8WMWZyj-Z_5mMseE-YrWdKhJ_MS4/s1600/2013Opus083-084-200229Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1237" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9q08wHbvShdhkk4ZYBy510ZqIqEYezkXwLEs0OLbAff_B3AoQFGMsP2Jt7NubnXZ9omBhCE2t7K1Rv94holxvSXr7uk33FC4k2ftP9Hovk_UgVPEO8WMWZyj-Z_5mMseE-YrWdKhJ_MS4/s320/2013Opus083-084-200229Poster.jpg" width="247" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<i><span style="font-size: large;">OPUS 83-84</span></i><br />
<i>Mythos in Tempore Belli</i><br />
8pm, Saturday, February 29, 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-FncM0gcxKKZ_TwVJQIRM-8lOjTFNHZizNk3rMSZvSu7RQv3kWlolQjzaK78-ShFbevxKjLvenWfbIJqdgRkj1fbvni5GVnigGum2anD0p1eI3JaODnlRKwUCPW4nMm1uinEAtFXf66CH/s1879/2013Opus83-84-200229Concert01-0800PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="317" data-original-width="1879" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-FncM0gcxKKZ_TwVJQIRM-8lOjTFNHZizNk3rMSZvSu7RQv3kWlolQjzaK78-ShFbevxKjLvenWfbIJqdgRkj1fbvni5GVnigGum2anD0p1eI3JaODnlRKwUCPW4nMm1uinEAtFXf66CH/s320/2013Opus83-84-200229Concert01-0800PMPanorama.jpg" width="320" /></a></div><br /><i>OPUS 83</i><br />
<br />
Domenico Scarlatti (1685-1757) <br />
<i>Keyboard Sonata</i>, K. 83 (c. 1738)<br />
I. (Presto)<br />
<br />
<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqOH9C_WQALZPxF0CHX1o95D-Fq4kDlbmWnmpmGOPC4fD76acYz3T5Qbpk81Rxl6HHzmBca8ziq3GSs2r0uqZnwcDuaqqiBHevk-jtOiBwS3iV6A1MLDO7pv-tB2SKLLl7-NHIWgzRip-R/s532/2013Opus83-84-200229Concert02-0803PMDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="397" data-original-width="532" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqOH9C_WQALZPxF0CHX1o95D-Fq4kDlbmWnmpmGOPC4fD76acYz3T5Qbpk81Rxl6HHzmBca8ziq3GSs2r0uqZnwcDuaqqiBHevk-jtOiBwS3iV6A1MLDO7pv-tB2SKLLl7-NHIWgzRip-R/s320/2013Opus83-84-200229Concert02-0803PMDetail.jpg" width="320" /></a></div><br />Ludwig van Beethoven (1770-1857) <br />
<i>Six Ecossaises</i>,WoO. 83 (1806)<br />
I-VI<br />
<i>Three Songs</i>, Op. 83 (1810)<br />
I. Wonne der Wehmut<br />
<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB5Chj1tMHtHMILnlWQyW0DRJF5_YO1hyphenhyphen695twpVngOagb6iPvkfViyaPyG989gfqz2HAiLfYwCeTSFFqVVEyjf06Jm4o8ok-zG8PC5OrHR-sLpGNRdwjTtoVjUD0_u-vSWwPJFUA5BKY3/s640/2013Opus83-84-200229Concert03-0807PMDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB5Chj1tMHtHMILnlWQyW0DRJF5_YO1hyphenhyphen695twpVngOagb6iPvkfViyaPyG989gfqz2HAiLfYwCeTSFFqVVEyjf06Jm4o8ok-zG8PC5OrHR-sLpGNRdwjTtoVjUD0_u-vSWwPJFUA5BKY3/s320/2013Opus83-84-200229Concert03-0807PMDetail.jpg" width="320" /></a></div><br />Robert Schumann (1810-1856) <br />
<i>Three Songs</i>, Op. 83 (1850)<br />
III. Der Einsiedler<br />
<br />
Johannes Brahms (1833-1897) <br />
<i>Piano Concerto No. 2</i>, Op. 83 (1881)<br />
I. Allegro non troppo<br />
<br />
Erik Satie (1866-1925) <br />
<i>Socrate</i> (1918)<br />
I. Portrait de Socrate (Le Banquet)<br />
<br />
Maurice Ravel (1875-1937) <br />
<i> Piano Concerto in G</i> (1931)<br />
I. Allegramente<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Four Norwegian Moods </i>(1942)<br />
III. Wedding Dance<br />
<br />
Alan Hovhaness (1911-2000) <br />
<i>Hymn to Yerevan</i>, Op. 83 (1969)<br />
Adagio maestoso<br />
<br />
John Cage (1912-1992) <br />
<i>Haiku</i> (1951)<br />
Haiku I, For my dear friend, Who<br />
<br />
John Lennon (1940-1980) <br />
<i>Rubber Soul</i> (1965)<br />
II. Norwegian Wood<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Quadruple Concerto ("Metal")</i>, Op. 83 (1999)<br />
I. Allegro moderato<br />
<i>Broke Dance Intermezzi: E </i>(2019)<br />
III. Ecological Ecossaise (Beethoven Blues) <br /><br /><br />
<i>OPUS 84</i><br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Egmont</i>, Op. 84 (1810)<br />
Overture - Sostenuto ma non troppo<br />
<br />
Frederic Chopin (1810-1849) <br />
<i>Cantabile in Bb Major,</i> B. 84 (1834)<br />
(Andantino)<br />
<br />
Antonin Dvorák (1841-1904) <br />
<i>The Jakobín</i>, Op. 84 (1887)<br />
"O lásku tvou je marno ždáti"<br />
<br />
Gabriel Fauré (1845-1924) <br />
<i> Eight Short Pieces</i>, Op. 84 (1902)<br />
V. Improvisation <br />
<br />
Charles Ives (1874-1954) <br />
<i>Symphony No. 4</i> (1916)<br />
I. Prelude - Maestoso<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Ode</i> (1943)<br />
I. Eulogy<br />
<br />
Darius Milhaud (1892-1974) <br />
<i>Le Train Bleu</i>, Op. 84 (1924)<br />
I. Introduction<br />
<br />
Francis Poulenc (1899-1959) <br />
<i>Les soirées de Nazelles</i>, FP 84 (1936)<br />
III. La désinvolture et la discrétion <br />
<br />
Mark Alburger (b. 1957) <br />
<i>Flute Concerto ("Mythological"),</i> Op. 84 (2000)<br />
I. Allegro aperto<br />
<br />
Deborah Yates, Flute<br />
Megan Cullen, Soprano and Piano<br />
The Opus Project Chamber Orchestra<br />
<br />
<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ7k-1VUBTfFKwiNW73GmYaJl2jmGHxaIBZ0iOK9jDKXW2v1hCurSRBLJx3ArxRwIDspgDmjtFHAf5IpSBF4Iem4ENVi8BJ9lygla_kVWxDxtaHkz2VBqipxT5lKwfubPvsdE8tSHvdCeD/s1654/2013Opus83-84-200229Concert04-0932PM.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="1654" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ7k-1VUBTfFKwiNW73GmYaJl2jmGHxaIBZ0iOK9jDKXW2v1hCurSRBLJx3ArxRwIDspgDmjtFHAf5IpSBF4Iem4ENVi8BJ9lygla_kVWxDxtaHkz2VBqipxT5lKwfubPvsdE8tSHvdCeD/s320/2013Opus83-84-200229Concert04-0932PM.jpg" width="320" /></a></div><br />Hussein Al-Naswari (b. 1990)<br />
<i>Mythos in Tempore Belli Improvisation </i>(2020)<br />
<br />
Hussein Al-Naswari, Piano <br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguZdLbcqsP33CPjjOkBjokHYw2GkacfxcBlYFZEehA_gX2eaAEbemktktaaOb0m5-6jMzjHp_OP9AU_IuDX-YBaz0ZQwh_TlldRjeFYpzHN1C_hDvejMUNhQtLzMxodPuGYUES0Vj-IGYi/s1891/2013Opus83-84-200229Concert05-0938PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="380" data-original-width="1891" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguZdLbcqsP33CPjjOkBjokHYw2GkacfxcBlYFZEehA_gX2eaAEbemktktaaOb0m5-6jMzjHp_OP9AU_IuDX-YBaz0ZQwh_TlldRjeFYpzHN1C_hDvejMUNhQtLzMxodPuGYUES0Vj-IGYi/s320/2013Opus83-84-200229Concert05-0938PMPanorama.jpg" width="320" /></a></div><br /><b><br />THE OPUS PROJECT CHAMBER ORCHESTRA</b><br />
<br />
Mark Alburger <b>Music Director and Conductor</b><br />
<br />
<b>Flute</b><br />
Deborah Yates<br />
<br />
<b>Oboe</b><br />
Sheila Weston<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6WVQeodiPZ6FYixqOx7mMMacuZ5nEs0TLCTtEbsZ1CgLZzm5-owqPU_opEPH8EKUTWCHhucvj4z02CuHbBBsJxvNAQx3XopQ6N7s19WL6FpTyzHnCo2_hTuv7iQIrigbt0lV4HRpD_h0W/s1080/2013Opus83-84-200229Rehearsal02-0500PM.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6WVQeodiPZ6FYixqOx7mMMacuZ5nEs0TLCTtEbsZ1CgLZzm5-owqPU_opEPH8EKUTWCHhucvj4z02CuHbBBsJxvNAQx3XopQ6N7s19WL6FpTyzHnCo2_hTuv7iQIrigbt0lV4HRpD_h0W/s320/2013Opus83-84-200229Rehearsal02-0500PM.jpg" width="320" /></a></div><br /><b><br />Clarinet</b><br />
Jisoo Kim<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Trumpet</b><br />
Lois Kail<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-hx43VebvrITKPOOeZGyKcmc3PbRfHT2-SkZW2S-bfyf0qmN_7PwwkYzXC-DVrCGDXsHZwp_CpU0vh1t61PfIeD3u1-GwiiS7k-PVU3CkOgQaopc98GYMh5lzwMx5W71o8Wyq07Dh_2zO/s1304/2013Opus83-84-200229Rehearsal01-0458PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="1304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-hx43VebvrITKPOOeZGyKcmc3PbRfHT2-SkZW2S-bfyf0qmN_7PwwkYzXC-DVrCGDXsHZwp_CpU0vh1t61PfIeD3u1-GwiiS7k-PVU3CkOgQaopc98GYMh5lzwMx5W71o8Wyq07Dh_2zO/s320/2013Opus83-84-200229Rehearsal01-0458PMPanorama.jpg" width="320" /></a></div><b><br />Soprano</b><br />
Megan Cullen<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br /><br />
<b>Piano</b><br />
Mark Alburger<br />
Megan Cullen<br />
Hussein Al-Nasrawi<br />
<br />
<b>Percussion</b><br />
Hussein Al-Nasrawi<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_E1-p9cSucbq2eZDl-jwJovbRcsmpxUf3bswQGV29Awa5fJe_2DjgplFLgfUJwKjuFuuQKqG_L4BIw6FWYDhQh2izB4iaSODV-LJU47tmbtFObBJwGtfM71MzPdvhS_aLPBJuYU8nal7i/s1650/2013Opus83-84-200229Rehearsal02-0509PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="383" data-original-width="1650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_E1-p9cSucbq2eZDl-jwJovbRcsmpxUf3bswQGV29Awa5fJe_2DjgplFLgfUJwKjuFuuQKqG_L4BIw6FWYDhQh2izB4iaSODV-LJU47tmbtFObBJwGtfM71MzPdvhS_aLPBJuYU8nal7i/s320/2013Opus83-84-200229Rehearsal02-0509PMPanorama.jpg" width="320" /></a></div><br /><b>Violin I</b><br />
Kristen Kline<br />
<br />
<b>Violin II</b><br />
Kat Walsh<br />
<br />
<b>Viola</b><br />
Carol Earley<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDdVECJOGjR0GEfcx0u5qKxhBmymuskAjVeCvNrTYdTdQcaTZOC59T89p4Pe9ESRvOfUFdpHtHLG4KwXzAatlC6uJiGihMLVa-tTVgj_7TDfAeB5Vq-duUjywtHrsMohwlifA5iq5XcFOe/s1737/2013Opus83-84-200229Rehearsal02-0530PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="333" data-original-width="1737" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDdVECJOGjR0GEfcx0u5qKxhBmymuskAjVeCvNrTYdTdQcaTZOC59T89p4Pe9ESRvOfUFdpHtHLG4KwXzAatlC6uJiGihMLVa-tTVgj_7TDfAeB5Vq-duUjywtHrsMohwlifA5iq5XcFOe/s320/2013Opus83-84-200229Rehearsal02-0530PMPanorama.jpg" width="320" /></a></div><br /><b><br />Bass</b><br />
Joshua Calderon<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 85-86-87: Global Warning<br />
8pm, Saturday, March 28, 2020<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
Mark Alburger (b. 1957) <i>The Gospel According to St. Matthew</i>, Op. 85 (2000)<br />
<br />
Ludwig van Beethoven (1770-1827) <i>Mass in C Major</i>, Op. 86 (1807)<br />
Claude Debussy (1862-1918) <i> Prélude à l'Après-Midi d'un Faune</i>, L 86 (1894)<br />
Igor Stravinsky (1882-1971) <i>Babel </i>(1944)<br />
Claudio Monteverdi (1567-1643) <i>Vespers </i>(1610): Magnificat<br />
J.S. Bach (1685-1750) <i>Magnificat</i> (1733)<br />
Alan Hovhaness (1911-2000) <i>Magnificat</i> (1958)<br />
Mark Alburger (b. 1957) <i>Magnificat</i> (2000), Op. 86<br />
<br />
Paul Hindemith (1895-1963) <i>Symphony ("Mathis der Maler")</i> (1934)<br />
G.F. Handel (1685-1759) <i> Water Music </i>(1717)<br />
John Cage (1912-1992) <i>Water Music</i> (1952)<br />
Mark Alburger (b. 1957) <i>Water Music</i> (2014)<br />
<i>Violin Concerto ("Ticklish")</i>, Op. 87 (2000)<br />
Dmitri Shostakovich (1906-1975) <i>Prelude No. 1</i>, Op. 87 (1951)
In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-1096149625748920832019-10-19T20:00:00.001-07:002020-12-03T08:47:58.856-08:00October 19 - Opus 81-82: Imaginary Soundscapes<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd-BuE0-fMyfbrK2uRJt8L-ks4sOyDEahsNPLsbCibfoMVIb9vY7c6W-sGmhAkQUL8UlsWoSNzqbmi2GU0rjttrOzyEqJCXS69MP_ZHObYxLtHzzVd0AHMyTxKw98fKLoX8DyQztjZy6Q/s1600/2013Opus081-082-191019Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1592" data-original-width="1198" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd-BuE0-fMyfbrK2uRJt8L-ks4sOyDEahsNPLsbCibfoMVIb9vY7c6W-sGmhAkQUL8UlsWoSNzqbmi2GU0rjttrOzyEqJCXS69MP_ZHObYxLtHzzVd0AHMyTxKw98fKLoX8DyQztjZy6Q/s320/2013Opus081-082-191019Poster.jpg" width="240" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">THE OPUS PROJECT</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">presents</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">OPUS 81-82</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Imaginary Soundscapes</span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">8pm,
Saturday, October 19, 2019</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Diablo
Valley College Music Building, Viking Drive, Pleasant Hill, CA</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 11.0pt; mso-bidi-font-size: 10.0pt;">OPUS 81</span></i></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Johannes Brahms
(1833-1897)<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;">Tragic Overture</i>, Op. 81 (1880)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Allegro
ma non troppo</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-PHG8YCFkMHZPFeoY7qUKY8gutcPr54LzzkKZ2vdnrUqaYTeF2FCQXU2yEUoMDHkxIzYCwa9CVEdgZcXxFhGMoHMw-Dh2L6Uoe5VIHF4KKqnvr2rO9UNF2yZnv3zSu3lCHO8pwL3bfoA/s1600/2013Opus081-82-191019Concert03-0813PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="361" data-original-width="1600" height="72" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-PHG8YCFkMHZPFeoY7qUKY8gutcPr54LzzkKZ2vdnrUqaYTeF2FCQXU2yEUoMDHkxIzYCwa9CVEdgZcXxFhGMoHMw-Dh2L6Uoe5VIHF4KKqnvr2rO9UNF2yZnv3zSu3lCHO8pwL3bfoA/s320/2013Opus081-82-191019Concert03-0813PMPanorama.jpg" width="320" /></a></div>
<br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Erik Satie
(1866-1925)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Parade</i> (1917)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>I.
Chorale</span></div>
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<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Charles Ives
(1874-1954) <span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> A Set for Theatre Orchestra</i> (1915)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>I. In the
Cage</span></div>
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<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Maurice Ravel
(1875-1937)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Boléro</i> (1928)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Tempo di
Bolero moderato assai</span></div>
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<br /></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Igor Stravinsky
(1882-1971)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Circus Polka</i> (1942)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Composed
for a young elephant... Quarter = 100, Conclusion</span></div>
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<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Darius Milhaud
(1892-1974)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> La Création du Monde</i>, Op. 81 (1923)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Fugato</span></div>
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<br /></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Aaron Copland
(1900-1990)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Clarinet Concerto</i> (1948)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>II.
Rather Fast</span></div>
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<br /></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghXvHbE-f36BVM9AGjiALo6st5ivWN-KoNqkep4a6V974AWZsEGwhZk7fcEnyw4uWFdw5h73M_b8z-PkROa2CZCRwVP8aIzWbshm8qH14ztAbKihQZuMpSM7McjvPff-Ce6iFXYH8YM8o/s1600/2013Opus081-82-191019Concert04-0836PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="1600" height="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghXvHbE-f36BVM9AGjiALo6st5ivWN-KoNqkep4a6V974AWZsEGwhZk7fcEnyw4uWFdw5h73M_b8z-PkROa2CZCRwVP8aIzWbshm8qH14ztAbKihQZuMpSM7McjvPff-Ce6iFXYH8YM8o/s320/2013Opus081-82-191019Concert04-0836PMPanorama.jpg" width="320" /></a></div>
<br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">John Cage
(1912-1992) <span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Imaginary Landscape No. 4</i> (1951)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>For 12
Radios</span></div>
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<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Mark Alburger (b.
1957)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> The
Beatitudes</i>, Op. 81 (1999)</span></div>
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<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Poco
presto e con espressione</span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: center;">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 11.0pt; mso-bidi-font-size: 10.0pt;">OPUS 82</span></i><span style="font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Jean Sibelius
(1865-1957)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Symphony No. 5</i>, Op. 82 (1919)</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>III.
Largamente assai</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Erik Satie
(1866-1925) <span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Sonatine Bureaucratique</i> (1917)</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>I.
Allegro</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Maurice Ravel
(1875-1937) <span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Piano Concerto in D for the Left Hand</i> (1930)</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Lento,
Conclusion</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Igor Stravinsky
(1882-1971)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Danses Concertantes </i>(1942)</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>I. Marche
Introduction</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">John Cage
(1912-1992)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Music of Changes</i> (1951)</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Quarter =
69</span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">Mark Alburger (b.
1957)<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;"> </i></span></div>
<div class="MsoNormal" style="mso-hyphenate: none; mso-outline-level: 1; text-align: justify;">
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><i style="mso-bidi-font-style: normal;"> Symphony
No. 4 ("Sequence")</i>, Op. 82 (1999)</span></div>
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>I. Quarter =
200</span><br />
<br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"> The Opus Project Ensemble </span><br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><br />Hussein Al-Naswari (b. 1991) </span><br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"> <i> Fireworks at the Carnival</i> (2019)</span><br />
<br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"> Hussein Al-Naswari, Piano</span><br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><b>THE OPUS PROJECT ENSEMBLE</b><br /><br />Mark Alburger </span><br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><b>Music Director and Conductor</b><br /><br /><b>Recorder</b><br />Kat Walsh<br /><br /><b>Alto / Tenor Saxophones</b><br />Tim Machajewski<br /><br /><b>Bassoon</b><br />Tim Machajewski<br />Kat Walsh<br /><br /><b>Soprano</b><br />Megan Cullen<br /><br /><b>Tenor</b><br />Mark Alburger<br /><br /><b>Piano</b><br />Megan Cullen<br />Hussein Al-Naswari<br /><br /><b>Radios</b><br />Mark Aburger<br />Kat Walsh<br /><br /><b>Percussion</b><br />Mark Alburger<br />Hussein Al-Naswari<br /><br /><b>Violin</b><br />Kat Walsh<br /><br /><b>Cello</b><br />Aaron Urton</span><br />
<br />
<br />
<span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;">THE OPUS PROJECT presents<br /><br />OPUS 83-84: Turnabout Intruders<br />8pm, Saturday, February 29, 2020<br />Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br /><br />Johannes Brahms (1833-1897) <i> Piano Concerto No. 2</i>, Op. 83 (1881)<br />Erik Satie (1866-1925) <i> Socrate</i> (1918)<br />Maurice Ravel (1875-1937) <i> Piano Concerto in G</i> (1931)<br />Igor Stravinsky (1882-1971) <i>Norwegian Mood</i> (1942)<br />Alan Hovhaness (1911-2000) <i>Hymn to Yerevan</i>, Op. 83 (1969)<br />John Cage (1912-1992) <i>Seven Haiku </i>(1952)<br />Mark Alburger (b. 1957) <i>Quadruple Concerto ("Metal")</i>, Op. 83 (1999)<br /><br />Ludwig van Beethoven (1770-1827) <i> Egmont Overture</i>, Op. 84 (1810)<br />Charles Ives (1874-1954) <i>Symphony No. 4 </i>(1916)<br />Igor Stravinsky (1882-1971) <i> Ode</i> (1943)<br />Darius Milhaud (1892-1974) <i> Le Train Bleu,</i> Op. 84 (1924)<br />Mark Alburger (b. 1957) <i> Flute Concerto ("Mythological")</i>, Op. 84 (2000) </span>In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-15246370680567941932019-09-28T20:00:00.000-07:002020-12-03T08:39:33.820-08:00September 28 - Opus 79-80: Fate Knocking at the Floor<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGMsmaDTahsoEzargatwNcCZzhu7kMUMl4mCFDprtHAUPpoakGA9V2VAisX38uB0Z5JjeUYji-2Uxysx_VTyVDTkinLbKMM-9pKXat-BCUQ62rJgrDvXkGbArZxU7drwaVYdJCKXW23PU/s1600/2013Opus079-80-190928Poster02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1596" data-original-width="1194" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGMsmaDTahsoEzargatwNcCZzhu7kMUMl4mCFDprtHAUPpoakGA9V2VAisX38uB0Z5JjeUYji-2Uxysx_VTyVDTkinLbKMM-9pKXat-BCUQ62rJgrDvXkGbArZxU7drwaVYdJCKXW23PU/s320/2013Opus079-80-190928Poster02.jpg" width="239" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<i><span style="font-size: x-large;">OPUS 79-80</span></i><br />
<i><span style="font-size: large;">Fate Knocking at the Floor</span></i><br />
8pm, Saturday, September 28, 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<i>OPUS 79</i><br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Symphony in C</i> (1940)<br />
I. Allegro alla breve<br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i>From Jewish Folk Poetry</i>, Op. 79 (1948)<br />
II. The Thoughtful Mother and Aunt ("Bye, Bye, Bye")<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Job: A Masque</i>, Op. 79 (1999)<br />
Scene I - Introduction "What You Been Doing?"<br />
<br />
<br />
<i>OPUS 80</i><br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Fantasia in C Minor ("Choral Fantasy")</i>, Op. 80 (1808)<br />
Presto<br />
<br />
Johannes Brahms (1833-1897) <br />
<i>Academic Festival Overture</i>, Op. 80 (1880)<br />
Finale<br />
<br />
Gabriel Faure (1845-1924) <br />
<i>Pelleas et Melisande</i>, Op. 80 (1898)<br />
III. Sicilienne<br />
<br />
Charles Ives (1874-1954) <br />
<i>Sonata No. 2 ("Concord")</i> (1915)<br />
III. The Alcotts<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Tango</i> (1940)<br />
Tempo di tango<br />
<br />
Francis Poulenc (1899 -1963) <br />
<i>Suite Francaise d'apres Claude Gervaise [</i>1525-1583], FP 80 (1935)<br />
I. Bransle de Bourgogne<br />
<br />
Aaron Copland (1900-1990) <br />
<i>The Red Pony</i> (1948)<br />
Introduction<br />
<br />
Mark Alburger (b. 1957) <br />
<i>John and Salome</i>, Op. 80 (1999)<br />
IV. Salome's Dance<br />
<br />
Megan Cullen, Soprano and Piano<br />
The Opus Chamber Project Orchestra<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT CHAMBER ORCHESTRA</b><br />
<br />
Mark Alburger <b>Music Director and Conductor</b><br />
<br />
<b>Clarinet</b><br />
Peter Brown<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Soprano / Piano</b><br />
Megan Cullen<br />
<br />
<b>Tenor / Percussion</b> <br />
Mark Alburger<br />
<br />
<b>Violin </b><br />
Kat Walsh<br />
<br />
<b>Viola</b><br />
Carol Earley<br />
<br />
<b>Bass</b><br />
Josh Calderon<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 81-82<br />
Imaginary Soundscapes<br />
8pm, Saturday, October 19, 2019<br />
Diablo Valley College Music Building<br />
Viking Drive, Pleasant Hill, CA<br />
<br />
Johannes Brahms (1833-1897) <i> Tragic Overture</i>, Op. 81 (1880)<br />
Erik Satie (1866-1925) <i>Parade</i> (1917)<br />
Charles Ives (1874-1954) <i>A Set for Theatre Orchestra</i> (1915)<br />
Maurice Ravel (1875-1937) <i>Boléro</i> (1928)<br />
Igor Stravinsky (1882-1971) <i>Circus Polka</i> (1942)<br />
Darius Milhaud (1892-1974) <i> La Création du Monde</i>, Op. 81 (1923)<br />
Aaron Copland (1900-1990) <i> Clarinet Concerto</i> (1948)<br />
John Cage (1912-1992) <i>Imaginary Landscape</i> No. 4 (1951)<br />
Mark Alburger (b. 1957) <i>The Beatitudes</i>, Op. 81 (1999)<br />
<br />
Jean Sibelius (1865-1957) <i>Symphony No. 5</i>, Op. 82 (1919)<br />
Erik Satie (1866-1925) <i>Sonatine bureaucratique</i> (1917)<br />
Maurice Ravel (1875-1937) <i>Piano Concerto in D for the Left Hand</i> (1930)<br />
Igor Stravinsky (1882-1971) <i> Danses Concertantes</i> (1942)<br />
John Cage (1912-1992) <i>Music of Changes</i> (1951)<br />
Mark Alburger (b. 1957) <i>Symphony No. 4 ("Sequence")</i>, Op. 82 (1999)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-36786921296310527642019-05-25T20:00:00.001-07:002020-12-03T08:31:51.955-08:00May 25 - Opus 77-78: Being and Somethingness<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJnF6ywoKN9rS4rDX9L_vRFi1izpnDo97qXdB8av8M3yK22ljKbM-t9ETHAGELI4R2yHSGwNngoWp8xzSBnR7I5O-oH13xPSctpy14nCJHnKzlh9mM4t04x0qO34uq_12FjO1djHFl8hU/s1600/2013Opus077-78-190525Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1198" data-original-width="1600" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJnF6ywoKN9rS4rDX9L_vRFi1izpnDo97qXdB8av8M3yK22ljKbM-t9ETHAGELI4R2yHSGwNngoWp8xzSBnR7I5O-oH13xPSctpy14nCJHnKzlh9mM4t04x0qO34uq_12FjO1djHFl8hU/s320/2013Opus077-78-190525Poster.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<span style="font-size: x-large;"><i>OPUS 77-78</i></span><br />
<span style="font-size: large;"><i>Being and Somethingness</i></span><br />
8pm, Saturday, May 25, 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioMvWUmA1OkGo-lc-Kww524NYuTmrorJK7Obf8bIiujxiWK-UeTnPuTsrVMDrzglz-9pZ7NQPTs-bwna73zTYzDx37voDExtWI5q5zaMi5BF7OMbNROwSPFx1B14lLZzh2Lnfrxl94gF0/s1600/2013Opus77-78-190525-01-0801PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="490" data-original-width="1600" height="98" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioMvWUmA1OkGo-lc-Kww524NYuTmrorJK7Obf8bIiujxiWK-UeTnPuTsrVMDrzglz-9pZ7NQPTs-bwna73zTYzDx37voDExtWI5q5zaMi5BF7OMbNROwSPFx1B14lLZzh2Lnfrxl94gF0/s320/2013Opus77-78-190525-01-0801PMPanorama.jpg" width="320" /></a></div>
<br />
OPUS 77<br />
<br />
Domenico Scarlatti (1685-1757) <br />
<i>Keyboard Sonata in D Minor</i>, K. 77 (1715)<br />
I. Moderato e cantabile<br />
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<br />
Johannes Brahms (1833-1897) <br />
<i>Violin Concerto in D Major</i>, Op. 77 (1878)<br />
I. Allegro non troppo<br />
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<br />
Camille Saint-Saens (1835-1921)<br />
<i>Carnival of the Animals</i> (1886)<br />
XIII. The Swan<br />
XIV. Finale<br />
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<br />
Erik Satie (1866-1925)<br />
<i>Next-to-Last Thoughts</i> (1915)<br />
I. Idylle (to Claude Debussy)<br />
II. Aubade (to Paul Dukas)<br />
III. Meditation (to Albert Roussel)<br />
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<br />
Charles Koechlin (1867-1950) <br />
<i>12 Pastorales</i>, Op. 77 (1920)<br />
I. Allegretto quasi andante<br />
<br />
Ralph Vaughan Williams (1872-1958) <br />
<i>Symphony No. 5 in D Major</i> (1943)<br />
I. Preludio<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Concerto in Eb ("Dumbarton Oaks") </i>(1938)<br />
III. Con moto<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>Hamlet,</i> Op. 77 (1938)<br />
I. The Ghost of Hamlet's Father<br />
<br />
Aaron Copland (1900-1990) <br />
<i>Symphony No. 3</i> (1946)<br />
II. Allegro Molto<br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i>Violin Concerto No. 1 in A Minor</i>, Op. 77 (1948)<br />
IV. Burlesque - Allegro con brio<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Henry Miller in Brooklyn</i>, Op. 77 (1999) <br />
VI. Arthur Rimbaud<br />
<br />
<br />
OPUS 78<br />
<br />
Camille Saint-Saens (1835-1921) <br />
<i> Symphony No. 3 ("Organ") in C Minor</i>, Op. 78 (1886)<br />
IIb. Maestoso<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>Alexander Nevsky</i>, Op 78 (1939)<br />
I. Russia Beneath the Yoke of the Mongols<br />
<br />
Darius Milhaud (1892-1974) <br />
<i>Three Rag-Caprices</i>, Op. 78 (1922)<br />
I. Sec et muscle<br />
<br />
Aaron Copland (1900-1990) <br />
<i> In the Beginning</i> (1947)<br />
Freely<br />
<br />
Franz Joseph Haydn (1732-1809) <br />
<i>The Creation</i> (1800)<br />
Part I : 2. In the Beginning<br />
<br />
Mark Alburger (b. 1957) <br />
<i>The Creation</i> (2000)<br />
I. In the Beginning<br />
<br />
Paul Sjolund (b. 1935) <br />
<i>In the Beginning Was the Word</i> (1965)<br />
Introduction<br />
<br />
Alan Hovhaness (1911-2000) <br />
<i> Horn Concerto ("Artik")</i>, Op. 78 (1948)<br />
I. Alleluia<br />
<br />
Mark Alburger (b. 1957)<br />
<i> Esther Xerxes</i>, Op. 78 (1999) <br />
IV. Bigthana and Teresh<br />
<br />
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<br />
Kat Walsh (b. 1980) <br />
<i>"Scarborough Fair" Quartet</i> (2019)<br />
<br />
Bob Satterford, Horn<br />
Megan Cullen, Soprano and Piano<br />
Kristen Kline, Violin<br />
Aaron Urton, Cello<br />
The Opus Project Chamber Orchestra<br />
<br />
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<br />
<b>THE OPUS PROJECT CHAMBER ORCHESTRA</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
<br />
<b>Flute</b><br />
Sarah Kidd<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Alto</b><br />
Kat Walsh<br />
<br />
<b>Tenor</b> <br />
Mark Alburger<br />
<br />
<b>Bass</b><br />
Aaron Urton<br />
<br />
<b>Piano</b><br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
John Vietch<br />
<br />
<b>Violin</b><br />
Kristen Kline<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 79-80: Fate, Knocking on the Floor<br />
8pm, Saturday, September 28 , 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Richard Strauss (1864-1949) <i>Arabella</i>, Op. 79 (1933)<br />
Erik Satie (1866-1925) <i>Grimaces for a Summer-Night's Dream </i>(1915)<br />
Igor Stravinsky (1882-1971) <i> Symphony in C</i> (1940)<br />
Sergei Prokofiev (1891-1953) <i>Song</i>, Op. 79 (1939)<br />
Darius Milhaud (1892-1974) <i>Symphonie de Chambre No. 6</i>, Op. 79 (1923)<br />
Dmitri Kabalevsky (1904-1987) <i>To the Memory of Sergei Prokofiev</i>, Op. 79 (1965)<br />
Dmitri Shostakovich (1906-1975) <i> From Jewish Folk Poetry</i>, Op. 79 (1948)<br />
Alan Hovhaness (1911-2000) <i>Dance for Brass Quintet</i>, Op. 79 (1967)<br />
Benjamin Britten (1912-1976) <i> "The Building of the House" Overture,</i> Op. 79 (1967)<br />
Mark Alburger (b. 1957) <i> Job: A Masque</i>, Op. 79 (1999)<br />
<br />
Ludwig van Beethoven (1770-1827) <i>Fantasia in C Minor ("Choral")</i>, Op. 80 (1808)<br />
Johannes Brahms (1833-1897) <i> Academic Festival Overture</i>, Op. 80(1880)<br />
Richard Strauss (1864-1949) <i> Die schweigsame Frau</i>, Op. 80 (1935)<br />
Charles Ives (1874-1954) <i> Sonata No. 2 ("Concord")</i> (1915)<br />
Igor Stravinsky (1882-1971) <i>Tango</i> (1940)<br />
Aaron Copland (1900-1990) <i>The Red Pony</i> (1948)<br />
Mark Alburger (b. 1957) <i> John and Salome</i>, Op. 80 (1999)<br />
<br />
***<br />
<br />
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<br />
Way to end the Spring 2019 series of Opus Projects!In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-296427798933162802019-04-27T20:00:00.001-07:002020-12-03T08:26:34.063-08:00April 27 - Spirit of Opus 75-76<p></p><div class="separator" style="clear: both; text-align: center;">
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</div>
<br />
<b><span style="font-size: x-large;">THE OPUS PROJECT</span></b><br />
<br />
<br />
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<br />
presents<br />
<br />
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<br />
<br />
<i><span style="font-size: large;">Spirit of OPUS 75-76</span></i><br />
8pm, Saturday, April 27, 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
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<br />
OPUS 75<br />
<br />
Greek Chant Composer (245) <br />
<i>Let All Mortal Flesh Keep Silent</i> (275)<br />
Paraphrase, Gerard Moultrie (1829-1885)<br />
<br />
Leonin (1133-1190) <br />
<i>Hec Dies</i> (1175)<br />
"This Is the Day"<br />
<br />
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<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Six Songs</i>, Op. 75 (1809)<br />
I. Mignon [Cute] (Ziemlich langsam - A Major - <br />
Johann Wolfgang von Goethe, 1749-1832)<br />
<br />
Richard Wagner (1813-1883) <br />
<i>Lohengrin</i>, WWV 75 (1848)<br />
Act II, Scene 2: Entweihte Götter <br />
[Desecrated Gods]<br />
<br />
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<br />
Cesar Cui (1835-1918) <br />
<i>Seven Poems by Armenian Poets</i>, Op. 75 (1907)<br />
VI. Ely (Smbat Shahaziz, 1841-1907)<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL2swSRzde4aenR82yUPYa1HOUDdioTnptBNAW11_G02ybhUZU5NeMWblTFrRj5GKS6icz1AhxS3V4ecMKap8hbLVrxIhvrE_rjhe5AFsjBXJN7YCEuIotgt3BSCfl5RFkrMj4uUzQ_jE/s1600/2013Opus075-076-190427-06-0817PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="373" data-original-width="1600" height="74" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL2swSRzde4aenR82yUPYa1HOUDdioTnptBNAW11_G02ybhUZU5NeMWblTFrRj5GKS6icz1AhxS3V4ecMKap8hbLVrxIhvrE_rjhe5AFsjBXJN7YCEuIotgt3BSCfl5RFkrMj4uUzQ_jE/s320/2013Opus075-076-190427-06-0817PMPanorama.jpg" width="320" /></a></div>
<br />
Peter Tchaikovsky (1840-1893) <br />
<i> Piano Concerto No. 3</i>, Op. 75 (1893)<br />
Poco meno<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeQPCZttVZpO56EGl7GJ0PIdNFL0jYqWrzPvrMUYZF-4jdaWEs4JUOZ5ZGv0GKV7KCe11mo54S6EJvgQ-8VGaxDnhz5qOlhvmywKpLJ07qVIpAI2-72_lcQuq8LXAHRc4RjcO_IIxeLOw/s1600/2013Opus075-076-190427-07-0821PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="474" data-original-width="1600" height="94" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeQPCZttVZpO56EGl7GJ0PIdNFL0jYqWrzPvrMUYZF-4jdaWEs4JUOZ5ZGv0GKV7KCe11mo54S6EJvgQ-8VGaxDnhz5qOlhvmywKpLJ07qVIpAI2-72_lcQuq8LXAHRc4RjcO_IIxeLOw/s320/2013Opus075-076-190427-07-0821PMPanorama.jpg" width="320" /></a></div>
<br />
Claude Debussy (1862-1918) <br />
<i> Suite Bergamasque</i>, L. 75 (1905)<br />
III. Clair de Lune [Moonlight]<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Max Reger (1873-1916) <br />
<i>18 Songs</i>, Op. 75 (1903)<br />
II. Mondnacht [Moonlit Night] <br />
(Franz Evers, 1871-1947)<br />
<br />
Arnold Schoenberg (1874-1951) <br />
<i>Pierrot Lunaire</i> (1912) <br />
(Albert Giraud [Emile Kayenberg], 1860-1929)<br />
I. Mondestrunken [Moon Drunk]<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Symphony No. 3 ("Recycled")</i>, Op. 75 (1999)<br />
I. Moderato<br />
<br />
OPUS 76<br />
<br />
Franz Joseph Haydn (1732-1809) <br />
<i>Symphony No. 60 ("Il Distratto")</i> (1776)<br />
V. Finale prestissimo<br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Six Variations on a Theme in D ("Turkish")</i>, Op. 76 <br />
Theme - Allegro risoluto<br />
<br />
Charles Villiers Stanford (1852-1924) <br />
<i>Songs of Erin</i>, Op. 76 (1901, Alfred Perceval Graves, 1846-1941)<br />
XXI. Lullaby<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
<br />
Claude Debussy (1862-1918) <br />
<i> Les Angelus</i>, L. 76 (1892)<br />
Modere (avec une douceur triste)<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Erik Satie (1866-1925) <br />
<i>Sports et Divertissements </i>(1914)<br />
XII. La Pieuvre (The Octopus)<br />
XVII. Le Tango<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Animal Farm</i>, Op. 76 (1999)<br />
XXII. Bears<br />
XXIII. Cats<br />
XXIX. Horses<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Nasrawi (b. 1991) <br />
<i>Fantasia Internazionale Meraviglie</i> (2019)<br />
Improvisation for Piano, Ensemble, Electronics, and Audience<br />
<br />
Megan Cullen, Soprano and Piano<br />
Hussein Al-Naswari, Piano<br />
The Opus Project Ensemble<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
THE OPUS PROJECT ENSEMBLE<br />
<br />
Mark Alburger <b> Music Director and Conductor</b><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Flute / Piccolo</b><br />
Sarah Kidd<br />
<br />
<b>Flute</b><br />
Kyle Wright<br />
<br />
<b>Oboe / English Horn</b><br />
Sheila Weston<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Clarinet</b><br />
Kyle Wright<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Tenor </b><br />
Mark Alburger<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 77-78: Being and Somethingness<br />
8pm, Saturday, May 25<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Johannes Brahms (1833-1897) <i>Violin Concerto in D Major</i>, Op. 77 (1878)<br />
Camille Saint-Saens (1835-1921) <i>Carnival of the Animals</i> (1886)<br />
Erik Satie (1866-1925) <i>Next-to-Last Thoughts</i> (1915)<br />
Igor Stravinsky (1882-1971) <i>Concerto in Eb ("Dumbarton Oaks")</i> (1938)<br />
Sergei Prokofiev (1891-1953) <i>Hamlet</i>, Op. 77 (1938)<br />
Aaron Copland (1900-1990) <i>Symphony No. 3</i> (1946)<br />
Dmitri Shostakovich (1906-1975) <i>Violin Concerto No. 1 in A Minor</i>, Op. 77 (1948)<br />
Alan Hovhaness (1911-2000) <i>Zartik Parkim ("Awake, My Glory")</i>, Op. 77 (1948)<br />
Benjamin Britten (1912-1976) <i>The Burning Fiery Furnace</i>, Op. 77 (1966)<br />
Mark Alburger (b. 1957) <i>Henry Miller in Brooklyn,</i> Op. 77 (1999) <br />
<br />
Camille Saint-Saens (1835-1921) <i>Symphony No. 3 ("Organ") in C Minor</i>, Op. 78 (1886)<br />
Giacomo Puccini (1858-1924) <i>The Girl of the Golden West</i>, SC 78 (1910)<br />
Ralph Vaughan Williams (1872-1958) <i>Five Variants of Dives and Lazarus </i>(1939)<br />
Sergei Prokofiev (1891-1953) <i>Alexander Nevsky</i>, Op 78 (1939)<br />
Darius Milhaud (1892-1974) <i>Three Rag Caprices</i>, Op. 78 (1922)<br />
Aaron Copland (1900-1990) <i>In the Beginning</i> (1947)<br />
Dmitri Shostakovich (1906-1975) <i> Music to the Film "Michurin"</i>, Op. 78 (1948)<br />
Alan Hovhaness (1911-2000) <i>Horn Concerto ("Artik")</i>, Op. 78 (1948)<br />
Benjamin Britten (1912-1976) <i>The Golden Vanity</i>, Op. 78 (1966)<br />
Mark Alburger (b. 1957) <i>Esther Xerxes</i>, Op. 78 (1999)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-32053260428142038552019-02-23T20:00:00.001-08:002020-12-03T08:20:19.544-08:00February 23 - Opus 73-74: When in Romance<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidAPFYT2pS3KGGeyUQIOO3PREWMC0kZDWEqDEzK7sR5GftXUhJCX_2uzJFTmLhFlYADc2taBvyoJtj3JHgt1cnMX-CYnAaueXpV2Zw6uP9ctxppbxGFRrPG4HEleO5aWhtuMPdMwBbxKE/s1600/2013Opus073-74-190223Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1193" data-original-width="1588" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidAPFYT2pS3KGGeyUQIOO3PREWMC0kZDWEqDEzK7sR5GftXUhJCX_2uzJFTmLhFlYADc2taBvyoJtj3JHgt1cnMX-CYnAaueXpV2Zw6uP9ctxppbxGFRrPG4HEleO5aWhtuMPdMwBbxKE/s320/2013Opus073-74-190223Poster.jpg" width="320" /></a></div>
<br />
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<i><span style="font-size: x-large;">OPUS 73-74</span><br /><span style="font-size: large;">When In Romance...</span></i><br />
8pm, Saturday, February 23, 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
OPUS 73<br />
<br />
Conrad Paumann (1415-1473) <br />
<i>Mit Ganczem Willen</i> (1452)<br />
"With My Whole Heart"<br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i> Piano Concerto No. 5 ("Emperor")</i>, Op. 73 (1809)<br />
II. Adagio un poco mosso<br />
<br />
Franz Schubert (1797-1828) <br />
<i>Thekla</i>, D. 73 (1813, Friedrich Schiller [1759-1805], 1802)<br />
Moderato<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Robert Schumann (1810-1856) <br />
<i>Fantasy Pieces</i>, Op. 73 (1849)<br />
I. Tender, with expression<br />
<br />
Johannes Brahms (1833-1897) <br />
<i>Symphony No. 2 in D Major</i>, Op. 73 (1877)<br />
I. Allegro non troppo<br />
<br />
Edvard Grieg (1843-1907) <br />
<i>Piano Moods</i>, Op. 73 (1905)<br />
VI. Student's Serenade<br />
<br />
Arthur Foote (1853-1947) <br />
<i>Five Piano Silhouettes</i>, Op. 73 (1913)<br />
III. Valse triste<br />
<br />
Ralph Vaughan Williams (1872-1958)<br />
<i> Festival Te Deum</i> (1937) <br />
Andante risoluto<br />
<br />
John Cage (1912-1992) <br />
<i>Suite for Toy Piano</i> (1948)<br />
I. Half = 60<br />
II. Half = 64<br />
<br />
Philip Glass (b. 1937) <br />
<i>Symphony No. 1 ("Low") </i>(1992)<br />
I. Subterraneans<br />
<br />
Mark Alburger (b. 1957) <br />
<i>The Opera of Daniel,</i> Op. 73 (1999) <br />
III. The Fiery Furnace<br />
<br />
Megan Cullen, Soprano and Piano<br />
Aaron Urton, Cello<br />
The Opus Project Orchestra<br />
<br />
OPUS 74<br />
<br />
Orkney Islands Composer (b. 1074) <br />
<i>Hymn to St. Magnus</i> (1104)<br />
<br />
Peter Tchaikovsky (1840-1893) <br />
<i>Symphony No. 6 ("Pathétique")</i>, Op. 74 (1893)<br />
II. Allegro con grazia<br />
<br />
Giacomo Puccini (1858-1924) <br />
<i>Madama Butterfly</i>, SC 74 (1903)<br />
Act II: Un Bel Di (Andantino molto calmo)<br />
<br />
Horatio Parker (1863-1919) <br />
<i>Seven Greek Pastoral Scenes</i>, Op. 74 (1912) <br />
II. I Will Twine the Violet (after the Greek mythological hero Meleager)<br />
<br />
Erik Satie (1866-1925) <br />
<i>Secular and Instantaneous Hours</i> (1914)<br />
I. Obstacles Venimeux<br />
II. Crepuscule Matial (de Midi)<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFspIxjYlZEMsKMdl8ceD3xRKxIpOzm7WYbnPH7YADBhbgyqcyvdgofLj0mt88ziuohMDaZc0tcaF3lregKgntcZ3KFB4ixplh0wupN50GzhISFAlVetTa4a_sMKfyMgP6IgaVvxU-_kg/s1600/2013Opus73-74-190223-06CullenMegan0846PM.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFspIxjYlZEMsKMdl8ceD3xRKxIpOzm7WYbnPH7YADBhbgyqcyvdgofLj0mt88ziuohMDaZc0tcaF3lregKgntcZ3KFB4ixplh0wupN50GzhISFAlVetTa4a_sMKfyMgP6IgaVvxU-_kg/s320/2013Opus73-74-190223-06CullenMegan0846PM.JPG" width="320" /></a></div>
<br />
Alexander Scriabin (1871-1915) <br />
<i>Five Piano Preludes,</i> Op. 74 (1914)<br />
II. Tres lent, contemplatif<br />
<br />
Maurice Ravel (1875-1937) <br />
<i> Berceuse sur le Nom de Gabriel Fauré</i> (1922)<br />
(G lA B sol rI E El F lA sol Re E)<br />
Semplice<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Buddha's Little Instruction Book</i>, Op. 74 (1999)<br />
I. Love<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd0Ke36d9tTKhF3z8OnZZWXVc0CmW5izKPbT96GTDw63QMQJ8yTxYQpk7kwhTSSEzeefu-ziNGfz0hSSrBMQMcBzqUuqsbzs_OTZV-6WdsAOO5e-JtUC2-DztE9LUeSuzS8ogR9YXM7fY/s1600/2013Opus73-74-190223-08AlNaswariHussein0949PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="1600" height="87" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd0Ke36d9tTKhF3z8OnZZWXVc0CmW5izKPbT96GTDw63QMQJ8yTxYQpk7kwhTSSEzeefu-ziNGfz0hSSrBMQMcBzqUuqsbzs_OTZV-6WdsAOO5e-JtUC2-DztE9LUeSuzS8ogR9YXM7fY/s320/2013Opus73-74-190223-08AlNaswariHussein0949PMPanorama.jpg" width="320" /></a></div>
<br />
Hussein Al-Naswari (b. 1991) <br />
<i>Romanza Magica</i> (2019)<br />
<br />
Megan Cullen, Soprano and Piano<br />
Hussein Al-Naswari, Piano<br />
The Opus Project Orchestra<br />
<br />
<b> THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVzqO4H1DRN61U920i8RXLMhGZQ-4N_iFtCHyMcDi2HlOO6E8eogCzlVtln7Dc2NLMzYGx-5oFTMjOiuU7jvR_9iEiH__TVmat5ZT_wxePBxljsntU5ZxjL1g2LjRhvhj24LiIY0Pcvk4/s1600/2013Opus73-74-190223-11Woodwinds0957PMPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="661" data-original-width="1600" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVzqO4H1DRN61U920i8RXLMhGZQ-4N_iFtCHyMcDi2HlOO6E8eogCzlVtln7Dc2NLMzYGx-5oFTMjOiuU7jvR_9iEiH__TVmat5ZT_wxePBxljsntU5ZxjL1g2LjRhvhj24LiIY0Pcvk4/s320/2013Opus73-74-190223-11Woodwinds0957PMPanorama.jpg" width="320" /></a></div>
<br />
<b>Flute</b><br />
Sarah Kidd<br />
<br />
<b>Recorder</b><br />
Kat Walsh<br />
<br />
<b>Oboe</b><br />
Sheila Weston<br />
<br />
<b>Clarinet</b><br />
Kyle Wright<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Alto</b><br />
Kat Walsh<br />
<br />
<b>Tenor </b><br />
Mark Alburger<br />
<br />
<b>Piano</b><br />
Hussein Al-Naswari<br />
Megan Cullen<br />
<br />
<b>Vibraphone / Timpani</b><br />
Hussein Al-Naswari<br />
<br />
Violin<br />
Kristen Kline<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<b>Cello / Bass</b><br />
Gabby Dela Cruz<br />
Aaron Urton<br />
<br />
THE OPUS PROJECT presents<br />
<br />
Spirit of OPUS 75-76<br />
8pm, Saturday, April 27, 2019<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Peter Tchaikovsky (1840-1893) <i>Piano Concerto No. 3</i>, Op. 75 (1893)<br />
Claude Debussy (1862-1918) <i> Suite Bergamasque</i>: Clair de Lune, L. 75 (1905)<br />
Richard Strauss (1864-1949) <i> Die Ägyptische Helena,</i> Op 75 (1928)<br />
Florent Schmitt (1870-1958) <i>Abishag's Dance for Orchestra</i>, Op. 75 (1925)<br />
Igor Stravinsky (1882-1971) <i>Jeu de Cartes</i> (1936) <br />
Sergei Prokofiev (1891-1953) <i>Romeo and Juliet</i>, Op. 75 (1937)<br />
Dmitri Shostakovich (1906-1975) <i> Music to the Film The Young Guard</i>, Op. 75 (1948)<br />
Philip Glass (b. 1937) <i> La Belle et la Bete </i>(1994)<br />
Mark Alburger (b. 1957) <i> Symphony No. 3 ("Recycled")</i>, Op. 75 (1999) <br />
<br />
Erik Satie (1866-1925) <i>Sports et Divertissements</i> (1914)<br />
Igor Stravinsky (1882-1971) <i>Preludium</i> (1937)<br />
Sergei Prokofiev (1891-1953) <i> Songs of Our Times</i>, Op. 76 (1937)<br />
Dmitri Shostakovich (1906-1975) <i>Music to the Film "Pirogov"</i>, Op. 76 (1947)<br />
Alan Hovhaness (1911-2000) <i>Thirtieth Ode of Solomon</i>, Op. 76 (1948)<br />
Mark Alburger (b. 1957) <i>Animal Farm</i>, Op. 76 (1999)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-66432086796918308312018-12-15T20:00:00.001-08:002020-12-03T07:41:13.269-08:00December 15 - Opus 71-72: After the Fall / Darkness into Light<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxJtHZ5Yp-hcGJhoCHvaEIjMm_MKBZowNgTXU4XhPA-cgiXdHju1Oq5reQvl2zC2Jq0F0_GPY1DTtKFOdImviDsf2d2XDgvzPLxwjOkqLvcKQ8CuRrSpE21sSJfFMUJdl_9S-O6p3ariI/s1600/2013Opus071-181215Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="936" data-original-width="1600" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxJtHZ5Yp-hcGJhoCHvaEIjMm_MKBZowNgTXU4XhPA-cgiXdHju1Oq5reQvl2zC2Jq0F0_GPY1DTtKFOdImviDsf2d2XDgvzPLxwjOkqLvcKQ8CuRrSpE21sSJfFMUJdl_9S-O6p3ariI/s320/2013Opus071-181215Poster.jpg" width="320" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<span style="font-size: large;"><i>OPUS 71-72</i></span><br />
8pm, Saturday, December 15, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<span style="font-size: large;"><i>Opus 71: After the Fall</i></span> <br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
Peter Tchaikovsky (1840-1893) <br />
<i>The Nutcracker</i>, Op. 71 (1892)<br />
II. Danses characterisques: a. Marche<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Maurice Ravel (1875-1937)<br />
<i>L'Enfant et les Sortileges</i> (<i>The Child and the Dreams</i>, 1925)<br />
Round of the Bats<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
Aaron Copland (1900-1990) <br />
<i>Appalachian Spring</i> (1944)<br />
II. Allegro<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Elijah Rock</i>, Op. 71 (1998) <br />
1. QUARTETTO - Turn<br />
(The Man of God from Judah and the Old Prophot of Bethel)<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: large;"><i>OPUS 72: Darkness into Light </i></span><br />
<br />
Ludwig van Beethoven (1770-1827) <i> </i><br />
<i> Fidelio</i>, Op. 72 (1805)<br />
IX. Recitative and Aria<br />
"Abscheulicher!....Komm Hoffnung...Ich folg'" <br />
<br />
Carl Orff (1895-1982)<br />
<i>Carmina Burana </i>(1937)<br />
I. O Fortuna <br />
<br />
John Cage (1912-1992) <i> </i><br />
<i> Sonata and Interludes</i> (1948)<br />
Sonata V<br />
<br />
Mark Alburger (b. 1957) <br />
<i>The Nativity According to St. Matthew,</i> Op. 72 (1998)<br />
I. Now the Birth of Jesus Christ Was on this Wise<br />
<br />
Megan Cullen, Soprano / The Opus Project Orchestra<br />
<br />
Kat Walsh (b. 1982)<br />
<i>String Quartet</i> (2018)<br />
<br />
The Opus Project String Quartet <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
Hussein Al-Nasrawi (b. 1991) <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
<i> Camp Fire</i> <br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<i> <i>Improvisation </i></i>(2018) <i><i> </i></i><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
<i> </i>Hussein Al-Nasrawi, Piano <br />
<br />
<br />
Rose Auston (b. 2000)<br />
<i>The Witches' Song</i> (William Shakespeare, 1564-1616 - <i>Macbeth</i>, 1606)<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
<b>THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger <br />
<b>Music Director and Conductor</b><br />
<br />
<b>Clarinet</b><br />
Kyle Wright <br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Trumpet I / Post Horn</b><br />
Michael Cox<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwWiXm9wrUmA9PXUzx1GvoJCbECxGXolHakihDmzWMxyJVFFhwub4WqRZicUhIb4uTWRgo5cwqnf-ONTTzB6_zG1-n63FSK4gHQ4vaMUi76C0KFL3nvSJW6f6UwkiGM6QsS6kMgPziX6U/s1600/2013Opus071-072-181215-17Marimba0919.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwWiXm9wrUmA9PXUzx1GvoJCbECxGXolHakihDmzWMxyJVFFhwub4WqRZicUhIb4uTWRgo5cwqnf-ONTTzB6_zG1-n63FSK4gHQ4vaMUi76C0KFL3nvSJW6f6UwkiGM6QsS6kMgPziX6U/s320/2013Opus071-072-181215-17Marimba0919.JPG" width="320" /></a></div>
<br />
<b>Trumpet II </b><br />
Gabriel Lara <br />
<br />
<b>Horn</b><br />
Eric Carrasco <br />
<br />
<b>Tromboon / Tuba </b><br />
Adam Machajewski<br />
<br />
<b>Soprano</b><br />
Rose Auston <br />
Megan Cullen<br />
<br />
<b>Alto</b><br />
Harriet March Page <br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Piano</b><br />
Hussei Al-Nasrawi <br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Michael Kenner <br />
<br />
<b>Violin I</b> <br />
Corey Johnson<br />
<br />
<b>Violin II / Viola</b><br />
Kat Walsh<br />
<br />
<b>Viola da Gamba / Cello</b><br />
Aaron Urton<br />
<br />
<b>Cello / Bass</b><br />
Avery Newmiller<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 73-74: When in Romance...<br />
8pm, Saturday, February 15, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Ludwig van Beethoven (1770-1827) <i>Piano Concerto No. 5 ("Emperor")</i>, Op. 73 (1809)<br />
Johannes Brahms (1833-1897) S<i>ymphony No. 2 in D Major,</i> Op. 73 (1877)<br />
Ralph Vaughan Williams (1872-1958) <i>Festival Te Deum</i> (1937) <br />
John Cage (1912-1992) <i>Suite for Toy Piano</i> (1948)<br />
Philip Glass (b. 1937) <i>Symphony No. 1 ("Low") </i>(1992)<br />
Mark Alburger (b. 1957) <i>The Opera of Daniel</i>, Op. 73 (1999) <br />
<br />
Peter Tchaikovsky (1840-1893) S<i>ymphony No. 6 ("Pathétique")</i>, Op. 74 (1893)<br />
Erik Satie (1866-1925) <i> Secular and Instantaneous Hours</i> (1914)<br />
Maurice Ravel (1875-1937) <i>Berceuse sur le Nom de Gabriel Fauré </i>(1922)<br />
Mark Alburger (b. 1957) <i>Buddha's Little Instruction Book</i>, Op. 74 (1999)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-59163396381071582042018-10-27T20:00:00.002-07:002020-12-03T07:30:35.565-08:00October 27 - Opus 70: Ghost Dances<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoGBlOSLrZiHCN-s_9n_Fx8e2NXUUu_UJjX6B_4QUOjW9F4rIToiogu044l2uBp3VzE1G3EomG1hTLD69ArojZW8KbCAAImD9HE1YHuwRhzfrvK8LQ43Ol-M-7vGrWr2gHCmQhrSZBNpE/s1600/2013Opus070-181017Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1198" data-original-width="1598" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoGBlOSLrZiHCN-s_9n_Fx8e2NXUUu_UJjX6B_4QUOjW9F4rIToiogu044l2uBp3VzE1G3EomG1hTLD69ArojZW8KbCAAImD9HE1YHuwRhzfrvK8LQ43Ol-M-7vGrWr2gHCmQhrSZBNpE/s320/2013Opus070-181017Poster.jpg" width="320" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<span style="font-size: large;"><i>OPUS 70: Ghost Dances</i></span><br />
8pm, Saturday, October 27, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqVFPkgOZ5pbJcZY1TlYS47ZfIoTtCyp5QgLm1YfNbgN2hKGgiAFMaY_IgwN8m2EJYXaB-6MDwOlfHnDlaZt6Pwpfax9rgbUu9OTT658AYBgptApfqyW2HyVbJO068ry4TBEYNs-Zeby0/s1600/2013Opus070-181027-02.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqVFPkgOZ5pbJcZY1TlYS47ZfIoTtCyp5QgLm1YfNbgN2hKGgiAFMaY_IgwN8m2EJYXaB-6MDwOlfHnDlaZt6Pwpfax9rgbUu9OTT658AYBgptApfqyW2HyVbJO068ry4TBEYNs-Zeby0/s320/2013Opus070-181027-02.JPG" width="320" /></a></div>
<br />
Muhammad (570-632) <br />
<i>Call to Prayer</i> (622)<br />
(As heard in Cairo, 1980)<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOBmz_ph-6CBsATkFfCD_p0-tMi4fnQPcWL0onKl7GCsq4zuBdLpAdFKZG9ObctnaT5nCZV4TXJunsep30NGY-JiO0AYeke3F4rP84JgfodagzM3K0jMyjsEyhMCvaYSVUldSTh3hIEro/s1600/2013Opus070-181027-03Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="817" data-original-width="1600" height="163" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOBmz_ph-6CBsATkFfCD_p0-tMi4fnQPcWL0onKl7GCsq4zuBdLpAdFKZG9ObctnaT5nCZV4TXJunsep30NGY-JiO0AYeke3F4rP84JgfodagzM3K0jMyjsEyhMCvaYSVUldSTh3hIEro/s320/2013Opus070-181027-03Panorama.jpg" width="320" /></a></div>
<br />
Cenewulf (940-1010) <br />
<i>Veni Veni Emmanuel</i> (<i>O Come, O Come, Emmanuel,</i> 970<br />
trans. John Mason Neal, 1818-1866)<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUeyXy8rd2-C3GDUnHaRiDb0MK4qezoiP7VaWljfMykDO2NDJ89nNlFnK5Ygr99sDjOOHwrM3m1XPJwfaJ56lScxErYaY89qkNw16YfPIbznxm34keXJ4PvzDR4ppW2TsqIgBtraWi2EA/s1600/2013Opus070-181027-04Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="1600" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUeyXy8rd2-C3GDUnHaRiDb0MK4qezoiP7VaWljfMykDO2NDJ89nNlFnK5Ygr99sDjOOHwrM3m1XPJwfaJ56lScxErYaY89qkNw16YfPIbznxm34keXJ4PvzDR4ppW2TsqIgBtraWi2EA/s320/2013Opus070-181027-04Panorama.jpg" width="320" /></a></div>
<br />
Free Organum Composer (b. c. 970) <br />
<i>Cunctipotens Genitor </i>(<i>All-Powerful Creator</i>, c. 1000,<br />
Tuotillo, 865-916)<br />
<br />
French Composer (b. c. 1170) <br />
<i>Ductia</i> (c. 1200)<br />
After Florilegium Musicum<br />
<br />
Italian Composer (b. c. 1270) <br />
<i>Trotto </i>(c. 1300)<br />
6/8 - 3/8<br />
<br />
Jacopo da Bologna (1320-1370) <br />
<i>Non al suo amante</i> (<i>No One Ever Pleased a Lover so Much</i>, c. 1350, <br />
Petrarch, 1304-1374)<br />
<br />
Irish Composer (b. c. 1540) <br />
<i>Variations on the Romanesca </i>(b. 1570)<br />
After David Munrow<br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Piano Trio No. 5 in D Major ("Ghost")</i>, Op. 70, No. 1<br />
II. Largo assai ed espressivo<br />
<br />
Felix Mendelssohn (1809-1847) <br />
<i> Elijah</i>, Op. 70 (1846)<br />
Part II<br />
XXI. Aria - Hear Ye Israel!<br />
XXIX. Chorus - He Watching over Israel (Allegro moderato)<br />
<br />
Richard Wagner (1813-1883) <br />
<i>Die Walkure</i> (1870)<br />
Act III: Scene I ["Ride of the Valkyries"]<br />
<br />
Antonin Dvorak (1841-1904 <br />
<i> Symphony No. 7 in D Minor</i>, Op. 70 (1885)<br />
III. Scherzo - Vivace<br />
<br />
Follower of Wovoka (1856-1932) <br />
<i>Ghost Dances </i>(1890, trans. James Mooney, 1861-1921)<br />
II. Wu'nti Ha'yano' Di'witi'a (All Our People Are Going Up - Caddo)<br />
XLII. Ni Ni (Arapaho)<br />
<br />
Daniel Alomia Robles (1871-1942) <br />
<i>El Condor Pasa</i> (1913)<br />
(as repopularized by Paul Simon, b. 1941, in <br />
<i>Bridge Over Troubled Water</i>, 1970)<br />
<br />
Reinhold Gliere (1875-1956) <br />
<i> The Red Poppy</i>, Op. 70<br />
Act I: XVIII. Dance of the Sailors from the Soviet Ship<br />
["Russian Sailor's Dance" - <br />
Introduction / Nine Variations / Coda]<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>The Queen of Spades (Pique Dame)</i>, Op. 70 (1936)<br />
Idee Fixe<br />
<br />
Dmitri Shostakovich (1906-1975)<br />
<i>Symphony No. 9 in E-Flat Major</i>, Op. 70 (1945)<br />
I. Allegro<br />
<br />
Alan Hovhaness (1911-2000) <br />
<i>And God Created Great Whales</i> (1970)<br />
Senza misura (possibly 15 seconds) / Andante maestoso<br />
Senza misura = 12 seconds / Andante<br />
<br />
George Crumb (b. 1929) <br />
<i>Ancient Voices of Children</i> (1970)<br />
IVa. Todas las tardes en Granada, se muere un nino<br />
(Each afternoon in Granada, a child dies each afternoon)<br />
IVb. Ghost Dance<br />
<br />
Lionel Bart (1930-1999) <br />
<i>Oliver!</i> (1960)<br />
XV. I'm Reviewing the Situation <br />
(What Happens When I'm 70?, Must Come a Time, 70...)<br />
<br />
Billy Roberts (b. 1936) <br />
<i>Hey, Joe</i> (1962, arr. Jimi Hendrix, 1942-1970, <i>Are You Experienced?</i>, 1967)<br />
Moderately Slow Rock<br />
<br />
Philip Glass (b. 1937) <br />
<i>Music with Changing Parts</i> (1970)<br />
[Fast, Steady]<br />
<br />
Peter Bergman (1939-2012) <br />
<i>Don't Crush That Dwarf, Hand Me the Pliers</i> (1970)<br />
This Side<br />
<br />
Andrew Lloyd Webber (b. 1947)<br />
<i>Jesus Christ Superstar</i> (1970)<br />
Act I: VIII. Hosanna<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Solomon</i>, Op. 70 (1998) <br />
Act I: III. You Know What to Do (The Death of David)<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHLmPplnUzeHOJ3_VVqmExZYBsmnv2_REp27JVpp1Kc1QNkqHDBvyK6bSx4O5VwPhjl1jbxBL-JvHRKkCTnO6AMq22eMSDso4nHSuIbbbq-JcX6AH_y58kXSMkwqgr1zknMGLHvNdIZEk/s1600/2013Opus070-181027-05-1991AlNaswariHusseinDetailLeft.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="529" data-original-width="1600" height="105" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHLmPplnUzeHOJ3_VVqmExZYBsmnv2_REp27JVpp1Kc1QNkqHDBvyK6bSx4O5VwPhjl1jbxBL-JvHRKkCTnO6AMq22eMSDso4nHSuIbbbq-JcX6AH_y58kXSMkwqgr1zknMGLHvNdIZEk/s320/2013Opus070-181027-05-1991AlNaswariHusseinDetailLeft.jpg" width="320" /></a></div>
<br />
James MacMillan (b. 1957) <br />
<i>Veni, Veni, Emmanuel</i> (1992)<br />
Coda - Easter<br />
<br />
Megan Cullen, Soprano / Audience<br />
The Opus Project Orchestra<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7p2PDrqybpxFswEWoDsPX7WGvDJpO1Ny5LTCZCVjffByHFLSiU8vzSGhsTeNaBbCN5URJEUwjauMSR6npsJMQ24SKrCvs9qJce0Vit3G77iauSKlRh2Hlu1aVCGnUOt-7s5gWZysQGgc/s1600/2013Opus070-181027-05-1991AlNaswariHusseinDetailRight.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="542" data-original-width="1600" height="108" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7p2PDrqybpxFswEWoDsPX7WGvDJpO1Ny5LTCZCVjffByHFLSiU8vzSGhsTeNaBbCN5URJEUwjauMSR6npsJMQ24SKrCvs9qJce0Vit3G77iauSKlRh2Hlu1aVCGnUOt-7s5gWZysQGgc/s320/2013Opus070-181027-05-1991AlNaswariHusseinDetailRight.jpg" width="320" /></a></div>
<br />
Hussein Al-Nasrawi (b. 1991)<br />
<i>Halloween Magica</i> (2018) - An improvisation featuring<br />
William Bolcom (b. 1938) - <i>The Graceful Ghost Rag</i> (1970) <br />
Andrew Lloyd Webber (b. 1948) - <i>The Phantom of the Opera </i>(1986)<br />
Danny Elfman (b. 1953) - <i>Mystic Manor </i>(2013)<br />
Kaija Saariaho (b. 1952) - <i>Laterna Magica</i> (2008)<br />
Niccolo Castiglioni (1932- 1996) - <i>Inverno-Inver </i>(1973-78)<br />
Frederic Chopin (1810-1849)<br />
<i>Ballade No. 1</i>, Op. 23 (1835)<br />
<i>Scherzo No. 2</i>, Op. 31 <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK4P159kagAWsdZtBkVUHi66P8Yrh3l4QwCkRQC5TF23IzlJfBsq2-5xvA_xgmN4zPeyCZmQHmbH1eUmFPzjEeQlM9QYsz64KxnYG_u1_y0jFlNZOgP2s_9dLktj2Rx-8cWgLTm7ZcPd4/s1600/2013Opus070-181027-07ShinLukePanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="635" data-original-width="1600" height="127" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK4P159kagAWsdZtBkVUHi66P8Yrh3l4QwCkRQC5TF23IzlJfBsq2-5xvA_xgmN4zPeyCZmQHmbH1eUmFPzjEeQlM9QYsz64KxnYG_u1_y0jFlNZOgP2s_9dLktj2Rx-8cWgLTm7ZcPd4/s320/2013Opus070-181027-07ShinLukePanoramaDetail.jpg" width="320" /></a></div>
<br />
Luke Shin (b. 1997) <br />
<i>Guitar Mash-Up</i> (2018)<br />
<br />
Luke Shin, Guitar and Voice<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger <b>Music Director and Conductor</b><br />
<br />
<b>Flute / Piccolo</b><br />
Alan Kingsley<br />
<br />
<b>Clarino</b><br />
Richard Benitez<br />
Michael Cox<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Trumpet</b><br />
Richard Benitez<br />
Michael Cox<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Trombone</b><br />
Aaron Wallace<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Bass</b><br />
John Veitch<br />
<br />
<b>Guitar</b><br />
Luke Shin<br />
Aaron Urton<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Megan Cullen<br />
Hussein Al-Naswari<br />
<br />
<b>Percussion</b><br />
John Veitch<br />
<br />
<b>Violin </b><br />
Kristen Kline<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 71: <i>Peace of the Action </i>- 8pm, Saturday, November 17, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Peter Tchaikovsky (1840-1893) <i>The Nutcracker</i>, Op. 71 (1892)<br />
Jean Sibelius (1865-1957) <i>Scaramouche</i>, Op. 71 (1913)<br />
Ralph Vaughan Williams (1872-1958) <i>Dona Nobis Pacem</i> (1936)<br />
Maurice Ravel (1875-1937) <i>L'Enfant et les Sortilèges</i> (1925)<br />
Igor Stravinsky (1882-1971) <i> Ave Maria</i> (1934)<br />
Sergei Prokofiev (1891-1953) <i> Eugene Onegin</i>, Op. 71 (1936)<br />
Darius Milhaud (1892-1974) <i>Symphonie de Chambre No. 3 ("Sérénade")</i>, Op. 71 (1921)<br />
Aaron Copland (1900-1990) <i>Appalachian Spring for Chamber Orchestra</i> (1944)<br />
Dmitri Shostakovich (1906-1975) <i>Music to the film "Simple People"</i>, Op. 71 (1945) <br />
Alan Hovhaness (1911-2000) <i>Haroutiun ("Resurrection")</i>, Op. 71 (1948)<br />
Benjamin Britten (1912-1976) <i>Curlew River</i>, Op. 71 (1964)<br />
Malcolm Arnold (1921-2006) <i>Symphony No. 4,</i> Op. 71 (1960)<br />
Mark Alburger (b. 1957) <i>Elijah Rock</i>, Op. 71 (1998)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-44555166524264800582018-09-29T20:00:00.001-07:002020-12-03T07:24:02.791-08:00September 29 - Opus '69: Moondance<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimdxEwoOEhRUbn0D_sbCVksZA8rLRNqQ7Wfk2Kt5199jXiYkh5bqnNrpImg_oys1zAjGTVBTfFfspa62VhMcjZQztEF7_rPkLwh-B8Qmy-5F0cKJXjCyL3PnWSAeo1VxHGZ8cXOsRh_hc/s1600/2013Opus069-180929Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="1596" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimdxEwoOEhRUbn0D_sbCVksZA8rLRNqQ7Wfk2Kt5199jXiYkh5bqnNrpImg_oys1zAjGTVBTfFfspa62VhMcjZQztEF7_rPkLwh-B8Qmy-5F0cKJXjCyL3PnWSAeo1VxHGZ8cXOsRh_hc/s320/2013Opus069-180929Poster.jpg" width="320" /></a></div>
<br />
<b><span style="font-size: x-large;">THE OPUS PROJECT</span></b><br />
presents<br />
<br />
<span style="font-size: large;"><i>OPUS '69: Moondance</i></span><br />
8pm, Saturday, September 29, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvSXUGdE2dK0mYEMMxSY66RhOLz4b-jUgwX5K6QZTwUZSEwVoGLDjWj95cAiDChb0dmhrVUtjg0V6FFjpTLQvFa9skJrOOSg7C98RWXOev_oikQr9_OIvdIr77s5NR5WDeX6sfc8W5VoM/s1600/2013Opus069-180929-02PanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="552" data-original-width="1600" height="110" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvSXUGdE2dK0mYEMMxSY66RhOLz4b-jUgwX5K6QZTwUZSEwVoGLDjWj95cAiDChb0dmhrVUtjg0V6FFjpTLQvFa9skJrOOSg7C98RWXOev_oikQr9_OIvdIr77s5NR5WDeX6sfc8W5VoM/s320/2013Opus069-180929-02PanoramaDetail.jpg" width="320" /></a></div>
<br />
Henry Purcell (1<u>6</u>5<u>9</u>-1<u>69</u>5) <br />
<i>Dido and Aeneas</i> (1689)<br />
Dido's Lament: When I Am Laid in Earth<br />
<br />
Hector Berlioz (1803-18<u>69</u>) <br />
<i>Symphonie Fantastique</i>, Op. 14 (1830)<br />
IV. March to the Scaffold<br />
<br />
Johannes Brahms (1833-1897) <br />
<i> 21 Hungarian Dances</i>, WoO 1 (18<u>69</u>, orch. 1876, Albert Parlow, 1824-1888)<br />
V. Allegro<br />
<br />
Edvard Grieg (1843-1907) <br />
<i>Four Norwegian Dances</i>, Op. 35 (18<u>69</u>, orch. Hans Sitt, 1855-1922) <br />
II. Allegretto tranquillo e grazioso<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaI_MffVlBx-_GaSOl4ek2hRntdc1Y8KlVbcZliupMCkwSX29kYCdPTk_nkC4Lsh_fMIMa4IVtt2ILVcRVklFnfQncZJsd4u0sUi6Ngoi_X3TTH7NurdpQlfrfzq3ghby3Q8my36UrDOs/s1600/1939CleeseJohn1969MontyPython01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="716" data-original-width="928" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaI_MffVlBx-_GaSOl4ek2hRntdc1Y8KlVbcZliupMCkwSX29kYCdPTk_nkC4Lsh_fMIMa4IVtt2ILVcRVklFnfQncZJsd4u0sUi6Ngoi_X3TTH7NurdpQlfrfzq3ghby3Q8my36UrDOs/s320/1939CleeseJohn1969MontyPython01.jpg" width="320" /></a></div>
<br />
John Philip Sousa (1854-1932) <br />
<i>Liberty Bell </i>(1893, re-popularized by <i>Monty Python's Flying Circus,</i> 19<u>69</u>)<br />
March Tempo<br />
<br />
Giacomo Puccini (1858-1924)<br />
<i>Tosca</i>, SC 69 (1899)<br />
Act II: Vissi d'arte (Andante lento appassionato) <br />
<br />
Aaron Copland (1900-1990) <br />
<i>Billy the Kid </i>(1938)<br />
Goodby Old Paint (18<u>69</u> Cowboy song)<br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i>Children's Notebook</i>, Op. 69 (1945)<br />
I. March<br />
IV. Happy Fairy Tale<br />
<br />
John Cage (1912-1992) <br />
<i>Dream</i> (1948)<br />
<br />
Vincent Persichetti (1915-1987) <br />
<i>Symphony No. 6</i>, Op. 69 (1956)<br />
<br />
Megan Cullen, Soprano and Piano<br />
The Opus Project Ensemble <br />
<br />
Astor Piazzolla (1921-1992) <br />
<i> Tangazo</i> (1969)<br />
<br />
Mark Alburger, Piano <br />
<br />
Luciano Berio (1925-2003) <br />
<i>Sinfonia</i> (19<u>69</u>)<br />
III. In ruhig fliessender Bewegung<br />
<br />
The Opus Project Ensemble<br />
<br />
George Crumb (b. 1929) <br />
<i>Madrigals, Book III</i> (19<u>69</u>)<br />
I. La noche canta desnuda sobre los puentes de marzo <br />
(Night sings naked above the bridges of March)<br />
<br />
<i>Night of the Four Moons</i> (19<u>69</u>)<br />
I. La luna esta muerta (The moon is dead)<br />
<br />
Mark Alburger, Tenor and Instruments <br />
<br />
Philip Glass (b. 1937) <br />
<i>[Music in] Contrary Motion</i> (19<u>69</u>)<br />
Fast, Steady <br />
<br />
The Opus Project Ensemble <br />
<br />
<i>Passages</i> (1990, with Ravi Shankar, 1920-2012)<br />
VI. Prashanti<br />
<br />
Audio<br />
<br />
Peter Bergman (1939-2012)<br />
<i>How Can You Be in Two Places at Once When You're Not Anywhere at All? </i>(19<u>69</u>) <br />
I. The Ralph Spoilsport Mantra<br />
<br />
The Opus Project Ensemble and Audience<br />
<br />
<br />
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<br />
John Cleese (b. 1939) <br />
<i>Dead Parrot Sketch</i> (19<u>69</u>)<br />
Collage of Monty Python performances from<br />
Television Episode 14 (19<u>69</u>), Album 1 (1970), plus<br />
<i>And Now for Something Completely Different</i> (1971)<br />
<br />
Video<br />
<br />
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<br />
Jimi Hendrix (1942-1970) <br />
<i>The Star-Spangled Banner</i> (19<u>69</u>, <br />
after John Stafford Smith, 1750-1836, <br />
<i> To Anacreon in Heaven</i>, 1780)<br />
<br />
Pete Townsend (b. 1945) <br />
<i>Tommy</i> (19<u>69</u>)<br />
Overture<br />
<br />
Robert Fripp (b. 1946) <br />
<i> In the Court of the Crimson King</i> (19<u>69</u>)<br />
IV. Moonchild<br />
<br />
David Bowie (1947-2016) <br />
<i>Space Oddity</i> (19<u>69</u>)<br />
Moderately Slow<br />
<br />
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<br />
Mark Alburger (b. 1957) <br />
<i>King David</i>, Op. 69 (1998) <br />
XII. Incantation (The Witch of Endor)<br />
<br />
The Opus Project Ensemble<br />
<br />
Kat Walsh (b. 1980)<br />
<i>Three Dances for Wind Quartet</i> (2018)<br />
Dance II<br />
<br />
The Opus Project Wind Quartet<br />
<br />
<br />
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<b><br /></b>
<b>THE OPUS PROJECT ENSEMBLE</b><br />
<br />
Mark Alburger <b>Music Director and Conductor</b><br />
<br />
<b>Flute / Piccolo</b><br />
Yein Ra<br />
<br />
<br />
<b>Clarinet</b><br />
Peter Brown<br />
<br />
<b>Bassoon</b><br />
Michael Garvey<br />
<br />
<b>Trumpet</b><br />
Richard Benitez<br />
<br />
<b>Horn</b><br />
David Simpson<br />
<br />
<b>Trombone</b><br />
Larry Grabow<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Alto</b><br />
Harriet March Page<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Bass </b><br />
Ali Sanie<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Mark Alburger<br />
<br />
<b>Violin</b><br />
Ali Sanie<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<br />
***<br />
<br />
THE OPUS PROJECT presents<br />
<br />
What Happens When We're OPUS 70? Must Come a Time, OPUS 70! <br />
8pm, Saturday, October 27, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Felix Mendelssohn (1809-1847) <i> Elijah,</i> Op. 70 (1846): He Watching Over Israel<br />
Vincent d'Indy (1851-1931) <i>Symphony No. 3 ("Sinfonia brevis de bello gallico"),</i> Op. 70<br />
Reinhold Gliere (1875-1956) <i>The Red Poppy</i>, Op. 70: Russian Sailor's Dance<br />
Sergei Prokofiev (1891-1953) <i>The Queen of Spades (Pique Dame)</i>, Op. 70 (1936)<br />
Darius Milhaud (1892-1974) <i> Les Mariés de la Tour Eiffel</i>, Op. 70 (1921)<br />
Aaron Copland (1900-1990) <i>Danzon Cubano </i>(1944)<br />
Hermann Reutter (1900-1985) <i>Lyric Concerto</i>, Op. 70 (1948)<br />
Dmitri Shostakovich (1906-1975) <i>Symphony No. 9 in E-Flat Major</i>, Op. 70 (1945)<br />
Lionel Bart (1930-1999) <i>Oliver! </i>(1960): I'm Reviewing the Situation<br />
Krzysztof Meyer (b. 1943) <i>Musica Incrostata (Incrusted Music)</i>, Op. 70 (1988)<br />
Mark Alburger (b. 1957) <i>Solomon</i>, Op. 70 (1998)<br />
<br />
***<br />
<br />
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<br />
A well-nigh miraculous show! In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-21300561443480279362018-08-25T20:00:00.001-07:002020-12-03T07:16:44.159-08:00August 25 - REVOLUTION (sturm und drang) - Opus [19]68<p></p><div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />presents<br /><span style="font-size: large;"><i>REVOLUTION (sturm und drang) -- Opus [19]68</i></span><br />8pm, Saturday, August 25, 2018<br />Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
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<br />
Ludwig van Beethoven (1770-1827)<br />
<i>Symphony No. 6 in F Major ("Pastoral")</i>, Op. 68 (1808)<br />
V. Shepherd's song. Cheerful and thankful feelings after the storm (Allegretto)<br />
<br />
Giuseppe Verdi (1811-1901) <br />
<i>Rigoletto</i> (1851)<br />
XIII. Scena, Terzetto, e Tempesta<br />
<br />
Johannes Brahms (1833-1897) <br />
<i>Symphony No. 1 in C Minor</i>, Op. 68 (1876)<br />
IV. Adagio - Piu Andante - Allegro non troppo, ma con brio<br />
<br />
Peter Tchaikovsky (1840-1893)<br />
<i>Pique Dame (Queen of Spades)</i>, Op. 68 (1890)<br />
Act III - XX. "I am worn out by grief" (LIza) <br />
<br />
Vincent D'Indy (1851-1931) <br />
<i>13 Short Piano Pieces</i>, Op. 68 (1915)<br />
VI. Souvenir <br />
<br />
Claude Debussy (1862-1918) <br />
<i>Rêverie</i>, L. 68 (1890)<br />
Andantino sans lenteur<br />
<br />
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<br />
Maurice Ravel (1875-1937) <br />
<i>Le Tombeau de Couperin</i> (1917)<br />
IV. Rigaudon<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Suite Italienne (Pulcinella)</i> (1933)<br />
I. Introduzione (Ouverture / Sinfonia / Sinfonie)<br />
II. Serenata<br />
III. Scherzino - Allegro - Andantino<br />
<br />
Neal Hefti (1922-2008) <br />
<i>The Odd Couple</i> (1968)<br />
Steady Swing<br />
<br />
George Crumb (b. 1929) <br />
<i>Songs, Drones, and Refrains of Death</i> (1968)<br />
I. Refrain I<br />
<br />
Terry Riley (b. 1935) <br />
<i>Poppy Nogood and the Phantom Band</i> (1968)<br />
@ 6:00<br />
<br />
Philip Glass (b. 1937) <br />
<i>Two Pages</i> (1968)<br />
Fast, Steady<br />
<br />
Megan Cullen, Soprano and Piano / Harriet March Page, Alto<br />
Ali Sanie, Bass / The Opus Project Orchestra<br />
<br />
<i>The Thin Blue Line</i> (1988)<br />
Metamorphosis I<br />
<br />
Mark Alburger, Voice / John Veitch, Piano<br />
<br />
John Lennon (1940-1980) <br />
<i> Happiness Is a Warm Gun</i> (1968)<br />
Conclusion<br />
<br />
Jimi Hendrix (1942-1970) <br />
<i>Castles Made of Sand</i> (1968)<br />
Verses 1-2, Chorus<br />
<br />
Paul McCartney (b. 1942) <br />
<i>Why Don't We Do It In the Road</i> (1968)<br />
Quarter = 76<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Mice Suites</i>, Op. 68 (1998)<br />
III. Threatsong<br />
<br />
Megan Cullen, Soprano / Harriet March Page, Alto<br />
The Opus Project Orchestra<br />
<br />
Steven Clark (b. 1968) <br />
<i>Amok Time</i> (2004)<br />
Act I - Jim, you've got to get Spock to Vulcan<br />
<br />
Video <br />
<br />
Thom York (b. 1968) <br />
<i>Morning Bell </i>(2000)<br />
Lento espressivo<br />
<br />
The Opus Project Orchestra<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifpKOmZOzZNDai9rBEKfW0Do8iyuQWe9eYn86u-a3EzmFUQa9lTP6XD8A-ih_yoK3oZaQ_JhUtHk2IFOaG9fqOeFGc0zyX66-i_FHsInFcQoPhiBiS26Xmz_agg26xD0oRlyNu6urQ0_s/s1600/2013Opus068-180825-05WalshKatPanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="444" data-original-width="1600" height="88" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifpKOmZOzZNDai9rBEKfW0Do8iyuQWe9eYn86u-a3EzmFUQa9lTP6XD8A-ih_yoK3oZaQ_JhUtHk2IFOaG9fqOeFGc0zyX66-i_FHsInFcQoPhiBiS26Xmz_agg26xD0oRlyNu6urQ0_s/s320/2013Opus068-180825-05WalshKatPanoramaDetail.jpg" width="320" /></a></div>
<br />
Kat Walsh (b. 1980) <br />
<i>Three Dances for Woodwind Quartet</i> (2018)<br />
I. Gigue<br />
<br />
The Opus Project Woodwind Quartet<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDM955gj9255t0UEnZHZ0lcgAb9XAh3pGSMogq2Nm9hs7BXDRUictjO4Cvv3g19LwmZcjOMQm4hmkXFxCIs0SuFGHtZ7I8DdaB0FmyH0G4yY8eC0RfMZaCeZGJTlTiN7UdAdEX9DDmFg/s1600/2013Opus068-180825-07PanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="285" data-original-width="1600" height="57" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDM955gj9255t0UEnZHZ0lcgAb9XAh3pGSMogq2Nm9hs7BXDRUictjO4Cvv3g19LwmZcjOMQm4hmkXFxCIs0SuFGHtZ7I8DdaB0FmyH0G4yY8eC0RfMZaCeZGJTlTiN7UdAdEX9DDmFg/s320/2013Opus068-180825-07PanoramaDetail.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
John Veitch (b. 1987) <br />
<i>Improvisation</i> (2018)<br />
<br />
John Veitch, Piano<br />
<br />
<b><br />THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger <b> </b><br />
<b>Music Director and Conductor</b><br />
<br />
<b>Flute / Piccolo / Alto Flute</b><br />
Alan Kingsley<br />
<br />
<b>Oboe</b><br />
Allison Schwartz<br />
<br />
<b>Clarinet</b><br />
Peter Brown<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Trombone</b><br />
Scott Sterling<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Alto</b><br />
Harriet March Page<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Bass</b><br />
Ali Sanie<br />
<br />
<b>Harp</b><br />
John Veitch<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Megan Cullen<br />
John Veitch<br />
<br />
<b>Percussion</b><br />
John Veitch<br />
<br />
<b>Violin I</b><br />
Corey Johnson<br />
<br />
<b>Violin II</b><br />
Kristen Kline<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
[OPUS] '69: Moondance - 8pm, Saturday, September 29, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Henry Purcell (1659-1695) <i>Dido and Aeneas</i> (1689): When I Am Laid in Earth<br />
Hector Berlioz (1803-1869) <i>Symphonie Fantastique</i> (1830): IV. March to the Scaffold<br />
Johannes Brahms (1833-1897) <i>Hungarian Dance No. 5 </i>(1869)<br />
Edvard Grieg (1843-1907) <i>Norwegian Dance No. 2</i> (1869)<br />
John Philip Sousa (1854-1932) <i>Liberty Bell</i> (1893) (re-popularized by Monty Python, 1969)<br />
Aaron Copland (1900-1900) <i>Billy the Kid </i>(1938): Goodby Old Paint (1869 Cowboy song)<br />
Dmitri Shostakovich (1906-1975) <i>Children's Notebook</i>, Op. 69 (1945): Happy Fairy Tale<br />
Symphony No. 14 (1969): <i>Malaguena</i><br />
Astor Piazzolla (1921-1992) <i>Tangazo</i> (1969)<br />
John Cage (1912-1992) <i>Dream</i> (1948)<br />
Vincent Persichetti (1915-1987) <i>Symphony No. 6</i>, Op. 69 (1956)<br />
Luciano Berio (1925-2003) <i>Sinfonia</i> (1969): III<br />
George Crumb (b. 1929) <i>Madrigals, Book III</i> (1969): III<br />
<i> Night of the Four Moons </i>(1969): I. The Moon Is Dead<br />
Philip Glass (b. 1937) <i>Music in Contrary Motion</i> (1969)<br />
<i>Music in Fifths</i> (1969)<br />
<i>Music in Similar Motion</i> (1969) <br />
<i>Passages </i>(1990)<br />
John Cleese (b. 1939) <i>Dead Parrot Sketch</i> (1969)<br />
Jimi Hendrix (1942-1969) <i>The Star-Spangled Banner</i> (1969)<br />
Pete Townsend (b. 1945) <i>Tommy</i> (1969): Overture<br />
Robert Fripp (b. 1946) <i>In the Court of the Crimson King</i> (1969): IV. Moonchild<br />
David Bowie (1947-2016) <i>Space Oddity</i> (1969)<br />
Mark Alburger (b. 1957) <i> King David</i>, Op. 69 (1998)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-60197822826969761992018-07-28T20:00:00.001-07:002020-12-03T07:09:58.825-08:00July 28 - Opus 67: Ludwig, Bela, Igor, and the Wolf<p></p><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqzr57jRO355yInyh8JV0HeJ3xgSlTU5HuCQoZ1SjsPB3huQbQ-honM7o3yOvDZI4o7JHLvL_BixO4jw9H1MsH4Oh2yNdfMOBXAdtiFJGxTcbCqfJs3S-JTiHTfvyh-NOND0cFmizgkw/s1600/2013Opus067-180728Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1198" data-original-width="1597" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqzr57jRO355yInyh8JV0HeJ3xgSlTU5HuCQoZ1SjsPB3huQbQ-honM7o3yOvDZI4o7JHLvL_BixO4jw9H1MsH4Oh2yNdfMOBXAdtiFJGxTcbCqfJs3S-JTiHTfvyh-NOND0cFmizgkw/s320/2013Opus067-180728Poster.jpg" width="320" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
presents<br />
<span style="font-size: large;"><i>Opus 67: Ludwig, Bela, Igor, and the Wolf</i></span><br />
8pm, Saturday, July 28, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAJxn4ywmi-gYIoy4Bi83DoBlj5jsj4KUZ_kQjO04Y2-xwjdABgv87BWPP2D6nEuLil5jvQbUo5RKJQqKEPRWiaP730kYphv4zOh7eUn6Fm9WNl99D_sx2zkztNDdywKj8s06aNLASKfE/s1600/2013Opus067-180728-06PanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="589" data-original-width="1600" height="117" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAJxn4ywmi-gYIoy4Bi83DoBlj5jsj4KUZ_kQjO04Y2-xwjdABgv87BWPP2D6nEuLil5jvQbUo5RKJQqKEPRWiaP730kYphv4zOh7eUn6Fm9WNl99D_sx2zkztNDdywKj8s06aNLASKfE/s320/2013Opus067-180728-06PanoramaDetail.jpg" width="320" /></a></div>
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Symphony No. 5 in C Minor,</i> Op. 67 (1808)<br />
I. Allegro con brio<br />
<br />
Peter Tchaikovsky (1840-1893) <br />
<i>"Hamlet" Overture</i>, Op. 67 (1888)<br />
Part I - Lento lugubre<br />
<br />
Antonin Dvorak (1841-1904) <br />
"Hussite" Overture, Op. 67<br />
Lento ma non troppo<br />
<br />
Giacomo Puccini (1858-1924) <br />
<i>La Boheme</i>, SC 67 (1896)<br />
Act II<br />
<br />
Charles Ives (1874-1954) <br />
<i>Orchestral Set No. 1: Three Places in New England </i>(1912)<br />
II. Putnam's Camp, Redding, Connecticut<br />
<br />
The Opus Project Orchestra <br />
<br />
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<br />
Bela Bartok (1881-1943)<br />
<i>Mikrokosmos</i> (1939)<br />
Book III - LXVII. Thirds Against a Single Voice<br />
<br />
John Veitch, Piano <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzwxQlexMIgTK93HQLGWPP6LG9m3dv2e8uLl2EZUfYC0ZbR62s0bL6rnflVnboVk-bOHYyiYRGee6YhyphenhyphenwHsUmq1jO9fVPY9UU5CTxkty5mLpdhfmyJhJFgUm02Y9X05dRo_NA2CgaD_YI/s1600/2013Opus067-180728-09Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="1600" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzwxQlexMIgTK93HQLGWPP6LG9m3dv2e8uLl2EZUfYC0ZbR62s0bL6rnflVnboVk-bOHYyiYRGee6YhyphenhyphenwHsUmq1jO9fVPY9UU5CTxkty5mLpdhfmyJhJFgUm02Y9X05dRo_NA2CgaD_YI/s320/2013Opus067-180728-09Panorama.jpg" width="320" /></a></div>
<br />
<i>Viola Concerto</i>, Op. posth. (1945, Tibor Serly)<br />
I. Moderato<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Perséphone</i> (1933)<br />
I. Persephone Ravished<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Sergei Prokofiev (1891-1953) <br />
<i>Peter and the Wolf</i>, Op. 67 (1936) <br />
<br />
Darius Milhaud (1892-1974) <br />
<i>Saudades do Brasil</i>, Op. 67 (1921)<br />
I. Sorocaba<br />
<br />
George Crumb (b. 1929) <br />
<i>Echoes of Time and the River</i> (1967)<br />
I. Frozen Time<br />
<br />
Edwin London (1929-2013) <br />
<i>Portraits of Three Ladies</i> (1967)<br />
I. Pocahontas<br />
<br />
Steve Reich (b. 1936)<br />
<i>Piano Phase</i> (1967)<br />
<br />
Philip Glass (b. 1937) <br />
<i>1000 Airplanes on the Roof</i> (1988)<br />
I. 1000 Airplanes on the Roof<br />
<br />
John Lennon (1940-1980) <br />
<i>A Day in the Life</i> (1967) <br />
<br />
Mark Alburger (b. 1957) <br />
<i>Saul! Saul!,</i> Op. 67 (1998)<br />
Part the Second<br />
IX. Symphony (Passacaglia) - Hide and Seek Ye (Saul in the Fields)<br />
<br />
Geert Van Hoorick (b. 1968) <br />
<i>Bassoon Concerto</i>, Op.67<br />
I. Allegretto piacevole<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5qYgzEUp0LfQy7WolI1Zvt3vZymzvaeimVf_uu4n46ql6uPXU7T1wOtU0f_BbamxG3IzzHfryavyG1iLmhsPCy_s29COg4KSjXDEPDAb4cIK513WWh9yrc_kC6MiQITSJKdP4IPHkPPA/s1600/2013Opus067-180728-11-1970SterlingScottPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="421" data-original-width="1600" height="84" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5qYgzEUp0LfQy7WolI1Zvt3vZymzvaeimVf_uu4n46ql6uPXU7T1wOtU0f_BbamxG3IzzHfryavyG1iLmhsPCy_s29COg4KSjXDEPDAb4cIK513WWh9yrc_kC6MiQITSJKdP4IPHkPPA/s320/2013Opus067-180728-11-1970SterlingScottPanorama.jpg" width="320" /></a></div>
<br />
Scott Sterling (b. 1970) <br />
<i>Etude T.H.A.</i> (2018)<br />
<br />
Tim Machajewski, Bassoon<br />
Harriet March Page, Narrator and Alto<br />
Megan Cullen, Soprano and Piano<br />
Mark Alburger, Piano <br />
Kat Walsh, Viola<br />
The Opus Project Orchestra<br />
<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrvLlmvrXKKokgTSAD6MkqmEGg9yjGYBm7RZhyphenhyphen0-ePuLOmB-smeHxoGyNZ7KZGTsNlBeHhGc0dg47L9tEP0kSczm8zc0nB8qreqipTGhcx6EUC91WUBSjKY6W7ckK3OYQMjBcm6yjcQGg/s1600/2013Opus067-180728-12-1991AlNaswariHusseinPanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="545" data-original-width="1600" height="109" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrvLlmvrXKKokgTSAD6MkqmEGg9yjGYBm7RZhyphenhyphen0-ePuLOmB-smeHxoGyNZ7KZGTsNlBeHhGc0dg47L9tEP0kSczm8zc0nB8qreqipTGhcx6EUC91WUBSjKY6W7ckK3OYQMjBcm6yjcQGg/s320/2013Opus067-180728-12-1991AlNaswariHusseinPanoramaDetail.jpg" width="320" /></a></div>
<br />
Hussein Al-Naswari<br />
<i>Opus 67 Improvisation</i> (2018)<br />
<br />
Hussein Al-Naswari, Piano<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger <b> </b><br />
<b>Music Director and Conductor</b><br />
<br />
<b>Flute / Piccolo / Alto Flute</b><br />
Bruce Salvisberg<br />
<br />
<b>Oboe / English Horn</b><br />
Sheila Weston<br />
<br />
<b>Clarino</b><br />
Michael Cox<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Trumpet</b><br />
Ron Cohen<br />
Lois Kale<br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Trombone</b><br />
Scott Sterling<br />
Scott's Friend <br />
<br />
<b>Tuba</b><br />
Adam Machajewski<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Alto</b><br />
Harriet March Page<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Harp</b><br />
John Veitch<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Megan Cullen<br />
John Veitch<br />
<br />
<b>Percussion</b><br />
Hussein Al-Naswari<br />
John Veitch<br />
<br />
<b>Violin</b><br />
Kristen Kline<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
***<br />
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<br />
THE OPUS PROJECT presents REVOLUTION!<br />
<br />
OPUS 68 - 8pm, Saturday, August 25, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Ludwig van Beethoven (1770-1827) <i> Symphony No. 6 in F Major ("Pastoral")</i>, Op. 68 (1808)<br />
Johannes Brahms (1833-1897) <i>Symphony No. 1 in C Minor</i>, Op. 68 (1876)<br />
Claude Debussy (1862-1918) <i>Rêverie</i>, L. 68 (1890) <br />
Maurice Ravel (1875-1937) <i>Le Tombeau de Couperin </i>(1917)<br />
Igor Stravinsky (1882-1971) <i>Suite Italienne </i> (1933)<br />
Neal Hefti (1922-2008) <i>The Odd Couple</i> (1968)<br />
George Crumb (b. 1929) <i> Songs, Drones, and Refrains of Death</i> (1968)<br />
Terry Riley (b. 1935) Poppy Nogood and the Phantom Band (1968)<br />
Philip Glass (b. 1937) <i>Two Pages </i>(1968)<br />
<i> The Thin Blue Line</i> (1988)<br />
John Lennon (1940-1980) <i>Happiness Is a Warm Gun</i> (1968)<br />
Jimi Hendrix (1942-1970) <i>Castles Made of Sand</i> (1968)<br />
Paul McCartney (b. 1942) <i>Why Don't We Do It In the Road</i> (1968) <br />
Mark Alburger (b. 1957) <i>Mice Suites</i>, Op. 68 (1998)<br />
Steven Clark (b. 1968) <i>Amok Time </i>(2004)<br />
Thom York (b. 1968) <i>Morning Bell </i>(2000)<br />
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***<br />
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Magnificent show!In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-70428612803104684552018-06-30T20:00:00.002-07:002020-12-03T07:02:19.669-08:00June 30 - Get Your Kicks with Opus 66<p></p><div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />presents<br /><span style="font-size: large;"><i>(Get Your Kicks with) Opus 66</i></span><br />8pm, Saturday, June 30, 2018<br />Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
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<br />
Carlo Gesualdo (1566-1613) <br />
<i>Five-Voice Madrigals</i>, Book VI (1611)<br /> XVII. Moro Lasso (Alas, I Die)<br /><br />Frederic Chopin (1819-1849) <br />
<i>Fantasie Impromptu in C# Minor</i>, Op. 66 (1834)<br /> Largo<br /> <br />Peter Tchaikovsky (1840-1893) <br />
<i>The Sleeping Beauty in the Wood</i>, Op. 66 (1889)<br /> I. Introduction<br /><br />Claude Debussy (1862-1918) <br />
<i>Arabesque No. 1</i>, L. 66 (1891)<br /> Andante con moto<br /><br />
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<br />
Erik Satie (1866-1925) <br />
<i>Desiccated Embryos</i> (1913)<br /> I. Sea Cucumber<br /><br />Bela Bartok (1881-1943) <br />
<i>Piano Concerto No. 3</i> (1945)<br /> I. Allegretto<br /><br />Igor Stravinsky (1882-1971) <br />
<i>Three Sacred Choruses</i><br /> II. Credo (1932)<br /><br />Aaron Copland (1900-1990) <br />
<i>Danzon Cubano</i> (1942)<br /> Moderately<br /><br /> Megan Cullen, Piano / The Opus Project Ensemble<br /><br />John Cage (1912-1992) <br />
<i>Music for Marcel Duchamp</i> (1947)<br /> Quarter = 120<br /><br /> <i>4'33''</i> (1952)<br /> I. 30' [33'']<br /><br /> Mark Alburger, Piano<br /><br />Benjamin Britten (1912-1976) <br />
<i>War Requiem</i>, Op. 66 (1962)<br /> II. Dies Irae<br /><br /> The Opus Project Ensemble<br /><br />
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<br />
Bobby Troup (1918-1999) <br />
<i>(Get Your Kicks on) Route 66</i> (1946)<br /> Sound-College <br /> (Anon<br /> Bing Crosby<br /> Perry Como <br /> Nat King Cole<br /> Chuck Berry<br /> Patti Page <br /> Little Willie Littlefield<br /> Tim Hauser<br /> Mick Jagger<br /> Martin Michael Murphy<br /> Lux Interior<br /> Natalie Cole <br /> Lee Brilleaux<br /> Brian Selzer <br /> Dave Gahan<br /> John Mayer)<br /><br /> Video<br /><br />George Crumb (b. 1929) <br />
<i>Makrokosmos</i>, Volume I (1972)<br /> XI. Dream Images (Love-Death Music)<br /><br />Philip Glass (b. 1937) <br />
<i>Hydrogen Jukebox </i>(1988)<br /> Wichita Vortex Sutra <br /> (Allen Ginsberg [1926-1997], <i>Wichita Vortex Sutra</i>, 1966)<br /><br /> Harriet March Page, Voice / Mark Alburger, Piano <br /><br />Paul Simon (b. 1941) <br />
<i>The Sound of Silence</i> (1966)<br /> Moderately<br /><br />Paul McCartney (b. 1942) <br />
<i> Eleanor Rigby</i> (1966)<br /> Moderately, with a beat<br /><br />Mick Jagger (b. 1943) <br />
<i>Paint It Black</i> (1966)<br /> Freely - Moderate rock, very steady<br /><br /><br />
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<br />
James Morer (b. 1945) <br />
<i>THX Logo Theme</i> (1986)<br /><br />Mark Alburger (b. 1957) <br />
<i>Babe Ruth (Rhapsodi Israeli)</i>, Op. 66 (1998)<br /> II. Moabitena (Let Me Go)<br /> <br /> <i> (Get Your Zen on) Interstates 80-55-44-40-15-10</i>, Op. 267 (2017)<br /> Outre Tempo<br /><br /> The Opus Project Ensemble<br />
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<b>THE OPUS PROJECT ENSEMBLE</b><br /><br />Mark Alburger Music Director and Conductor<br /><br /><b>Flute / Piccolo</b><br />Alan Kingsley<br /><br /><b>Bassoon</b><br />Tim Machajewski<br /><br /><b>Horn</b><br />Bob Satterford<br /><br /><b>Tuba</b><br />Adam Machajewski<br /><br /><b>Soprano</b><br />Megan Cullen<br /><br /><b>Alto</b><br />Harriet March Page<br /><br /><b>Tenor</b><br />Mark Alburger<br /><br /><b>Harp</b><br />John Veitch<br /><br /><b>Piano</b><br />Mark Alburger<br />Megan Cullen<br /><br /><b>Percussion</b><br />John Veitch<br /><br /><b>Violin</b><br />Kat Walsh<br /><br /><br />THE OPUS PROJECT presents<br /><br />OPUS 67: Ludwig and Bela and Igor and the Wolf<br />8pm, Saturday, July 28, 2018<br />Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br /><br />With The Opus Project Orchestra<br /><br />Ludwig van Beethoven (1770-1827) <i>Symphony No. 5 in C Minor</i>, Op. 67 (1808)<br />Giacomo Puccini (1858-1924) <i>La Boheme</i>, SC 67 (1896)<br />Bela Bartok (1881-1943) <i>Viola Concerto</i> (1945)<br />Igor Stravinsky (1882-1971) <i>Perséphone</i> (1933)<br />Sergei Prokofiev (1891-1953) <i> Peter and the Wolf</i>, Op. 67 (1936) <br />Darius Milhaud (1892-1974) <i>Saudades do Brasil</i>, Op. 67 (1921)<br />George Crumb (b. 1927) <i>Echoes of Time and the River</i> (1967)<br />Edwin London (1967-2013) <i>Portraits of Three Ladies</i> (1967): I. Pocahontas<br />Philip Glass (b. 1937) <i>1000 Airplanes of the Roof</i> (1988)<br />Mark Alburger (b. 1957) <i>Saul! Saul!</i>, Op. 67 (1998) <br />Geert Van Hoorick (b. 1968) <i>Bassoon Concerto</i>, Op.67In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-56458250032774231012018-05-26T20:00:00.002-07:002020-12-03T07:01:16.542-08:00May 26 - Opus 65: The Unkindest Cut of All<p></p><div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
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<br />
<span style="font-size: large;"><i>Opus 65</i></span><br />
8pm, Saturday, May 26, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
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<br />
Vincent d'Indy (1851-1931) <br />
<i>Menuet sur le Nom d’Haydn</i>, Op. 65 (1909)<br />
Tempo di minuetto<br />
<br />
Richard Strauss (1864-1949) <br />
<i>Die Frau ohne Schatten</i>, Op. 65 (1919)<br />
<i>(The Woman Without a Shadow)</i>, Op. 65 (1919)<br />
Schweigt doch (Silence)<br />
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<br />
Charles Koechlin (1867-1950) <br />
<i>The Persian Hours</i>, Op. 65 (1919)<br />
VII. Evening Song<br />
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<br />
Alexander Scriabin (1872-1915) <br />
<i>Three Piano Etudes</i>, Op. 65 (1912)<br />
II. Allegretto <br />
<br />
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<br />
Ralph Vaughan Williams (1872-1958)<br />
<i>Fantasia on "Greensleeves"</i> (1934)<br />
Lento - Lento moderato - Allegretto - Lento moderato<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Igor Stravinsky (1882-1971) <br />
<i>Violin Concerto in D Major</i> (1931)<br />
I. Toccata<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Sergei Prokofiev (1891-1953) <br />
<i>Music for Children</i>, Op. 65 (1935)<br />
X. March<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5cCXcyf9IvD3IUvag_v3Nc4DcIra2ofz8J3VhP5t6nVjyX8DI1zByrauEuKyCn8dHgRMefKvzz71hRoGCkgTBCfJ3ckgniBhF2EPxUy-CimFwEZR5FU5_WMCmXWHW1TtuOo7jztFPlsFR/s1600/2013Opus065-180526-11Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="1600" height="99" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5cCXcyf9IvD3IUvag_v3Nc4DcIra2ofz8J3VhP5t6nVjyX8DI1zByrauEuKyCn8dHgRMefKvzz71hRoGCkgTBCfJ3ckgniBhF2EPxUy-CimFwEZR5FU5_WMCmXWHW1TtuOo7jztFPlsFR/s320/2013Opus065-180526-11Panorama.jpg" width="320" /></a></div>
<br />
Hanns Eisler (1898-1962) <br />
<i>Kammerkantate No. 5 ("War Cantata")</i>, Op. 65 (1937)<br />
I. The Land (Andante)<br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i>Symphony No. 8 in C Minor</i>, Op. 65 (1943)<br />
III. Allegro non troppo<br />
<br />
Alan Hovhaness (1911-2000) <br />
<i>Avak the Healer</i>, Op. 65 (1946)<br />
I. Overture<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Samson and Delilah (The Frank Judges),</i> Op. 65 (1998)<br />
SCENE I - Start<br />
I. Digits - Adonibezak<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<i> Variations on The Romanesca</i>, Op. 251 (2016)<br />
V. England (b. c. 1620) - Greensleeves to a Ground (1650) <br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Giorgio Spagnoli <br />
<i>Seniors at Play</i> (John Gehl)<br />
X. Amateurs Are Not Professionals<br />
XI. If All You Want Is Fun<br />
<br />
Megan Cullen, Soprano and Piano <br />
Harriet March Page, Mezzo-Soprano / Mark Alburger, Piano<br />
Kristen Kline, Violin / The Opus Project Orchestra<br />
<br />
Darren Hussey <br />
<i>Music for Oboe, Bassoon, Piano, and Timpani</i><br />
<br />
The Opus Project Mixed Quartet<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein al-Naswari (b. 1991) <br />
<i>Fantasies and Dreams</i> (2018)<br />
<br />
The Opus Project Orchestra and Audience<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger <br />
Music Director and Conductor<br />
<br />
<b>Flute / Piccolo</b><br />
Alan Kingsley<br />
<br />
<b>Oboe</b><br />
Philip Freihofner<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Trumpet</b><br />
Alejandro Lara-Agraz <br />
<br />
<b>Horn</b><br />
Bob Satterford<br />
<br />
<b>Soprano</b> <br />
Megan Cullen<br />
<br />
<b>Mezzo-Soprano</b><br />
Harriet March Page<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Hussein Al-Naswari <br />
<br />
<b>Violin</b><br />
Kristen Kline<br />
<br />
<b>Viola / Recorder</b><br />
Kat Walsh<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
(Get Your Kicks with) OPUS 66<br />
8pm, Saturday, June 30, 2018, Diablo Valley College Music Building, Pleasant Hill, CA<br />
<br />
A Multi-Media Event, with The Opus Project Orchestra<br />
<br />
Carlo Gesualdo (1566-1613) <i>Moro Lasso</i> (<i>Alas, I Die</i>, 1610)<br />
Frederic Chopin (1819-1849) <i>Fantasie Impromptu in C# Minor</i>, Op. 66 (1834): Largo<br />
Peter Tchaikovsky (1840-1893) <i>The Sleeping Beauty</i>, Op. 66 (1889): Introduction<br />
Claude Debussy (1862-1918) <i> Arabesque No. 1</i>, L. 66 (1891)<br />
Erik Satie (1866-1925) <i>Desiccated Embryos</i> (1913): I. Sea Cucumbers<br />
Bela Bartok (1881-1943) <i>Piano Concerto No. 3</i> (1945): I. Allegretto<br />
Igor Stravinsky (1882-1971) <i>Credo</i> (1932)<br />
Aaron Copland (1900-1990) <i> Danzon Cubano </i>(1942)<br />
John Cage (1912-1992) <i>Music for Marcel Duchamp</i> (1947)<br />
<i> 4'33''</i> (1952: I. 30'' [33'']<br />
Benjamin Britten (1912-1976) <i>War Requiem</i>, Op. 66 (1961): II. Dies Irae<br />
Bobby Troup (1918-1999) <i>(Get Your Kicks on) Route 66</i> (1946)<br />
George Crumb (b. 1929) <i>Makrokosmos, Volume I </i>(1972): XI. Dream Images<br />
Philip Glass (b. 1937) <i>Wichita Vortex Sutra</i> (1988)<br />
Paul Simon (b. 1941) <i>The Sound(s) of Silence</i> (1966)<br />
Paul McCartney (b. 1942) <i>Eleanor Rigby</i> (1966)<br />
Mick Jagger (b. 1943) <i>Paint It Black</i> (1966)<br />
Mark Alburger (b. 1957) <i>Babe Ruth (Rhapsodi Israeli)</i>, Op. 66 (1998): II. Let Me Go<br />
<i> (Get Your Zen on) Interstates 80-55-44-40-15-10</i> (2017)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-51149484119831711052018-04-28T20:00:00.000-07:002018-04-06T17:34:51.672-07:00April 28 - The Opus $64,000 Question<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b><span style="font-size: x-large;">THE OPUS PROJECT</span></b><span style="font-size: large;"><i> </i></span><br />
<span style="font-size: large;"><i>The Opus $64,000 Question</i></span><br />
8pm, Saturday, April 28, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
Program<br />
<br />
Guillaume de Machaut (1300-1377)<br />
<i>Notre Dame Mass</i> (1364)<br />
I. Kyrie<br />
<br />
Felix Mendelssohn (1809-1847) <br />
<i>Violin Concerto in E Minor</i>, Op. 64 (1844)<br />
I. Allegro molto appassionato<br />
<br />
Kristen Kline, Violin<br />
The Opus Project Orchestra<br />
<br />
Frederic Chopin (1810-1849) <br />
<i>Three Waltzes</i>, Op. 64 (1847)<br />
II. Tempo guisto in C# Minor<br />
<br />
Carol Reynolds, Piano<br />
<br />
Peter Tchaikovsky (1840-1893) <br />
<i>Symphony No. 5 in E Minor</i>, Op. 64 (1888)<br />
I. Andante - Allegro con anima<br />
<br />
Richard Strauss (1864-1949) <br />
<i>An Alpine Symphony</i>, Op. 64 (1915)<br />
Night<br />
<br />
Jean Sibelius (1865-1957) <br />
<i>The Bard</i>, Op. 64 (1914)<br />
Lento assai<br />
<br />
Erik Satie (1866-1925) <br />
<i>Automatic Descriptions</i> (1913)<br />
I. In a Vessel (at the will of the waves) - Assez lent<br />
<br />
Henry Hadley (1871-1937) <br />
<i>Symphony No. 4 ("North, South, East, West")</i>, Op. 64 (1910)<br />
I. North<br />
<br />
Reinhold Gliere (1875-1956) <br />
<i>The Zaporozhy Cossaks</i>, Op. 64 <br />
I. Introduction<br />
<br />
Maurice Ravel (1875-1937) <br />
<i>Three Poems of Stephen Mallarme</i> (1913)<br />
I. Sigh<br />
<br />
Bela Bartok (1881-1945) <br />
<i>Sonata for Solo Violin</i> (1944)<br />
II. Fuga<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Symphony of Psalms</i> (1930)<br />
I. Quarter = 92<br />
<br />
Megan Cullen, Soprano / The Opus Project Orchestra<br />
<br />
Othmar Schoeck (1886-1957) <br />
<i>Festival Hymn for Orchestr</i>a, Op. 64<br />
<br />
Video<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>Romeo and Juliet</i>, Op. 64 (1936) <br />
Montagues and Capulets<br />
<br />
The Opus Project Orchestra<br />
<br />
Hanns Eisler (1898-1962) <br />
<i>Kammerkantate No. 8 ("Pleasure's Death")</i>, <br />
Op. 64 (1937)<br />
<br />
Megan Cullen, Soprano / Mark Alburger, Piano<br />
<br />
Lennox Berkeley (1903-1989) <br />
<i>Mass for Five Voices</i>, Op. 64 (1964)<br />
I. Kyrie<br />
<br />
Alan Hovhaness (1911-2000) <br />
<i>Achtamar, Piano Solo</i>, Op. 64 (1948)<br />
<br />
Video<br />
<br />
Benjamin Britten (1912-1976) <br />
<i>A Midsummer Night's Dream</i>, Op. 64 (1960)<br />
Overture<br />
<br />
The Opus Project Orchestra<br />
<br />
Gottfried von Einem (1918-1996) <br />
<i>Organ Sonata</i>, Op. 64 (1982)<br />
I. Lento<br />
<br />
Megan Cullen, Piano<br />
<br />
Malcolm Arnold (1921-2006) <br />
<i>Commonwealth Christmas Overture</i>, Op. 64 (1957)<br />
<br />
Video<br />
<br />
Alexander Goehr (b. 1932) <br />
<i>Sur Terre, en l'Air</i>, Op. 64 (1997)<br />
<br />
Kat Walsh, Viola / Megan Cullen, Piano<br />
<br />
Terry Riley (b. 1935) <br />
<i>In C </i>(1964)<br />
<br />
Philip Glass (b. 1937) <br />
<i> Powaqqats</i>i (1988)<br />
<br />
Jacques Hetu (1938-2010) <br />
<i>Piano Concerto No. 2</i>, Op. 64 (1994)<br />
I. Andante<br />
<br />
John Lennon (1940-1980) <br />
<i>I Want to Hold Your Hand</i> (1963 / 1964)<br />
<br />
Paul McCartney (b. 1942) <br />
<i>When I'm 64 </i>(1967)<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Joshua Fought the Battle</i>, Op. 64 (1998)<br />
IV. The Battle of Jericho<br />
<br />
The Opus Project OrchestraIn Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-50026064421198770032018-03-17T20:00:00.000-07:002018-03-05T02:49:50.865-08:00March 17 - Opus 63: Greensleeves of Mirth<div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<span style="font-size: large;"><i>Opus 63</i></span><br />
<i>Greensleeves of Mirth</i><br />
8pm, Saturday, March 17, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
Program<br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <br />
<i>Neapolitan Song</i><br />
[After Luigi Danza(1846-1922)'s <br />
Funiculi, Funicula (1880)], Op. 63 (1907)<br />
<br />
Anatoly Liadov (1855-1914) <br />
<i>Kikimora for Orchestra</i>, Op. 63 (1910)<br />
Adagio<br />
<br />
Edward Elgar (1857-1934) <br />
<i>Symphony No. 2 in Eb</i>, Op. 63 (1911) <br />
I. Allegro vivace e nobilmente<br />
<br />
Richard Strauss (1864-1949) <br />
<i>Joseph's Legend</i>, Op. 63 (1914)<br />
Allegro moderato<br />
<br />
Jean Sibelius (1865-1957) <br />
<i>Symphony No. 4</i>, Op. 63 (1911)<br />
I. Tempo molto moderato, quasi adagio<br />
<br />
The Opus Project Orchestra<br />
<br />
Charles Koechlin (1867-1950) <br />
<i>Landscapes and Seascapes</i>, Op. 63 (1916)<br />
I. On the Cliff<br />
<br />
Mark Alburger, Piano<br />
<br />
Florent Schmitt (1870-1958) <br />
<i>War Song</i>, Op. 63 (1914, Leon Tonnlier)<br />
Calme [!]<br />
<br />
Ralph Vaughan Williams (1872-1958) <br />
<i>Magnificat</i> (1932)<br />
<br />
Charles Ives (1874-1954) <br />
<i>Chamber Orchestra Set No. 1</i> (1912)<br />
I. Calcium Light Night<br />
<br />
Samuel Coleridge-Taylor (1875-1912) <br />
<i>Variations on an African Air</i>, Op. 63 (1905) <br />
Molto moderato (maestoso)<br />
<br />
Bela Bartok (1881-1943) <br />
<i>Concerto for Orchestra</i> (1943)<br />
IV. Intermezzo Interrotto (Allegro) <br />
<br />
Igor Stravinsky (1882-1971) <br />
Capriccio for Piano and Orchestra (1929)<br />
I. Presto<br />
<br />
The Opus Project Orchestra<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>Violin Concerto No. 2</i> (1935)<br />
I. Allegro moderato<br />
<br />
Darius Milhaud (1892-1974) <br />
<i>Five Etudes for Piano and Orchestra</i>, Op. 63 (1920)<br />
First Etude<br />
<br />
Aaron Copland (1900-1990) <br />
<i>Fanfare for the Common Man</i> (1942)<br />
Very deliberately<br />
<br />
Edmund Rubbra (1901-1986) <br />
<i>Symphony No. 5 in Bb</i>, Op. 63 (1947) <br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i>The Gamblers</i>, Op. 63 (1942)<br />
I. Intrumental Introduction<br />
<br />
Benjamin Britten (1912-1976) <br />
<i>Missa Brevis</i>, Op. 63 (1959)<br />
I. Kyrie<br />
<br />
Malcolm Arnold (1921-2006) <br />
<i>Symphony No. 3</i>, Op. 63 (1957)<br />
I. Allegro - Vivace<br />
<br />
George Crumb (b. 1929) <br />
<i>American Songbook VII: From the Heartland</i> (2010)<br />
I. Softly and Tenderly<br />
II. Ghost Dance<br />
<br />
Henryk Górecki (1933-2010) <br />
<i>Good Night</i>, Op. 63 (1990)<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Moses and Aaron</i>, Op. 63 (1998)<br />
I. Recitativo - "Now There Arose" <br />
[with <i>All the BBC Sound Files</i>, Op. 192 (2011)<br />
XXVII. Babies]<br />
In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-73209616101214004492018-02-24T20:00:00.000-08:002018-03-05T01:53:25.684-08:00February 24 - Opus 62: Romancing the Tone<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuB9IFQ0blIjZ5Yv04APyG-ViVZ1fPmTD8XudlUxxRhJOb6llz7N5kw5JzX7wZ8eRrst6JpP_0MZ-jFDRyUln4GhyphenhyphenKRNA4IrvdPyTLdQSi_vYvb4toomVhOuJuUlKe7aYfZJmbS06rRfYY/s1600/2013Opus062Poster180224.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1237" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuB9IFQ0blIjZ5Yv04APyG-ViVZ1fPmTD8XudlUxxRhJOb6llz7N5kw5JzX7wZ8eRrst6JpP_0MZ-jFDRyUln4GhyphenhyphenKRNA4IrvdPyTLdQSi_vYvb4toomVhOuJuUlKe7aYfZJmbS06rRfYY/s320/2013Opus062Poster180224.jpg" width="247" /></a></div>
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<i><span style="font-size: large;">Opus 62</span></i><br />
<span style="font-size: large;"><i>Romancing the Tone</i></span><br />
8pm, Saturday, February 24, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuotlPD8y1E0M5at-DnPC0hw4J9Jz9ILKYKroeU8JR8RUfPsOjvfKV3n2HYLXXn_A2JcP_xjfB7e6yB-HU0-IyXtpEXIFmPMem95GnlWkfVIt9V_pU3gQGfS-i0_bo3g3uQD0qo_f8QzMm/s1600/2013Opus62-180224-04SzmanowskiProkofievPanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="503" data-original-width="1600" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuotlPD8y1E0M5at-DnPC0hw4J9Jz9ILKYKroeU8JR8RUfPsOjvfKV3n2HYLXXn_A2JcP_xjfB7e6yB-HU0-IyXtpEXIFmPMem95GnlWkfVIt9V_pU3gQGfS-i0_bo3g3uQD0qo_f8QzMm/s320/2013Opus62-180224-04SzmanowskiProkofievPanoramaDetail.jpg" width="320" /></a></div>
<br />
Program<br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Coriolan Overture</i>, Op. 62 (1807)<br />
Allegro con brio<br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <br />
<i>Chanson russe</i>, Op. 62 (1905)<br />
Allegretto non troppo<br />
<br />
Vincent d'Indy (1851-1931) <br />
<i>Souvenirs: Poem for Orchestra</i>, Op. 62 (1906)<br />
Tres lent<br />
<br />
Anatoly Liadov (1855-1914) <br />
<i>The Enchanted Lake</i>, Op. 62 (1909)<br />
Andante<br />
<br />
Edward Elgar (1857-1934) <br />
<i>Romance for Bassoon and Orchestra</i>, Op. 62 (1910)<br />
Andante<br />
<br />
Mikhail Ippolitov-Ivanov (1859-1935) <br />
<i>Turkish Fragments - Orchestral Suite No. 3</i>, Op. 62 (1930)<br />
I. Caravan - Moderato sostenuto, tempo marciale <br />
<br />
<br />
Erik Satie (1866-1925) <br />
<i>Truly Flabby Prelude (for a Dog) </i>(1912)<br />
I. Severe Reprimand<br />
<br />
Tim Macajewski, Bassoon / The Opus Project Ensemble<br />
<br />
Florent Schmitt (1870-1958) <br />
<i>Dionysiaques</i>, Op. 62 (1914)<br />
Moderato sostenuto, tempo marciale<br />
<br />
Mark Alburger, Piano<br />
<br />
Henry Hadley (1871-1937)<br />
<i>The Culprit Fay</i> Op. 62 (1909)<br />
Andante misterioso<br />
<br />
Max Reger (1873-1916) <br />
<i>16 Songs</i>, Op. 62 (1902)<br />
XI. Fromm (Gustav Falke, 1853-1916,<br />
Mit dem Leben [From my Life], 1899:<br />
The Moon Shines on my Bed)<br />
<br />
Maurice Ravel (1875-1937) <br />
<i>Mother Goose</i> (1912)<br />
Tom Thumb<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Le Baiser de la Fée </i>(1928)<br />
I. Sinfonia<br />
<br />
Karol Szymanowski (1882-1937) <br />
<i>Two Mazurkas</i>, Op. 62 (1934)<br />
I. Allegretto graziozo<br />
<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>Pensées</i>, Op. 62 (1934)<br />
I. Adagio pensieroso - Moderato<br />
<br />
<br />
Darius Milhaud (1892-1974) <br />
<i>Sérénade en Trois Parties</i>, Op. 62 (1920–1921)<br />
I. Vif<br />
<br />
Megan Cullen, Soprano and Piano<br />
The Opus Project Ensemble<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Alois Hába (1893-1973) <br />
<i>Quartertone Piano Sonata</i>, Op. 62 (1947)<br />
<br />
Francis Poulenc (1899-1963) <br />
<i>Valse-Improvisation sur le Nom de BACH</i>, Op. 62 (1932) <br />
<br />
Video<br />
<br />
<br />
Aaron Copland (1900-1990) <br />
<i>Rodeo </i>(1942)<br />
IV. Hoe-Down<br />
<br />
Edmund Rubbra (1901-1986) <br />
<i>Festival Overture for Orchestra</i>, Op 62 (1947)<br />
<br />
The Opus Project Ensemble <br />
<br />
Paul Creston (1906-1985) <br />
<i>Dance Overture</i>, Op. 62 (1954)<br />
<br />
Mark Alburger, Piano <br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i> Six Romances on Verse by English Poets</i>, Op. 62a (1942)<br />
III. Macpherson before his Execution (Macpherson's Farewell, Robert Burns)<br />
<br />
Megan Cullen, Soprano<br />
The Opus Project Ensemble<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Alan Hovhaness (1911-2000) <br />
<i>Etchmiadzin: Prayer of St. Gregory</i>, Op. 62 (1946)<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Benjamin Britten (1912-1976) <br />
<i>Cantata Academica</i>, Op. 62 (1959) <br />
<br />
Video<br />
<br />
Gottfried von Einem (1918-1996) <br />
<i>Organ Concerto</i>, Op. 62 (1981)<br />
<br />
George Crumb (b. 1929) <br />
<i>Spanish Songbook I: The Ghosts of Alhambra</i> (2009)<br />
V. Ay! <br />
<br />
Mark Alburger (b. 1957) <br />
<i>Symphony No. 2 ("Tamalpais")</i>, Op. 62 (1998)<br />
II. DOUBLE FUGUE<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Naswari (b. 1991)<br />
<i>Homage to Jules Verne</i> (2018)<br />
PIANO<br />
John Williams (b. 1932) - <i>Indiana Jones Temple</i> (1984)<br />
Maurice Ravel (1875-1937) - <i>Jeux d’eau</i> (1901)<br />
Randy Newman (b. 1943) - <i>Buzz Lightyear Astroblasters</i> (1995)<br />
Claude Debussy (1862-1918) - <i>Estampes</i> (1903): III. Jardin sous la plouie <br />
Michael Giacchino (b. 1967) - <i>Space Mountain</i> (1985)<br />
Claude Debussy - <i>La Cathedrale Engloutie</i> <br />
+<br />
ENSEMBLE<br />
Frederic Chopin (1810-1847) - <i>Piano Ballade No. 2</i>, Op. 38 (1839)<br />
C Major <br />
Db Major<br />
D Major<br />
Eb Major<br />
E Major<br />
F Major<br />
+<br />
VIDEO<br />
Prague, Czech Republic NYE 2018 Fireworks Display<br />
Adam Young (1986) - <i>When Can I See You Again?</i> (2012)<br />
Jean-Jacques Perrey (1929-2016) - <i>Baroque Hoedown</i> (1967)<br />
<br />
Megan Cullen, Voice and Piano<br />
Hussein Al-Naswari, Piano <br />
The Opus Project Ensemble<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ENSEMBLE</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
<br />
<b>Bassoon</b><br />
Tim Macajewski<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Hussein Al-Naswari<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 63<br />
8pm, Saturday, March 17, 2018<br />
Diablo Valley College Music Building, Pleasant Hill, CA<br />
<br />
With The Opus Project Orchestra<br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <i>Neapolitan Song</i>, Op. 63 (1907)<br />
Moritz Moszkowski (1854-1925) <i>Bagatelle</i>, Op. 63 (1900)<br />
Anatoly Liadov (1855-1914) <i>Kikimora for Orchestra</i>, Op. 63 (1910)<br />
Edward Elgar (1857-1934) <i>Symphony No. 2 in Eb,</i> Op. 63 (1911) <br />
Richard Strauss (1864-1949) <i>Joseph's Legend</i>, Op. 63 (1914)<br />
Jean Sibelius (1865-1957) <i>Symphony No. 4</i>, Op. 63 (1911)<br />
Amy Beach (1867-1944) <i>Service,</i> Op. 63<br />
Charles Koechlin (1867-1950) <i>Landscapes and Seascapes</i>, Op. 63 (1916)<br />
Ede Poldini (1869-1957) <i>Lustgärtchen</i>, Op.63 <br />
Vítězslav Novák (1870-1949) <i>Romances for Voice and Orchestra</i>, Op. 63 (1934)<br />
Florent Schmitt (1870-1958) <i>War Song</i>, Op. 63 (1914)<br />
Paul Juon (1872-1940) <i>Austrian Equestrian Song,</i> Op. 63 (1914)<br />
Alexander Scriabin (1872-1915) <i>Poème</i>, Op. 63<br />
Ralph Vaughan Williams (1872-1958) <i>Magnificat</i> (1932)<br />
Joseph Jongen (1873-1953) <i>In Memoriam</i>, Op. 63 (1919)<br />
Alexander Gedike (1877-1957) <i>Kirghiz Song</i>, Op. 63<br />
Sigfrid Karg-Elert (1877-1933) <i>Impressions and Poems</i>, Op. 63 (1908)<br />
Cyril Scott (1879-1970) <i>Sphinx</i>, Op. 63 (1908)<br />
Bela Bartok (1881-1943) <i> Concerto for Orchestra</i> (1943)<br />
Igor Stravinsky (1882-1971) <i>Capriccio for Piano and Orchestra </i>(1929)<br />
Othmar Schoeck (1886-1957) <i>Vision</i>, Op. 63<br />
Sergei Prokofiev (1891-1953) <i>Violin Concerto No. 2</i>, Op. 62 (1935)<br />
Darius Milhaud (1892-1974) <i>Étude for Piano and Orchestra</i>, Op. 63 (1920)<br />
Hanns Eisler (1898-1962) <i>Kammerkantate No.9 ("Prison Cantata"),</i> Op. 63 (1937)<br />
Aaron Copland (1900-1990) <i>Fanfare for the Common Man</i> (1942)<br />
Hermann Reutter (1900-1985) <i>Double Piano Concerto in Eb</i>, Op. 63 (1947)<br />
Edmund Rubbra (1901-1986) <i>Symphony No. 5 in Bb</i>, Op. 63 (1947) <br />
Dmitri Kabalevsky (1904-1987) <i>The Leninists</i>, Op. 63 (1959)<br />
Dmitri Shostakovich (1906-1975) <i>Music to the Spectacle Native Country</i>, Op. 63 (1942)<br />
Alan Hovhaness (1911-2000) <i>Greek Piano Rhapsody No. 1,</i> Op. 63 (1944)<br />
Jan Koetsier (1911-2006) <i>Hymnus Monaciensis</i>, Op. 63 (1972)<br />
Benjamin Britten (1912-1976) <i>Missa Brevis</i>, Op. 63 (1959)<br />
Malcolm Arnold (1921-2006) <i>Symphony No. 3</i>, Op. 63 (1957)<br />
George Crumb (b. 1929) <i>American Songbook VII: From the Heartland </i>(2010)<br />
Alexander Goehr (b. 1932) <i>Idées Fixes for Ensemble</i>, Op. 63 (1997)<br />
Henryk Górecki (1933-2010) <i>Good Night</i>, Op. 63 (1990)<br />
Robin Holloway (b. 1943) <i>Bassoon Concerto</i>, Op. 63 (1985)<br />
Krzysztof Meyer (b. 1943) <i>Cello Concerto No. 1 (Conc da Camera No. 4)</i>, Op. 63 (1984) <br />
Mark Alburger (b. 1957) <i>Moses and Aaron</i>, Op. 63 (1998)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-71064168610461201942018-01-27T20:00:00.000-08:002018-03-05T01:49:36.267-08:00January 27 - Opus 61: Pianists, Sax, and Violins<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<span style="font-size: large;"><i>Opus 61</i></span><br />
<span style="font-size: large;"><i>Pianists, Sax, and Violins</i></span><br />
8pm, Saturday, January 27, 2018<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9lfpFJrk4vHQqC2Gj_C4Gc3exntHCSQQtakgopde9HP13u7Neib9KauD6wMUG-NTPIz_NoWPspPoghqqC9KSCpVvfkTlY8hcfzzQKZm6pm6oFoUfghIj5nl7QcAXPRDmtQgE_MqIgSTb/s1600/2013Opus061-180127-03PanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="456" data-original-width="1600" height="91" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9lfpFJrk4vHQqC2Gj_C4Gc3exntHCSQQtakgopde9HP13u7Neib9KauD6wMUG-NTPIz_NoWPspPoghqqC9KSCpVvfkTlY8hcfzzQKZm6pm6oFoUfghIj5nl7QcAXPRDmtQgE_MqIgSTb/s320/2013Opus061-180127-03PanoramaDetail.jpg" width="320" /></a></div>
<br />
Program<br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Violin Concerto in D Major</i>, Op. 61(1806)<br />
I. Allegro, ma non troppo<br />
<br />
Felix Mendelssohn (1809-1847) <br />
<i>A Midsummer Night's Dream</i>, Op. 61 (1842)<br />
VII. Wedding March<br />
<br />
Robert Schumann (1810-1856) <br />
<i>Symphony No. 2 in C Major</i>, Op. 61 (1846)<br />
I. Sostenuto assai <br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <br />
<i>At the Grave</i>, Op. 61 (1904)<br />
Prelude<br />
<br />
Vincent d'Indy (1851-1931) <br />
<i>Summer Day in the Mountains</i>, Op. 61 (1905)<br />
I. Aurore<br />
<br />
Edward Elgar (1857-1934) <br />
<i>Violin Concerto in B Minor</i>, Op. 61 (1910)<br />
I. Allegro<br />
<br />
Sergei Lyapunov (1859-1924) <br />
<i>Violin Concerto in D Minor</i>, Op.61 (1915)<br />
Allegro appassionato<br />
<br />
Anton Arensky (1861-1906) <br />
<i>The Goblet</i>, Op. 61 (1902)<br />
Poco meno mosso<br />
<br />
Felix Weingartner (1863-1942) <br />
<i>Symphony No. 4 in F Major</i>, Op. 61 (1916)<br />
I. Allegro un poco moderato<br />
<br />
Alexander Glazunov (1864-1956) <br />
<i>The Ruses of Love</i>, Op. 61 (1900)<br />
Introduction - Allegro moderato<br />
<br />
Richard Strauss (1864-1949) <br />
<i>Festival Prelude</i>, Op. 61 (1913)<br />
Solennemente<br />
<br />
The Opus Project Chamber Orchestra<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXOi0_yNpZdQxtaFNGlZxeA2UQLQqmhNcMlkqBwMB5oswOsB7c9CpSM3KkAtfUwjISIP2-O_iSaJ7PO7Nf0m11mmZAtM9xKWo5QpgsQus0QQuzNptIM1hdh3Id1Qs5aWGEDbMUAl6JfUkK/s1600/2013Opus061-180127-04Detail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1136" data-original-width="1600" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXOi0_yNpZdQxtaFNGlZxeA2UQLQqmhNcMlkqBwMB5oswOsB7c9CpSM3KkAtfUwjISIP2-O_iSaJ7PO7Nf0m11mmZAtM9xKWo5QpgsQus0QQuzNptIM1hdh3Id1Qs5aWGEDbMUAl6JfUkK/s320/2013Opus061-180127-04Detail.jpg" width="320" /></a></div>
<br />
Erik Satie (1866-1925) <br />
<i> Flabby Preludes (for a Dog)</i> (1912)<br />
I. Interior Voice - Seriously, but without tears<br />
<br />
Megan Cullen, Piano<br />
<br />
Ralph Vaughan Williams (1872-1958) <br />
<i>Job: A Masque for Dancing</i> (1930)<br />
Scene VI - Dance of Job's Comforters<br />
<br />
Charles Ives (1874-1954) <br />
<i> Symphony No. 3 ("The Camp Meeting")</i> (1911)<br />
II. Children's Day ...Piu allegro<br />
<br />
Maurice Ravel (1875-1937) <br />
<i>Valses Nobles et Sentimentales</i> (1911)<br />
I. Moderato - tres franc<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Four Etudes for Orchestra</i> (1928) <br />
II. Excentrique<br />
<br />
Karol Szymanowski (1882-1937) <br />
<i>Violin Concerto No. 2</i>, Op. 61 (1933)<br />
I. Moderato molto tranquillo <br />
<br />
Francis Poulenc (1899-1963) <br />
<i>Double Piano Concerto</i> (1932)<br />
I. Allegro ma non troppo<br />
<br />
Aaron Copland (1900-1990) <br />
<i>Lincoln Portrait</i> (1942)<br />
Subito Allegro<br />
<br />
Boris Blacher (1903-1975) <br />
<i> Piano Concerto No. 3 ("Clementi Variations")</i>, Op. 61 <br />
Theme<br />
<br />
The Opus Project Chamber Orchestra<br />
<br />
Pal Kadosa (1903-1983) <br />
<i>Kaleidoscope</i>, Op. 61 (1967)<br />
III. Allegro / IV. Poco Lento<br />
<br />
Mark Alburger, Piano<br />
<br />
Jean Langlais (1907-1991) <br />
<i>Organ / Harpsichord Concerto</i>, Op. 61<br />
I. Poco allegro<br />
<br />
Gottfried von Einem (1918-1996) <br />
<i>Steinbeis-Serenade ("Don Giovanni Variations")</i>, Op. 61 (1981)<br />
Theme<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj85X2KEk9VbU7quhfJMxvHcUPyJKWpV-HlMBChg_zG7B5yv7k_2r2F93KpK69pjC7gN4774I3JXFJ_oDF3T6qGsndBhmBtKbOwNdzOoVytuoIafM34mmUdRBe5o-Qf086bVso23vD8pJSU/s1600/2013Opus061-180127-07RautavaraPanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="1600" height="128" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj85X2KEk9VbU7quhfJMxvHcUPyJKWpV-HlMBChg_zG7B5yv7k_2r2F93KpK69pjC7gN4774I3JXFJ_oDF3T6qGsndBhmBtKbOwNdzOoVytuoIafM34mmUdRBe5o-Qf086bVso23vD8pJSU/s320/2013Opus061-180127-07RautavaraPanorama.jpg" width="320" /></a></div>
<br />
Einojuhani Rautavaara (1928-2016) <br />
<i>Conncerto for Birds and Orchestra ("Cantus Arcticus")</i>, Op. 61<br />
I. Bog<br />
<br />
Krzysztof Meyer (b. 1943) <br />
<i> Flute Concerto</i>, Op. 61 (1983)<br />
Introduction<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj66Qm_erIl-WmMiCMn2M6b0c6wvoWSp8CTAUYBDrzXgG5E_dRH5uendyVD8mfp87QlMpSFrGLz7wG4suHzUH8Ny4WrUZ8El7QALsI6KhVz6PM4me4eemErhRSnyrOyDUVnCmEzy1Ixgve_/s1600/2013Opus061-180127-06Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="1600" height="77" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj66Qm_erIl-WmMiCMn2M6b0c6wvoWSp8CTAUYBDrzXgG5E_dRH5uendyVD8mfp87QlMpSFrGLz7wG4suHzUH8Ny4WrUZ8El7QALsI6KhVz6PM4me4eemErhRSnyrOyDUVnCmEzy1Ixgve_/s320/2013Opus061-180127-06Panorama.jpg" width="320" /></a></div>
<br />
Mark Alburger (b. 1957) <br />
<i> Symphony No. 1 in C Major, ("It wasn't classical…")</i>, Op. 61 (1998)<br />
I. Allegro non troppo<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Naswari (b. 1991)<br />
<i>Minimalist Disney</i> (2018)<br />
<br />
The Opus Project Chamber Orchestra <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT CHAMBER ORCHESTRA</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
Hussein Al-Naswari Associate Conductor<br />
<br />
<b>Flute / Piccolo / Alto Flute</b><br />
Alan Kingsley<br />
<br />
<b>Bassoon / Alto Sax</b><br />
Tim Macajewski<br />
<br />
<b>Trumpet</b><br />
Ryan Berman<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Hussein Al-Naswari<br />
<br />
<b>Violin I</b><br />
Carole Cloud<br />
Corey Johnson<br />
<br />
<b>Violin II</b><br />
Kristen Kline<br />
<br />
<b>Viola</b><br />
Carol Earley<br />
Kat Walsh<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 62<br />
<br />
Romancing the Tone<br />
<br />
8pm, Saturday, February 24, 2018, <br />
Diablo Valley College Music Building, Pleasant Hill, CA<br />
<br />
With the Opus Project Orchestra<br />
<br />
Ludwig van Beethoven (1770-1827) <i>Coriolan Overture</i>, Op. 62 (1807)<br />
Nikolai Rimsky-Korsakov (1844-1908) <i>Chanson russe</i>, Op. 62 (1905)<br />
Vincent d'Indy (1851-1931) <i>Souvenirs: Poem for Orchestra</i>, Op. 62 (1906)<br />
Anatoly Liadov (1855-1914) <i>The Enchanted Lake</i>, Op. 62 (1909)<br />
Edward Elgar (1857-1934) <i>Romance for Bassoon and Orchestra</i>, Op. 62 (1910)<br />
Mikhail Ippolitov-Ivanov (1859-1935) <i>Turkish Fragments - Orchestral Suite No. 3</i>, Op. 62 (1930)<br />
Jean Sibelius (1865-1957) <i>Piece from Kuolema</i>, Op. 62 (1911)<br />
Erik Satie (1866-1925) <i>Truly Flabby Prelude (for a Dog)</i> (1912)<br />
Vítězslav Novák (1870-1949) <i>Autumn Symphony</i>, Op. 62 (1934)<br />
Florent Schmitt (1870-1958) <i>Dionysiaques for Brass</i>, Op. 62 (1914)<br />
Louis Vierne (1870-1937) <i>Requiem ("Low Mass of the Dead")</i>, Op. 62 (1934)<br />
Joseph Jongen (1873-1953) <i> Poème Héroïque</i>, Op. 62 (1919)<br />
Maurice Ravel (1875-1937) <i>Mother Goose Ballet</i> (1912)<br />
Igor Stravinsky (1882-1971) <i>Le Baiser de la Fée</i> (1928)<br />
Josef Matthias Hauer (1883-1959) <i> Opera Die Schwarze Spinne</i>, Op. 62 (1932)<br />
Sergei Prokofiev (1891-1953) <i>Pensées</i>, Op. 62 (1934)<br />
Darius Milhaud (1892-1974) <i> Sérénade en trois parties</i>, Op. 62 (1920–1921)<br />
Alois Hába (1893-1973) <i>Quartertone Piano Sonata</i>, Op. 62 (1947)<br />
Hanns Eisler (1898-1962) <i>Kammerkantate No. 4: Kantate im Exi</i>l, Op. 62 (1937)<br />
Aaron Copland (1900-1990) <i>Rodeo</i> (1942)<br />
Edmund Rubbra (1901-1986) <i> Festival Overture for Orchestra</i>, Op 62<br />
Paul Creston (1906-1985) <i>Dance Overture</i>, Op. 62 (1954)<br />
Dmitri Shostakovich (1906-1975) <i>Romance on an English Poet</i>, Op. 62 (1942)<br />
Alan Hovhaness (1911-2000) <i>Etchmiadzin: Prayer of St. Gregory</i>, Op. 62 (1946)<br />
Benjamin Britten (1912-1976) <i>Cantata Academica</i>, Op. 62 (1959)<br />
Gottfried von Einem (1918-1996) <i>Organ Concerto</i>, Op. 62 (1981)<br />
George Crumb (b. 1929) <i>Spanish Songbook I: The Ghosts of Alhambra</i> (2009)<br />
Mark Alburger (b. 1957) <i> Symphony No. 2 ("Tamalpais")</i>, Op. 62 (1998)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-43478649161793953262017-12-16T20:00:00.000-08:002018-03-05T01:44:15.461-08:00December 16 - Opus 60: Birthday Suite<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLIK9RUFQeJFiXVllTHU4RXv6wWZZzL7a_ea2Krrro-awtSdb9V9bRQ9CNdaEFxEFN4q4nixGzHKJxHNxmzI0fyApdPIKy7yAUgNMjsPGPndI9p0iwT_pXyTc4XLy6BtBc19e2DS32n4s/s1600/2013Opus060Poster171216.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1237" data-original-width="1600" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLIK9RUFQeJFiXVllTHU4RXv6wWZZzL7a_ea2Krrro-awtSdb9V9bRQ9CNdaEFxEFN4q4nixGzHKJxHNxmzI0fyApdPIKy7yAUgNMjsPGPndI9p0iwT_pXyTc4XLy6BtBc19e2DS32n4s/s320/2013Opus060Poster171216.jpg" width="320" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<span style="font-size: large;"><i>Opus 60</i></span><br />
<span style="font-size: large;"><i>Birthday Suite</i></span><br />
8pm, Saturday, December 16, 2017<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6cfv3H-qbYKtoKWXjpkUX01-9xT5c8gAwt7UYf6K32IkP6WjmiL_UK5RAgNEYwU3HfFTodwrqCnezpHE6O5Du3kK4jvpCzbFmWI8ZfN6-MjBoUSscuKXgZ-NuBQHFgMSZlse_O8kuczA/s1600/2013Opus60-171216-05Detail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="496" data-original-width="1600" height="99" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6cfv3H-qbYKtoKWXjpkUX01-9xT5c8gAwt7UYf6K32IkP6WjmiL_UK5RAgNEYwU3HfFTodwrqCnezpHE6O5Du3kK4jvpCzbFmWI8ZfN6-MjBoUSscuKXgZ-NuBQHFgMSZlse_O8kuczA/s320/2013Opus60-171216-05Detail.jpg" width="320" /></a></div>
<br />
Program<br />
<br />
Ludwig van Beethoven (1770-1827) <br />
<i> Symphony No. 4 in B-Flat Major</i>, Op. 60 (1806)<br />
I. Adagio - Allegro vivace <br />
<br />
Camille Saint-Saens (1835-1921) <i> </i><br />
<i> Suite Algérienne</i>, Op. 60 (1880)<br />
IV. French Military March - Alla giocoso <br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <i> </i><br />
<i>A Page from Homer: Prelude-Cantata</i>, Op. 60 (1901)<br />
Allegro tempestuoso<br />
<br />
Richard Strauss (1864-1949) <i> </i><br />
<i> Ariadne auf Naxos</i>, Op. 60 (1912, Hugo von Hofmannsthal, 1874-1929)<br />
Overture - Andante <br />
<br />
Jean Sibelius (1865-1957) <br />
<i>Two Songs for William Shakespeare's "Twelfth Night"</i>, Op. 60 (1909)<br />
I. Come away, Death! - Lento<br />
<br />
Erik Satie (1866-1925) <br />
<i>En Habit de Cheval</i> (<i>In Horse's Clothing</i>, 1911)<br />
I. Choral / II. Fugue Litanique<br />
III. Autre Choral / Fugue de Papier<br />
<br />
Alexander Scriabin (1872-1915) <i> </i><br />
<i> Symphony No. 5 ("</i><i>Prometheus - Poem of Fire")</i>, Op. 60 (1910)<br />
Lento - Misty <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Dy_nuJo7DDhdZPMik-eVuhTDHby2VCIStrmAJvTQronrNx4kN712DD6bRUqtC5pAMdqxi7Bwcka9MqheY8R1Lo_Nr59OMROSd2AcVA3zq3Pmr8dmvRdFtIQg6pKud8c8M50Y3awkZQo/s1600/2013Opus60-171216-07PanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="1600" height="97" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Dy_nuJo7DDhdZPMik-eVuhTDHby2VCIStrmAJvTQronrNx4kN712DD6bRUqtC5pAMdqxi7Bwcka9MqheY8R1Lo_Nr59OMROSd2AcVA3zq3Pmr8dmvRdFtIQg6pKud8c8M50Y3awkZQo/s320/2013Opus60-171216-07PanoramaDetail.jpg" width="320" /></a></div>
<br />
Ralph Vaughan Williams (1872-1958) <i> </i><br />
<i> Symphony No. 4 in F Minor</i> (1931)<br />
I. Allegro <br />
<br />
Maurice Ravel (1875-1937) <i> </i><br />
<i> Mother Goose</i> (1910)<br />
V. Le Jardin Feerique <br />
<br />
Karol Szymanowski (1882-1937) <br />
<i> Symphony No. 4 ("Symphonie Concertante")</i>, Op. 60 (1932)<br />
I. Moderato <br />
<br />
Sergei Prokofiev (1891-1953) <i> </i><br />
<i> Lieutenant Kije</i>, Op. 60 (1934)<br />
IV. Troika<br />
<br />
Aaron Copland (1900-1990) <i> </i><br />
<i> Lincoln Portrait</i> (1942)<br />
Introduction <br />
<br />
Dmitri Shostakovich (1906-1975) <i> </i><br />
<i> Symphony No. 7 ("Leningrad")</i>, Op. 60 (1941)<br />
I. Allegretto<br />
<br />
Mark Alburger (b. 1957) <i> </i><br />
<i> 12 Preludes and Fugues ("Topical")</i>, Op. 60 (1998)<br />
Ib. Another Cognitive Disorder (Fugue)<br />
<br />
The Opus Project Chamber Orchestra<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Naswari (b. 1991) <br />
<i>San Francisco Symphony Fireworks Spectacular</i> (2017)<br />
<br />
Hussein Al-Naswari, Piano<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT CHAMBER ORCHESTRA</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
<br />
<b>Flute / Piccolo</b><br />
Alan Kingsley<br />
<br />
<b>Oboe / English Horn</b><br />
Stardust<br />
<br />
<b>Clarinet</b><br />
Peter Brown<br />
<br />
<b>Soprano</b><br />
Megan Cullen<br />
<br />
<b>Mezzo Soprano</b><br />
Harriet March Page<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Baritone</b><br />
Brian Phelan<br />
<br />
<b>Piano</b><br />
Hussein Al-Naswari<br />
Megan Cullen<br />
<br />
<b>Percussion</b><br />
Hussein Al-Naswari<br />
Brian Phelan<br />
Mia Primrose<br />
<br />
<b>Violin</b><br />
Olga Raldugina<br />
<br />
<b>Viola</b><br />
Adrienne Johnson<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 61 <br />
<br />
Sax and Violins<br />
<br />
8pm, Saturday, January 27, 2018<br />
Diablo Valley College Music Building, Pleasant Hill, CA<br />
<br />
With the Opus Project Orchestra<br />
<br />
Ludwig van Beethoven (1770-1827) <i> Violin Concerto in D Major</i>, Op. 61 (1806)<br />
Felix Mendelssohn (1809-1847) <i>A Midsummer Night's Dream</i>, Op. 61 (1842)<br />
Robert Schumann (1810-1856) <i>Symphony No. 2 in C</i>, Op. 61 (1846)<br />
Nikolai Rimsky-Korsakov (1844-1908) <i>At the Grave</i>, Op. 61 (1904)<br />
Vincent d'Indy (1851-1931) <i>Summer Day in the Mountains</i>, Op. 61 (1905)<br />
Edward Elgar (1857-1934) <i>Violin Concerto in B Minor</i>, Op. 61 (1910)<br />
Sergei Lyapunov (1859-1924) <i>Violin Concerto in D Minor</i>, Op. 61 (1915)<br />
Anton Arensky (1861-1906) <i>The Goblet</i>, Op. 61 (1902)<br />
Felix Weingartner (1863-1942) <i>Symphony No. 4 in F Major</i>, Op. 61 (1916)<br />
Alexander Glazunov (1864-1956) <i> The Ruses of Love,</i> Op. 61 (1900)<br />
Richard Strauss (1864-1949) <i> Festival Prelude</i>, Op. 61 (1913)<br />
Erik Satie (1866-1925) <i>Flabby Prelude (for a Dog)</i> (1912)<br />
Ralph Vaughan Williams (1872-1958) <i>Job: A Masque for Dancing</i> (1930)<br />
Charles Ives (1874-1954) <i>Symphony No. 3 ("The Camp Meeting")</i> (1911)<br />
Maurice Ravel (1875-1937) <i>Valses Nobles et Sentimentales</i> (1911)<br />
Bela Bartok (1881-1943) <i>Concerto for Two Pianos, Percussion, and Orchestra</i> (1940)<br />
Igor Stravinsky (1882-1971) <i> Etude for Orchestra</i> (1928) <br />
Karol Szymanowski (1882-1937) <i>Violin Concerto No. 2</i>, Op. 61 (1933)<br />
Darius Milhaud (1892-1974) <i> Ballade,</i> Op. 61 (1920)<br />
Francis Poulenc (1899-1963) <i>Double Piano Concerto</i> (1932)<br />
Aaron Copland (1900-1990) <i> Lincoln Portrait</i> (1942)<br />
Boris Blacher (1903-1975) <i>Piano Concerto No. 3 ("Clementi Variations")</i>, Op. 61 <br />
Pal Kadosa (1903-1983) <i>Kaleidoscope</i>, Op. 61, No. 3 and 4 (1967)<br />
Paul Creston (1906-1985) <i>Celebration Overture</i>, Op. 61 (1954)<br />
Jean Langlais (1907-1991) <i>Organ / Harpsichord Concerto</i>, Op. 61<br />
Gottfried von Einem (1918-1996) <i>Steinbeis-Serenade</i>, Op. 61 (1981)<br />
Mieczysław Weinberg (1919-1996) <i>Symphony No. 4 in A Minor</i>, Op. 61 (1957) <br />
Einojuhani Rautavaara (1928-2016) <i>Cantus Arcticus</i>, Op. 61<br />
Jacques Hetu (1938-2010) <i>Marimba Concerto</i>, Op. 61 (1997)<br />
Krzysztof Meyer (b. 1943) <i>Flute Concerto</i>, Op. 61 (1983)<br />
Mark Alburger (b. 1957) <i>Symphony No. 1 in C Major, ("It wasn't classical…")</i>, Op. 61 (1998)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-29962837152388521802017-11-18T20:00:00.000-08:002018-03-05T01:40:20.927-08:00November 18 - Opus 59: Mysterious Wonder<div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<i><span style="font-size: large;">Opus 59<br />Mysterious Wonder</span></i><br />
8pm, Saturday, November 18, 2017<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Program<br />
<br />
Cesar Cui (1835-1918) <br />
<i>Seven Vocal Quartets</i>, Op. 59 (1901)<br />
II. Pale Blue<br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <br />
<i>"Pan Voyevoda [The Gentleman Provincial Governor]" Suite</i>, Op. 59 (1904)<br />
I. Introduction<br />
<br />
Anatoly Liadov (1855-1914) <br />
<i>Russian Folk Songs</i>, Op. 59 (1907)<br />
I. When Spring Comes - Moderato<br />
<br />
Edward Elgar (1857-1934) <br />
<i>Song Cycle for Voice and Orchestra</i>, Op. 59 (1910, Gilbert Parker, 1862-1932)<br />
VI. Twilight<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Mikhail Ippolitov-Ivanov (1859-1935) <br />
<i>Hymn to Work</i>, Op. 59 (1927)<br />
Introduction<br />
<br />
Alexander Gretchaninoff (1864-1956) <br />
<i>Vespers</i>, Op. 59 (1912)<br />
I. Psalm 140 "Praise the Lord"<br />
<br />
Richard Strauss (1864-1949) <br />
<i>Der Rosenkavalier</i>, Op. 59 (1911)<br />
Act I - Introduction<br />
<br />
Jean Sibelius (1865-1957) <br />
<i>In Memoriam, Funeral March for Orchestra</i>, Op. 59 (1909)<br />
Grave e maestoso - Finale<br />
<br />
Amy Beach (1867-1944) <br />
<i>The Sea-Fairies</i>, Op. 59 (1907, Alfred Tennyson, 1809-1892)<br />
Adagio<br />
<br />
Albert Roussel (1869-1937) <br />
<i>Elpénor,</i> Op. 59 (1937)<br />
Prelude - Lent<br />
<br />
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<br />
<br />
Florent Schmitt (1870-1958) <br />
<i>Scherzo Vif</i>, Op. 59 (1910)<br />
Assez anime<br />
<br />
Louis Vierne (1870-1937) <br />
<i>Symphony No. 6</i>, Op. 59 (1930)<br />
I. Introduction - Poco agitato e a piacere<br />
<br />
Ralph Vaughan Williams (1872-1958) <br />
<i> Piano Concerto</i> (1930)<br />
I. Toccata - Allegro Moderato<br />
<br />
Charles Ives (1874-1954) <br />
<i>Scherzo: Over the Pavements</i> (1910)<br />
Allegro<br />
<br />
Samuel Coleridge-Taylor (1875-1912) <br />
<i>24 Negro Melodies</i>, Op. 59 (1905)<br />
X. Deep River <br />
<br />
Bela Bartok (1881-1943) <br />
<i>Divertimento</i> (1939)<br />
I. Allegro non troppo<br />
<br />
Igor Stravinsky (1882-1971) <br />
<i>Oedipus Rex</i> (1927) <br />
Act II - Gloria<br />
<br />
Karol Szymanowski (1882-1937) <br />
<i>Litany to the Virgin Mary,</i> Op. 59 (1933)<br />
I. O Sonorous 12-String Zither - Andante. Molto tranquillo.<br />
<br />
Lennox Berkeley (1903-1989) <br />
<i>Concerto</i>, Op. 59 (1962)<br />
I. Moderato<br />
<br />
Alan Hovhaness (1911-2000) <br />
<i>King Vahaken: Ballet - Is There Survival?</i>, Op. 59 (1949)<br />
I. Overture - Andante<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Benjamin Britten (1913-1976) <br />
<i>Noye's Fludde</i>, Op. 59 (1957)<br />
Majestic<br />
<br />
Malcolm Arnold (1921-2006) <br />
<i>Four Scottish Dances</i>, Op. 59 (1957)<br />
II. Vivace<br />
<br />
Krzysztof Meyer (b. 1943) <br />
<i>Hommage à Johannes Brahms</i>, Op. 59 (1982)<br />
Un poco sostenuto<br />
<br />
<br />
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<br />
Mark Alburger (b. 1957) <br />
<i>Mice Suite No. 3</i>, Op. 59 (1998)<br />
III. Dreamsong II<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Feona Lee Jones (b. 1986) <br />
<i>Piano Piece</i><br />
<br />
<i>Two Sopranos, Piano, and String Quartet</i><br />
<br />
Feona Lee Jones, Piano / The Opus Project Orchestra<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Naswari (b. 1991) <br />
<i>Zumba Fireworks Spectacular</i><br />
<br />
Hussein Al-Naswari, Piano<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ENSEMBLE</b><br />
<br />
Mark Alburger <b>Music Director and Conductor</b><br />
<br />
<b>Flute / Piccolo</b><br />
Alan Kingsley<br />
<br />
<b>Oboe / English Horn</b><br />
Stardust<br />
<br />
<b>Bassoon / Alto Saxophone</b><br />
Tim Machajewski<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Feona Lee Jones<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Baritone</b><br />
Brian Phelan<br />
<br />
<b>Percussion</b><br />
Harlan Otter<br />
Hussein Al-Naswari<br />
<br />
<b>Violin / Viola</b><br />
Kat Walsh<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 60<br />
Symphonies of the Air<br />
8pm, Saturday, December 16, 2017<br />
Diablo Valley College Music Building, Pleasant Hill, CA<br />
<br />
With the Opus Project Orchestra<br />
<br />
Ludwig van Beethoven (1170-1827) <i>Symphony No. 4 in B-Flat Major,</i> Op. 60 (1806)<br />
Robert Schumann (1810-1856) <i>Fugue on B-A-C-H, Op. 60, No. 1</i> (1845)<br />
Camille Saint-Saens (1835-1921) <i>Suite Algérienne</i>, Op. 60 (1880)<br />
Nikolai Rimsky-Korsakov (1844-1908) <i>A Page from Homer</i>, Op. 56 (1901)<br />
Vincent d'Indy (1851-1931) <i>Little Gregorian Chant</i>, Op. 60 (1904)<br />
Arthur Foote (1853-1937) <i>Composition</i>, Op. 60 (1907)<br />
Anatoly Liadov (1855-1914) <i>Song from Obichod</i>, Op. 60 (1909)<br />
Mikhail Ippolitov-Ivanov (1859-1935) <i> Japanese Poem</i>, Op. 60 (1928)<br />
Edward Elgar (1857-1934) <i>Song</i>, Op. 60 (1912)<br />
Julius Rontgen (1855-1932) <i>Gently into Nothing</i>, Op. 60 (1909)<br />
Edward MacDowell (1860 1908) <i>Song</i>, Op. 60 (1902)<br />
Anton Arensky (1861-1906) <i>Romance</i>, Op. 60 (1902)<br />
Alexander Gretchaninoff (1864-1956) <i>Praise the Name of the Lord</i>, Op. 60 (1912)<br />
Richard Strauss (1864-1949) <i>Ariadne auf Naxos</i>, Op. 60 (1912)<br />
Jean Sibelius (1865-1957) <i> Song for Shakespeare's "Twelfth Night"</i>, Op. 60 (1909)<br />
Erik Satie (1866-1925) <i>En Habit de Cheval </i>(1911)<br />
Amy Beach (1867-1944) <i>Variations on Balkan Themes</i>, Op. 60 (1906)<br />
Charles Koechlin (1867-1950) <i>Piano Sonata ("French")</i>, Op. 60 (1919)<br />
Ede Poldini (1869-1957) <i>En voyage</i>, Op. 60 (1913)<br />
Vítězslav Novák (1870-1949) <i>From One's Life</i>, Op. 60 (1932)<br />
Florent Schmitt (1870-1958) <i>Motet</i>, Op. 60 (1917)<br />
Louis Vierne (1870-1937) <i>Greek Poem</i>, Op. 60 (1930)<br />
Paul Juon (1872-1940) <i>Piano Trio No. 3</i>, Op. 60 (1915)<br />
Alexander Scriabin (1872-1915) <i>Symphony No. 5 ("Poem of Fire")</i>, Op. 60 (1910)<br />
Ralph Vaughan Williams (1872-1958) <i>Symphony No. 4 in F Minor</i> (1931)<br />
Joseph Jongen (1873-1953) <i>Suite en Forme de Sonate</i>, Op. 60 (1918)<br />
Max Reger (1873-1916) <i> Sonata No. 2 in D Minor</i>, Op. 60 (1901)<br />
Charles Ives (1874-1954) <i>The Gong on the Hook and Ladder</i> (1911)<br />
Sigfrid Karg-Elert (1877-1933) <i>Pentecost Motet</i>, Op. 60 (1909)<br />
Karol Szymanowski (1882-1937) <i>Symphony No. 4</i>, Op. 60 (1932)<br />
Josef Matthais Hauer (1883-1959) <i>Opera Salambo</i>, Op. 60 (1929)<br />
Ernst Toch (1887-1965) <i> Music for Orchestra and Baritone</i>, Op. 60 (1931)<br />
Sergei Prokofiev (1891-1953) <i>Lieutenant Kije</i>, Op. 60 (1934)<br />
Hanns Eisler (1898-1962) <i>Kammerkantate No.3: Römische Kantate</i>, Op. 60 (1937)<br />
Aaron Copland (1900-1990) <i>Lincoln Portrait</i> (1942)<br />
Ernst Krenek (1900-1991) <i>Life of Orestes</i>, Op. 60 (1929)<br />
Dmitri Kabalevsky (1904-1987) <i>Piano Rondo,</i> Op. 60 (1958)<br />
Dmitri Shostakovich (1906-1975) <i>Symphony No. 7</i>, Op. 60 (1941)<br />
Benjamin Britten (1913-1976) <i>Nocturne</i>, Op. 60 (1958)<br />
Vincent Persichetti (1915-1987) <i>Little Piano Book</i>, Op. 60 (1953)<br />
Gottfried von Einem (1918-1996) <i>Unaccompanied Viola Sonata</i>, Op. 60 (1981)<br />
Henryk Górecki (1933-2010) <i>Totus Tuus</i>, Op. 60 (1987)<br />
Nikolai Kapustin (b. 1937) <i>Piano Sonata No. 4</i>, Op. 60 (1991)<br />
Mark Alburger (b. 1957) <i>Prelude and Fugue ("Topical")</i>, Op. 60, No. 1 (1998)In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-35275165254845896202017-10-28T20:00:00.000-07:002018-03-05T01:35:31.315-08:00October 28 - Opus 58: Haunted<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7mlSKvmL_z_-TvM51ocyicBkIEihFJRbJ3lZP9Um56jR4G0L8fhKLzJiLFLJFIjxDqZHVlGnepIwMc__TTfILfdOr4kzVAJoK0Mvhkb1IWTUc8YClxj3Yd-U-fGN_IU5mvpce3cpiWRI/s1600/2013Opus058Poster171028.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1189" data-original-width="1590" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7mlSKvmL_z_-TvM51ocyicBkIEihFJRbJ3lZP9Um56jR4G0L8fhKLzJiLFLJFIjxDqZHVlGnepIwMc__TTfILfdOr4kzVAJoK0Mvhkb1IWTUc8YClxj3Yd-U-fGN_IU5mvpce3cpiWRI/s320/2013Opus058Poster171028.jpg" width="320" /></a></div>
<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<span style="font-size: large;"><i>Opus 58<br />Haunted </i></span><br />
8pm, Saturday, October 28, 2017<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Program<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVPsgGw2ePGB-wbaY672dTjtzrDXHiULgNHIM5WoE8ZDSso6zh5b3yJ7ieivchBJvoz6kIhd62kmhUgjFjZBFK9LHgIbkhbD6oDQGmKOaRAH140uxMddXjGOl_5aFqAkx9pq6NKZowMPo/s1600/2013Opus058-171028-04Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="1600" height="91" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVPsgGw2ePGB-wbaY672dTjtzrDXHiULgNHIM5WoE8ZDSso6zh5b3yJ7ieivchBJvoz6kIhd62kmhUgjFjZBFK9LHgIbkhbD6oDQGmKOaRAH140uxMddXjGOl_5aFqAkx9pq6NKZowMPo/s320/2013Opus058-171028-04Panorama.jpg" width="320" /></a></div>
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Piano Concerto No. 4 in G Major</i>, Op. 58 (1806)<br />
I. Allegro moderato<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Peter Tchaikovsky (1840-1893) <br />
<i>Manfred Symphony</i>, Op. 58 (1885)<br />
I. Lento lugubre <br />
<br />
Arthur Foote (1853-1937) <br />
<i>Lygeia</i>, Op. 58 (1906)<br />
Chorus of Sirens<br />
<br />
Anatoly Liadov (1855-1914) <br />
<i>Russian Folksong for Orchestra</i>, Op. 58 (1906)<br />
I. Chant religieux - Geistliche Strophe (Moderato)<br />
<br />
Edward Elgar (1857-1934) <br />
<i>Elegy</i>, Op. 58 (1909)<br />
Adagio<br />
<br />
Sergei Lyapunov (1859-1924) <br />
<i>Prelude and Fugue in Bb Minor</i>, Op. 58 (1913)<br />
Fugue<br />
<br />
Anton Arensky (1861-1906) <br />
<i>The Wolves</i>, Op. 58 (1902)<br />
Andante maestoso<br />
<br />
Alexander Gretchaninoff (1864-1956) <br />
<i>Passion Week</i>, Op. 58 (1912)<br />
I. Behold, the Bridegroom Cometh at Midnight<br />
<br />
Richard Strauss (1864-1949) <br />
<i>Elektra</i>, Op. 58 (1909)<br />
Moderately slow<br />
<br />
Carl Nielsen (1865-1931) <br />
<i>Commotio</i>, Op. 58 (1931)<br />
Adagio<br />
<br />
Tim Machajewski, Bassoon / Carol Reynolds, Piano<br />
Kat Walsh, Alto / The Opus Project Orchestra<br />
<br />
Jean Sibelius (1865-1957) <br />
<i>Piano Piece</i>, Op. 58 (1909)<br />
I. Reverie - Lento<br />
<br />
Charles Koechlin (1867-1950) <br />
<i>Oboe Sonata</i>, Op. 58 (1916)<br />
I. Allegro moderato (Pastoral - The Earth - Work in the Fields - Evening)<br />
<br />
Stardust, Oboe / Mark Alburger, Piano<br />
<br />
Albert Roussel (1869-1937) <br />
<i>String Trio</i>, Op. 58 (1937)<br />
I. Allegro moderato<br />
<br />
The Opus Project String Trio<br />
<br />
Florent Schmitt (1870-1958) <br />
<i>Little Elf Shut-Eye Week, or The Dreams of Hialmar</i>, Op. 58 (1912)<br />
I. The Mouse's Wedding<br />
<br />
The Opus Project Orchestra<br />
<br />
Louis Vierne (1870-1937) <br />
<i>Triptyque</i>, Op. 58 (1931)<br />
I. Matines - Allegro moderato<br />
<br />
The Opus Project Orchestra<br />
<br />
Paul Juon (1872-1940) <br />
<i>Two Easy Piano Waltzes</i>, Op. 58 (1913)<br />
I. Farfalla<br />
<br />
Alexander Scriabin (1872-1915) <br />
<i>Album Leaf</i>, Op. 58 (1910)<br />
Con delicatezza<br />
<br />
Mark Alburger, Piano<br />
<br />
Frederick Holloway (1873-954) <br />
<i> Suite Ancienne</i>, Op. 58 (1913)<br />
I. Prelude Chorale<br />
<br />
Max Reger (1873-1916) <br />
<i>Burlesque</i>, Op. 58 (1901)<br />
I. Very Lively<br />
<br />
The Opus Project Orchestra<br />
<br />
Samuel Coleridge-Taylor (1875-1912) <br />
<i>Four African Dances</i> (1904) <br />
I. Allegro<br />
<br />
Maurice Ravel (1875-1937) <br />
<i>Menuet sur le Nom de Haydn</i> (1909)<br />
Mouvement de Menuet<br />
<br />
Corey Johnson, Violin / Mark Alburger, Piano<br />
<br />
Ludolf Nielsen (1876-1939) <br />
<i>Three Songs</i>, Op. 58 (1930)<br />
II. Lyngby (Gyrithe Lemche, 1866-1945) <br />
<br />
The Opus Project Orchestra<br />
<br />
Sigfrid Karg-Elert (1877-1933) <br />
<i>Inner Feelings</i>, Op. 58 (1919)<br />
VII. Your Remembrance<br />
<br />
Cyril Scott (1879-1970) <br />
<i>Alpine Sketch</i>, Op. 58 (1908)<br />
I. Rather slowly<br />
<br />
Mark Alburger, Piano<br />
<br />
Nicolai Medtner (1880 -1951) <br />
<i>Two Pieces</i>, Op. 58 (1945)<br />
II. Knight Errant<br />
<br />
Bela Bartok (1881-1943) <br />
<i> Seven Pieces from Mikrokosmos</i> (1940)<br />
V. New Hungarian Folk Song - Ben Ritmato<br />
<br />
The Opus Project Orchestra<br />
<br />
Karol Szymanowski (1882-1937) <br />
<i>Kurpian Songs</i>, Op. 58 (1932)<br />
I. The White Swans<br />
<br />
Joaquin Turina (1882-1949) <br />
<i>Tarjetas postales (Postcards)</i>, Op. 58 (1930)<br />
III. Madrid<br />
<br />
Ernst Toch (1887-1965) <br />
<i>Ten Easy Etudes</i>, Op. 58 (1931)<br />
V. Very calm<br />
<br />
Mark Alburger, Voice and Piano<br />
<br />
Sergei Prokofiev (1891-1953) <br />
<i>Cello Concerto in E Minor</i>, Op. 58 (1951)<br />
Andante<br />
<br />
Aaron Urton, Cello / The Opus Project Orchestra<br />
<br />
Darius Milhaud (1892-1975) <br />
<i> Le Boeuf sur le Toit or The Nothing Doing Bar</i>, Op. 58 (1920)<br />
Theme of the Barman - Anime / Entrance of the Blacks<br />
<br />
The Opus Project Orchestra<br />
<br />
Ernst Krenek (1900-1991) <br />
<i>Little Symphony</i>, Op. 58 (1928)<br />
I. Andante sostenuto<br />
<br />
Paul Creston (1906-1985) <br />
<i>Invocation and Dance</i>, Op. 58 (1953)<br />
Slow<br />
<br />
Jan Koetsier (1911-2006) <br />
<i>Sonatina</i>, Op. 58 (1970)<br />
II. Andante mesto<br />
<br />
Benjamin Britten (1913-1976) <br />
<i>Songs from the Chinese</i>, Op. 58 (1957)<br />
V. Depression (Po Chu-i, 772-846) - Very slow and tired<br />
<br />
Vincent Persichetti (1915-1987) <br />
<i>Piano Sonata No. 9</i>, Op. 58 (1952)<br />
Animato<br />
<br />
Mark Alburger, Tenor and Piano / Aaron Urton, Guitar<br />
<br />
Malcolm Arnold (1921-2006) <br />
<i>Horn Concerto No. 2</i>, Op. 58 (1956)<br />
I. Con energico<br />
<br />
Stardust, English Horn / The Opus Project Orchestra<br />
<br />
George Crumb (b. 1929) <br />
<i> Otherworldly Resonances</i> (2003)<br />
I. Double Helix - Very slowly, with a Zen-like intensity of concentration<br />
<br />
Henryk Górecki (1933-2010) <br />
<i>For You, Anne-Lill</i>, Op. 58 (1986)<br />
Lento cantabile<br />
<br />
Jacques Hetu (1938-2010) <br />
<i>Violin Sonata</i>, Op. 58 (1996)<br />
I. Adagio<br />
<br />
Alan Kingsley, Flute / Kristen Kline, Violin<br />
Mark Alburger, Piano<br />
<br />
Mark Alburger (b. 1957) <br />
<i>The Ten Commandments</i>, Op. 58 (1997)<br />
Moderato - Dotted Quarter / Half = 60<br />
<br />
The Opus Project Orchestra<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Naswari (b. 1991)<br />
<i>Halloween Spectacular</i> (2017)<br />
<br />
Hussein Al-Naswari, Piano<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
<br />
<b>Flute / Piccolo</b><br />
Alan Kingsley<br />
<br />
<b>Oboe / English Horn</b><br />
Stardust<br />
<br />
<b>Bassoon</b><br />
Tim Machajewski<br />
<br />
<b>Trumpet</b><br />
Alejandro Lara-Agraz<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
Markus Alvarez<br />
Adrienne Johnson<br />
Carol Reynolds<br />
<br />
<b>Alto</b><br />
Kat Walsh<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Guitar</b><br />
Aaron Urton<br />
<br />
<b>Percussion</b><br />
Ken Crawford<br />
Hussein Al-Naswari<br />
<br />
<b>Violin I</b><br />
Corey Johnson<br />
Kristen Kline<br />
<br />
<b>Violin II</b><br />
Alex Raldugin<br />
Olga Raldugina<br />
<br />
<b>Viola</b><br />
Kat Walsh<br />
<br />
<b>Cello</b><br />
Aaron Urton<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS
59: Mysterious Wonder - 8pm, Saturday, November 18, 2017, Diablo Valley
College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
With the Opus Project Orchestra<br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <i>Pan Voyevoda Suite</i>, Op. 59 (1904)<br />
Vincent d'Indy (1851-1931) <i>Violin Sonata in C Major,</i> Op. 59 (1904)<br />
Arthur Foote (1853-1937) <i>Song with Violin</i>, Op. 59 (1906)<br />
Anatoly Liadov (1855-1914) <i> Russian Folk Songs</i>, Op. 59 (1907)<br />
Julius Rontgen (1855-1932) <i>Azzopardi Etudes</i>, Op. 59 (1913)<br />
Edward Elgar (1857-1934) <i> Song Cycle for Voice and Orchestra</i>, Op. 59 (1910)<br />
Mikhail Ippolitov-Ivanov (1859-1935) <i>Hymn to Work</i>, Op. 59 (1927)<br />
Edward MacDowell (1860 1908) <i>Piano Sonata No. 4, ("Keltic")</i> (1901)<br />
Anton Arensky (1861-1906) <i> Children's Song</i>, Op. 59 (1902)<br />
Alexander Gretchaninoff (1864-1956) <i> Vespers</i>, Op. 59 (1912)<br />
Richard Strauss (1864-1949) <i>Der Rosenkavalier</i>, Op. 59 (1911)<br />
Carl Nielsen (1865-1931) <i> Piano Piece</i>, Op. 59 (1928)<br />
Jean Sibelius (1865-1957) <i> In Memoriam, Funeral March for Orchestra</i>, Op. 59 (1909)<br />
Amy Beach (1867-1944) <i>The Sea-Fairies</i>, Op. 59 (1907)<br />
Charles Koechlin (1867-1950) <i>Piano Sonata</i>, Op. 59 (1916)<br />
Ede Poldini (1869-1957) <i>Spring Waltz</i>, Op.59 (1913)<br />
Albert Roussel (1869-1937) <i>Elpénor</i>, Op. 59 (1937)<br />
Vítězslav Novák (1870-1949) <i>Nikotina</i>, Op. 59 (1929)<br />
Florent Schmitt (1870-1958) <i>Scherzo Vif</i>, Op. 59 (1910)<br />
Louis Vierne (1870-1937) <i>Symphony No. 6</i>, Op. 59 (1930)<br />
Paul Juon (1872-1940) <i>Mysterien</i>, Op. 59 (1928)<br />
Alexander Scriabin (1872-1915) <i>Piano Piece</i>, Op. 59 (1910)<br />
Ralph Vaughan Williams (1872-1958) <i> Piano Concerto in C Major</i> (1931)<br />
Joseph Jongen (1873-1953) <i>Aquarelles</i>, op. 59 (1917)<br />
Max Reger (1873-1916) <i>Piece</i>, Op. 59 (1901)<br />
Charles Ives (1874-1954) <i>Scherzo: Over the Pavements</i> (1910)<br />
Maurice Ravel (1875-1937) <i>Saint Francois d'Assise</i> (1910)<br />
Ludolf Nielsen (1876-1939) <i>Song</i>, Op. 59 (1930)<br />
Alexander Gedike (1877-1957) <i> Piano Piece</i>, Op. 59 (1938)<br />
Cyril Scott (1879-1970) <i> Violin Sonata No. 1 in C Major</i>, Op. 59 (1908)<br />
Walter Braunfels (1882-1954) <i> The Death of Cleopatra</i>, Op. 59 (1944)<br />
Igor Stravinsky (1882-1971) <i>Oedipus Rex</i> (1927) <br />
Karol Szymanowski (1882-1937) <i> Litany to the Virgin Mary</i>, Op. 59 (1933)<br />
Othmar Schoeck (1886-1957) <i>Suite</i>, Op. 59 (1945)<br />
Ernst Toch (1887-1965) <i>Beginner's Etude</i>, Op. 59 (1931)<br />
Sergei Prokofiev (1891-1953) <i>Piano Piece</i>, Op. 59 (1934)<br />
Darius Milhaud (1892-1975) <i> Cocteau Poeme</i>, Op. 59 (1920)<br />
Hanns Eisler (1898-1962) <i>Kammerkantate No. 2 ("White Bread Cantata")</i>, Op. 59 (1937)<br />
Aaron Copland (1900-1990) <i> An Outdoor Overture</i> (1941)<br />
Paul Creston (1906-1985) <i>La Lettre</i>, Op. 59 (1954)<br />
Alan Hovhaness (1911-2000) <i>Is There Survival? ("King Vahaken")</i>, Op. 59 (1949)<br />
Jan Koetsier (1911-2006) <i>Horn Sonatina</i>, Op. 59 (1970)<br />
Benjamin Britten (1913-1976) <i>Noye's Fludde</i>, Op. 59 (1957)<br />
Mieczysław Weinberg (1919-1996) <i>String Quartet No. 7</i>, Op. 59 (1957)<br />
Malcolm Arnold (1921-2006) <i>Scottish Dance</i>, Op. 59 (1957)<br />
Henryk Górecki (1933-2010) <i>Aria for Tuba, Piano, Tam-Tam, and Bass Drum</i> (1987)<br />
Krzysztof Meyer (b. 1943) <i>Hommage à Johannes Brahms</i>, Op. 59 (1982)<br />
Mark Alburger (b. 1957) <i>Mice Suite No. 3</i>, Op. 59 (1998) <br />
<br />
...and your music, should you so desire!In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.comtag:blogger.com,1999:blog-9165101240090985161.post-41820835669748086862017-10-07T20:00:00.000-07:002018-03-05T01:30:35.284-08:00October 7 - Opus 57 Varieties<div class="separator" style="clear: both; text-align: center;">
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<br />
<span style="font-size: x-large;"><b>THE OPUS PROJECT</b></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAiSQfIZo9iS60f6rtqavyaCcquyzehMmdZfNg4djhtWRpESYslCeP8eiojM7sHegfbL3T3EXInGQGjSa2IDtQ2LBYzCgyp_rt3a31XhN86H9z49PMYDYSXfBxIunAanJsI8_DCFnMwmY/s1600/2013Opus057Poster171007b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1237" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAiSQfIZo9iS60f6rtqavyaCcquyzehMmdZfNg4djhtWRpESYslCeP8eiojM7sHegfbL3T3EXInGQGjSa2IDtQ2LBYzCgyp_rt3a31XhN86H9z49PMYDYSXfBxIunAanJsI8_DCFnMwmY/s320/2013Opus057Poster171007b.jpg" width="247" /></a></div>
<br />
<span style="font-size: large;"><i>Opus 57</i></span><br />
<i>Varieties </i><br />
8pm, Saturday, October 7, 2017<br />
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Program<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Slcq4O_tOkmp7Nd7MJW0DbCflFfSjghpYz2hynycAtz3hMx2F_YtCKhvz9bjBeyDsjo0kfa6GHywlSxcHsnIIpciBabmi85IorKlYfkv0pVO_JWYx5qPq6Xr67aNtevygck7GWeDE7I/s1600/2013Opus057-171007-25PerformancePanoramaDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="1600" height="110" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Slcq4O_tOkmp7Nd7MJW0DbCflFfSjghpYz2hynycAtz3hMx2F_YtCKhvz9bjBeyDsjo0kfa6GHywlSxcHsnIIpciBabmi85IorKlYfkv0pVO_JWYx5qPq6Xr67aNtevygck7GWeDE7I/s320/2013Opus057-171007-25PerformancePanoramaDetail.jpg" width="320" /></a></div>
<br />
Ludwig van Beethoven (1770-1827) <br />
<i>Sonata No. 23 in F Minor ("Appassionata")</i>, Op. 57 (1806)<br />
I. Allegro assai<br />
<br />
Nikolai Rimsky-Korsakov (1844-1908) <br />
<i>"The Tale of Tsar Saltan" Suite</i>, Op. 57 (1901)<br />
I. The Tsar's Departure and Farewell <br />
<br />
Vincent d'Indy (1851-1931) <br />
<i>Symphony No. 2 in Bb Major</i>, Op. 57 (1903)<br />
I. Extremement lent<br />
<br />
The Opus Project Orchestra<br />
<br />
Anatoly Liadov (1855-1914) <br />
<i>Three Piano Pieces</i>, Op. 57 (1905)<br />
I. Prelude<br />
<br />
Mark Alburger, Piano<br />
<br />
Sergei Lyapunov (1859-1924) <br />
<i>Three Pieces</i>, Op. 57 (1913) <br />
I. Little Fugue - Allegretto<br />
<br />
The Opus Project Orchestra<br />
<br />
Edward MacDowell (1860 1908) <br />
<i>Piano Sonata No. 3 ("Norse")</i>, Op. 57 (1900)<br />
I. Impressively; at times with impetuous vigor.<br />
Mesto, ma con passione <br />
<br />
Mark Alburger, Piano<br />
<br />
Anton Arensky (1861-1906) <br />
<i>Three Vocal Quartets</i> (1902)<br />
I. Serenade<br />
<br />
Richard Strauss (1864-1949) <br />
<i>Two Military Marches</i>, Op. 57 (1907)<br />
II. War March<br />
<br />
Carl Nielsen (1865-1931) <br />
<i>Concerto</i>, Op. 57 (1928)<br />
Allegretto un poco<br />
<br />
Stardust, Oboe / The Opus Project Orchestra<br />
<br />
Jean Sibelius (1865-1957) <br />
<i>Eight Ernst Josephson [1851-1906] Songs</i>, Op. 57 (1912)<br />
I. The River and the Snail - Moderato<br />
<br />
Frantisek Drdla (1868-1944) <br />
<i> Improvisations</i> (1909)<br />
III. Ritornell - Allegretto, Op. 57<br />
<br />
Mark Alburger, Piano<br />
<br />
Albert Roussel (1869-1937) <br />
<i>Concertino</i>, Op. 57 (1936)<br />
I. Allegro moderato<br />
<br />
Kat Walsh, Bassoon / The Opus Project Orchestra<br />
<br />
Florent Schmitt (1870-1958) <br />
<i>Two Pieces for Harp or Piano</i> (1911)<br />
I. The Moorlands<br />
<br />
Alexander Scriabin (1872-1915) <br />
<i>Two Piano Pieces</i>, Op. 57 (1908)<br />
I. Desire<br />
<br />
Mark Alburger, Piano<br />
<br />
Frederick Holloway (1873-954) <br />
<i> Suite Arabesque</i>, Op. 57 (1921)<br />
I. Introduction<br />
<br />
The Opus Project Orchestra<br />
<br />
Joseph Jongen (1873-1953) <br />
<i>Les Fêtes Rouges</i>, Op. 57 (1917)<br />
L'Epiphanie du Exiles<br />
<br />
Max Reger (1873-1916) <br />
<i>Symphonic Fantasy</i>, Op. 57 (1901)<br />
Vivacissimo ed agitato assai e molto espressivo<br />
<br />
Samuel Coleridge-Taylor (1875-1912) <br />
<i>Six Sorrow Songs</i>, Op. 57 (1904, Christina Rossetti)<br />
I. Oh What Comes over the Sea<br />
<br />
Mark Alburger, Piano<br />
<br />
Maurice Ravel (1875-1937) <br />
<i> Daphnis et Chloe</i> (1912)<br />
Tableaux 1: A Prairie at the Edge of a Sacred Wood<br />
I. Introduction and Religious Dance<br />
<br />
Richard Wetz (1875-1935) <br />
<i>Violin Concerto</i>, Op. 57 (1932)<br />
Somewhat halting<br />
<br />
Kristen Kline, Violin / The Opus Project Orchestra<br />
<br />
Cyril Scott (1879-1970) <br />
<i>Two Piano Sketches</i>, Op. 57 (1907)<br />
I. The Cuckoo-Call<br />
<br />
Nicolai Medtner (1880 -1951) <br />
<i>Sonata No. 3 in E Minor ("Epica")</i>, Op. 57<br />
I. INTRODUZIONE - Andante meditamente<br />
<br />
Bela Bartok (1881-1943) <br />
<i>Mikrokosmos: 153 Progressive Piano Pieces in 6 Books</i> (1939)<br />
Book 1 - XV. Imitation and Inversion<br />
<br />
Mark Alburger, Piano<br />
<br />
Karol Szymanowski (1882-1937) <br />
<i>Veni Creator</i>, Op. 57 (1930)<br />
Maestoso<br />
<br />
The Opus Project Orchestra<br />
<br />
Joaquin Turina (1882-1949) <br />
<i>Piano Partita in C Major</i>, Op. 57 (1930)<br />
II. Zarabanda - Lento<br />
<br />
Ernst Toch (1887-1965) <br />
<i>Ten Piano Studies of Intermediate Difficulty</i>, Op. 57 (1930)<br />
I. Somewhat leisurely<br />
<br />
Mark Alburger, Piano<br />
<br />
Darius Milhaud (1892-1975) <br />
<i>Suite Symphonique No. 2</i>, Op. 57 (1919)<br />
I. Ouverture - Modere<br />
<br />
The Opus Project Orchestra<br />
<br />
Aaron Copland (1900-1990) <br />
<i>Piano Sonata</i> (1941)<br />
I. Molto moderato<br />
<br />
Dmitri Shostakovich (1906-1975) <br />
<i>Piano Quintet in G Minor</i>, Op. 57 (1940)<br />
I. Prelude - Lento - Opening Solo<br />
<br />
Jan Koetsier (1911-2006) <br />
<i>Sonatina</i>, Op. 57 (1970) <br />
Allegro<br />
<br />
Mark Alburger, Piano<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj44alZhn9PxMyewUcE79kQXQAWBsjlUNdvKXrqhyphenhyphenXwydLqNYH51dcYwkDh53LxqVcjt9qPfrgLma8O5ZUZfizPqPmPnIzq5AGimUA4KOTVQkEjeXtrT6eXzEBbw9xNJ7UgQpdMko4v-RI/s1600/2013Opus057-171007-26AudienceDetail.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="643" data-original-width="1600" height="128" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj44alZhn9PxMyewUcE79kQXQAWBsjlUNdvKXrqhyphenhyphenXwydLqNYH51dcYwkDh53LxqVcjt9qPfrgLma8O5ZUZfizPqPmPnIzq5AGimUA4KOTVQkEjeXtrT6eXzEBbw9xNJ7UgQpdMko4v-RI/s320/2013Opus057-171007-26AudienceDetail.jpg" width="320" /></a></div>
<br />
Benjamin Britten (1913-1976) <br />
<i>The Prince of the Pagodas</i>, Op. 57 (1956)<br />
Prelude<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF3sOi_JdvwEmqz0uMo7jSTIfvg9OaF0Tn1YFzjESKrq4k2-gqE_cGYtIKv6SoTdRNcHZOWaL1YswjgKNrKYah1rMaeoaOoF7lmyokr2W1VZHKzlthdDXuEy9EhyphenhyphenSk4fE7hxE8GPsLRRE/s1600/2013Opus057-171007-27-1921ArnoldMalcolmGrandGrandOverturePanorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="466" data-original-width="1600" height="93" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF3sOi_JdvwEmqz0uMo7jSTIfvg9OaF0Tn1YFzjESKrq4k2-gqE_cGYtIKv6SoTdRNcHZOWaL1YswjgKNrKYah1rMaeoaOoF7lmyokr2W1VZHKzlthdDXuEy9EhyphenhyphenSk4fE7hxE8GPsLRRE/s320/2013Opus057-171007-27-1921ArnoldMalcolmGrandGrandOverturePanorama.jpg" width="320" /></a></div>
<br />
Malcolm Arnold (1921-2006) <br />
<i>A Grand, Grand Festival Overture</i>, Op. 57 (1957)<br />
Allegro<br />
<br />
Henryk Górecki (1933-2010) <br />
<i>The Angelus Bells Are Tolling</i>, Op. 57 (1986)<br />
Moderato<br />
<br />
The Opus Project Orchestra<br />
<br />
Jacques Hetu (1938-2010) <br />
<i>Concerto</i>, Op. 57 (1995)<br />
II. Adagio<br />
<br />
Mark Alburger, Piano<br />
<br />
Mark Alburger (b. 1957) <br />
<i>Amazing Joseph</i>, Op. 57 (1997) <br />
I. I Had a Dream<br />
<br />
The Opus Project Orchestra<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibkZ624eITilbJgYPEEQXLXvhuoXtQc_HomyHL7c6qmGotCjZ-zqxh_NvZjGhvTwwRZTSs6zwZo1oHuW0l3dj_4gxKVIQ0Y75bH5zF2kch9tiELTWZsajxI4IuXFe0CvN8QK29x0VSBYo/s1600/2013Opus057-171007-28-1982WalshKatComposition.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibkZ624eITilbJgYPEEQXLXvhuoXtQc_HomyHL7c6qmGotCjZ-zqxh_NvZjGhvTwwRZTSs6zwZo1oHuW0l3dj_4gxKVIQ0Y75bH5zF2kch9tiELTWZsajxI4IuXFe0CvN8QK29x0VSBYo/s320/2013Opus057-171007-28-1982WalshKatComposition.jpg" width="320" /></a></div>
<br />
Kat Walsh (b. 1982) <br />
<i>Regrets</i> (2017)<br />
<br />
The Opus Project String-Bassoon Quartet<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
Hussein Al-Naswari (b. 1991)<br />
<i>Las Vegas</i> (2017)<br />
<br />
Hussein Al-Naswari, Piano<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>THE OPUS PROJECT ORCHESTRA</b><br />
<br />
Mark Alburger Music Director and Conductor<br />
<br />
<b>Flute / Piccolo</b><br />
Alan Kingsley<br />
<br />
<b>Oboe / English Horn</b><br />
Stardust<br />
<br />
<b>Tenor Saxophone</b><br />
Jerod Chamberlain<br />
<br />
<b>Bassoon</b><br />
Kat Walsh<br />
<br />
<b>Tenor</b><br />
Mark Alburger<br />
<br />
<b>Piano</b><br />
Mark Alburger<br />
Hussein Al-Naswari<br />
John Veitch<br />
<br />
<b>Percussion</b><br />
John Veitch<br />
<br />
<b>Violin I</b><br />
Kristen Kline<br />
<br />
<b>Violin II</b><br />
Olga Raldugina<br />
<br />
<b>Viola</b><br />
Greg Zinkl<br />
<br />
<br />
THE OPUS PROJECT presents<br />
<br />
OPUS 58: Haunted<br />
8pm, Saturday, October 28, 2017<br />
Diablo Valley College Music Building<br />
Viking Drive, Pleasant Hill, CA<br />
<br />
With the Opus Project Orchestra<br />
<br />
Ludwig van Beethoven (1770-1827) <i>Piano Concerto No. 4 in G Major</i>, Op. 58 (1806)<br />
Vincent d'Indy (1851-1931) <i>The Eyes of Love for Voice and Piano</i>, Op. 58 (1904)<br />
Arthur Foote (1853-1937) <i>Lygeia</i>, Op. 58 (1906)<br />
Anatoly Liadov (1855-1914) <i> Russian Folksong for Orchestra</i>, Op. 58 (1906)<br />
Julius Rontgen (1855-1932) <i> Old Dutch Peasant Song</i>, Op. 58 (1913)<br />
Edward Elgar (1857-1934) <i> Elegy,</i> Op. 58 (1909)<br />
Mikhail Ippolitov-Ivanov (1859-1935) <i> Songs</i>, Op. 58 (1925)<br />
Anton Arensky (1861-1906) <i>The Wolves</i>, Op. 58 (1902)<br />
Alexander Gretchaninoff (1864-1956) <i>Passion Week</i>, Op. 58 (1912)<br />
Richard Strauss (1864-1949) <i>Elektra</i>, Op. 58 (1909)<br />
Carl Nielsen (1865-1931) <i> Commotio,</i> Op. 58 (1931)<br />
Jean Sibelius (1865-1957) <i>Piano Piece</i>, Op. 58 (1909)<br />
Charles Koechlin (1867-1950) <i> Oboe Sonata</i>, Op. 58 (1916)<br />
Albert Roussel (1869-1937) <i>String Trio</i>, Op. 58 (1937)<br />
Vítězslav Novák (1870-1949) <i>Signorina Gioventu</i>, Op. 58 (1928)<br />
Florent Schmitt (1870-1958) <i>Little Elf Shut-Eye Week</i>, Op. 58 (1912)<br />
Louis Vierne (1870-1937) <i>Triptyque</i>, Op. 58 (1931)<br />
Alexander Scriabin (1872-1915) <i> Album Leaf</i>, Op. 58 (1910)<br />
Frederick Holloway (1873-954) <i> Suite Ancienne</i>, Op. 58 (1913)<br />
Joseph Jongen (1873-1953) <i>Sarabande Triste</i>, Op. 58 (1918)<br />
Max Reger (1873-1916) <i>Burlesque</i>, Op. 58 (1901)<br />
Maurice Ravel (1875-1937) <i> Menuet sur le Nom de Haydn</i> (1909)<br />
Ludolf Nielsen (1876-1939) <i> Song</i>, Op. 58 (1930<br />
Sigfrid Karg-Elert (1877-1933) <i> Inner Feelings</i>, Op. 58 (1919)<br />
Cyril Scott (1879-1970) <i>Alpine Sketch</i>, Op. 58 (1908)<br />
Bela Bartok (1881-1943) <i>Piece from Mikrokosmos for Two Pianos</i> (1940)<br />
Karol Szymanowski (1882-1937) <i>Song from Kurpie</i>, Op. 58 (1932)<br />
Ernst Toch (1887-1965) <i>Easy Etude</i>, Op. 58 (1931)<br />
Sergei Prokofiev (1891-1953) <i>Cello Concerto</i>, Op. 58 (1951)<br />
Darius Milhaud (1892-1975) <i> Le Boeuf sur le Toit,</i> Op. 58 (1920)<br />
Ernst Krenek (1900-1991) <i> Little Symphony</i>, Op. 58 (1928)<br />
Hermann Reutter (1900-1985) <i> Song after a Poem of Theodor Storm</i>, Op. 58 (1945)<br />
Paul Creston (1906-1985) <i>Invocation and Dance</i>, Op. 58 (1953)<br />
Jan Koetsier (1911-2006) <i>Trombone Sonatina</i>, Op. 58 (1970)<br />
Benjamin Britten (1913-1976) <i>Songs from the Chinese</i>, Op. 58 (1957)<br />
Vincent Persichetti (1915-1987) <i> Piano Sonata No. 9</i>, Op. 58 (1952)<br />
Malcolm Arnold (1921-2006) <i> Horn Concerto No. 2</i>, Op. 58 (1956)<br />
George Crumb (b. 1929) <i> Otherworldly Resonances</i> (2003)<br />
Henryk Górecki (1933-2010) <i> For You, Anne-Lill</i>, Op. 58 (1986)<br />
Jacques Hetu (1938-2010) <i> Violin Sonata</i>, Op. 58 (1996)<br />
Mark Alburger (b. 1957) <i>The Ten Commandments</i>, Op. 58 (1997)<br />
<br />
...and your music, should you so desire!In Re Mehttp://www.blogger.com/profile/16867560847846105404noreply@blogger.com