October 25 - Opus 22: Phantom of the Opus


THE OPUS PROJECT
Opus 22



8pm, Saturday, October 25, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA



Ludwig van Beethoven (1770-1827)
     Piano Sonata No. 11 in B-Flat Major, Op. 22 (1800)
          I. Allegro con nrio

          Geri Chang, Piano


Friedrich Kummer (1797-1879)
      Three Duets, Op. 22 (1835)
           I. Allegro (Introduction)

         Elizabeth Morrison, Cello / Maria Reeves, Piano



Camille Saint-Saens (1835-1921)
      Danse Macabre (1874)

          John Yoon, Violin /  The Opus Project Orchestra



Sergei Taneyev (1856-1915)   
     Piano Trio, Op. 22 (1908)
          I. Allegro

          The Opus Project Piano Trio

Gustav Mahler (1860-1911)   
     Symphony No. 1 (1888)
          III. The Huntsman's Funeral - Dirge

Ludwig Thuille (1861-1907)   
     Cello Sonata, Op. 22 (1902)
          I. Allegro energetico, ma non troppo presto

Albert Roussel (1869-1937)   
     For a Spring Festival, Op. 22 (1920)
          Introduction

          The Opus Project Orchestra



Sergei Rachmaninoff (1873-1943)
     Chopin C-Minor Prelude Variations, Op. 22 (1903)
          Theme / Variation I

          Hussein Al-Naswari and Mark Alburger, Piano

Gustav Holst (1874-1934)   
     Two Songs without Words, Op 22 (1906)
          I. Country Song

          The Opus Project Orchestra

Arnold Schoenberg (1874-1951)
     Four Orchestral Songs, Op. 22 (1916)
          II. All Who Seek You (Rainer Maria Rilke, 1875-1926)

          Jill Wagoner, Soprano / The Opus Project Orchestra
                       
Leonardo de Lorenzo (1875-1962)
     Two Pieces, Op. 22 (1917)
          I. Canzonetta - Theme

          Alan Kingsley, Flute / Mark Alburger, Piano

George Enescu (1881-1955)   
     String Quartet No. 1, Op. 22 (1920)
          I. Sehr massig (Molto moderato) - Introduction

          The Opus Project String Quartet



Marion Bauer (1882-1955)   
     Viola Sonata, Op. 22 (1932)
           I.  Allegretto (rubato)

           Carolyn Lowenthal, Viola / Maria Reeves, Piano



Karol Szymanowski (1882-1937)
     Colorful Songs, Op. 22 (1910)
          V. Bestimmung - Przeznaczenie (Regulation - Ricarda Huch, 1864-1947)

           Jill Wagoner, Soprano / Maria Reeves, Piano   

Anton Webern (1883-1945)   
     Quartet, Op. 22 (1930)   
          I. Sehr Massig (Very Moderate)

          The Opus Project Wind-String-Piano Quartet   

Sergei Prokofiev (1891-1953)   
     Visions Fugitives, Op. 22 (1917)
                    XVI. Dolente

          Mark Alburger, Piano



Darius Milhaud (1892-1975)   
     Poème de Gitanjali (Poem From "The Offerings"), Op.22 (1914)
          (Rabindranath Tagore, 1861-1941; trans André Gide, 1869-1951)

          Jill Wagoner, Soprano / Maria Reeves, Piano

Paul Hindemith (1895-1963)   
     String Quartet No. 4, Op. 22 (1922)
          II. Schnell Achtell.  Sehr energisch (Fast eighths.  Very energetic) - Beginning

          The Opus Project String Quartet

Aaron Copland (1900-1990)   
     Piano Concerto (1926)
          II. . . . Sub. molto allegro

          Maria Reeves, Piano / The Opus Project Orchestra



Lennox Berkeley (1903-1989)
     Viola Sonata in D Minor, Op. 22 (1945)
          II. Adagio   

          Carolyn Lowenthal, Viola / Maria Reeves, Piano
                   


Dmitri Kabalevsky (1904-1987)
     Symphony No. 3 in Bb ("Requiem"), Op. 22 (1933)
          II. Andante marciale, lugubre (Introduction)

          Video
                           
Dmitri Shostakovich (1906-1975)
     The Age of Gold, Op. 22 (1930)   
          III. Polka   

          The Opus Project Orchestra

Samuel Barber (1910-1981)   
     Cello Concerto, Op. 22 (1945)
          I. Allegro moderato (Theme)

          Aaron Urton, Cello / The Opus Project Orchestra

Alan Hovhaness (1911-2000)   
     Mystic Flute, Op. 22 (1937)

          Alan Kingsley, Flute / Mark Alburger, Piano

John Cage (1912-1992)   
     Living Room Music (1940)
          II. Story (Gertrude Stein, 1874-1946, The World Is Round, 1938)

          The Opus Project Orchestra



Benjamin Britten (1913-1976)
     Seven Sonnets of Michelangelo [di Lodovico Buonarroti Simoni (1475-1564)
        Rime, 1623], Op. 22 (1940)
          III. Sonneto XXX

          Jill Wagoner, Soprano / Maria Reeves, Piano

Vincent Persichetti (1915-1987)
     Piano Sonata No. 3, Op. 22 (1943)
          II. Episode

Alberto Ginastera (1916-1983)
     Piano Sonata No. 1, Op. 22 (1952)
          III. Adagio molto appassionato

          Mark Alburger, Piano

Malcolm Arnold (1921-2006)   
     Symphony No. 1, Op. 22 (1949)
                    I.  Allegro (Introduction)

          The Opus Project Orchestra


Jean-Michel Damase (1928-2013)
     17 Variations for Woodwind Quintet, Op. 22 (1947)
          I-VI

          The Opus Project Woodwind Quintet

George Crumb (b. 1929)   
     Madrigals, Book I (1965, after Federico Garcia Lorca, 1898-1936)
          I.  Verte desnuda es recordar la tierra
              (To see you naked is to remember the earth)

           Mark Alburger, Voice and Piano / Elizabeth Morrison, Cello

Robert Muczynski (1929-2010)
     Piano Sonata No. 2 (1966)

          Mark Alburger, Piano



Carolmarie Reynolds (b. 1930)
     Flying Bears Ranch (2014)
                   
          The Opus Project Orchestra

John McGrew (b. 1942)   
     Three Haiku (2002)
          I. Sierra Pine Cone
          II. Breath In and Out
          III. Winter Night Bird Sings

          The Opus Project String Quartet

Oliver Knussen (b. 1952)   
     Flourish with Fireworks, Op. 22 (1988)

          The Opus Project Orchestra

Mark Alburger (b. 1957)   
     Duo Sonata No. 1 ("Hyphenated"), Op. 22 (1981)
          IV. Dance-Syncops
 
          Carolyn Lowenthal, Violin / Elizabeth Morrison, Cello



Hussein Al-Nasrawi (b. 1991)
     Williams Fantasy (2014)

          Hussein Al-Nasrawi, Piano

David Machajewski (b. 2000)   
     String Quartet No. 1 (2014)

          The Opus Project String Quartet
               


THE OPUS PROJECT ORCHESTRA

Mark Alburger   Music Director and Conductor

Piccolo / Flute    
Alan Kingsley

Oboe / English Horn
Eva Langfeldt
Stardust

Clarinet
Christy Diggins

Soprano / Tenor Saxophone
Tim Machajewski

Bassoon
Michael Garvey
Tim Machajewski

Trumpet
Michael Cox

Horn
Bob Satterford

Trombone
Emily Sanchez

Soprano
Jill Wagoner

Tenor
Mark Alburger

Piano
Mark Alburger
Hussein Al-Naswari


Geri Chang
Maria Reeves

Percussion
Ken Crawford
John Veitch

Violin I
Carolyn Lowenthal
Stephen Yang
John Yoon

Violin II
Silvana Huynh
Corey Johnson
David Machajewski



Viola
Carol Earley


Carolyn Lowenthal
Kat Walsh



Cello
Elizabeth Morrison



Aaron Urton

Bass
John McGrew


THE OPUS PROJECT presents

OPUS 23 - 8pm, Saturday, November 29, 2014, Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA

A Multi-Media Event, with The Opus Project Orchestra

Richard Strauss 1864-1949)            Macbeth, Op. 23 (1890)
Gustav Holst (1874-1934)            Sita, Op 23 (1906)
Arnold Schoenberg (1874-1951)        Piece for Piano, Op. 23, No. 1 (1923)
Bela Bartok (1881-1945)            Dance Suite (1923)
George Enescu (1881-1955)        Oedipus, Op. 23 (1931)
Anton Webern (1883-1945)            Song on Hildegard Jone, Op. 23, No. 1 (1934)
Sergei Prokofiev (1891-1953)        Poem, Op. 23, No. 1 (1915)
Darius Milhaud (1892-1975)        Variations on Cliquet, Op.23 (1915)
Alois Hába (1893-1973)            Suite No. 5 in the 1/4-Tone System, Op. 23 (1925)
Paul Hindemith (1895-1963)        Die Junge Magd, Op. 23 (1922)
Kurt Weill (1900-1950)            Death in the Forest, Op. 23 (1927)
Lennox Berkeley (1903-1989)        Piano Prelude, Op. 23, No. 1 (1945)
Dmitri Kabalevsky (1904-1987)        Piano Concerto No. 2, Op. 23, No. 1 (1935)
Dmitri Shostakovich (1906-1975)    Opera Armer Columbus, Op. 23 (1929)
Samuel Barber (1910-1981)            Medea, Op. 23 (1946)   
Alan Hovhaness (1911-2000)        Suite for Oboe and Bassoon, Op. 23 (1949)
Benjamin Britten (1913-1976)        Introduction and Rondo, Op. 23 (1940)
Alberto Ginastera (1916-1983)        Variaciones concertantes, Op. 23 (1953)
Oliver Knussen (b. 1952)            Late Poem of Rilke, Op. 23, No. 1 (1988)
Mark Alburger (b. 1957)            Sequence Music for a Trio, Op. 23 (1982)


Arnold Schoenberg (1874-1951)
     Orchestral Songs, Op. 22 (1916)
          II. Alle Welche Dich Suchen [All Who Seek You,
             Rainer Maria Rilke, (1875-1926), Das Stundenbuch
             (The Book of Hours)
: II. Das Buch von der Pilgerschaft, No. 15 
             (The Book of the Pilgrimage), 1903]

Alle, welche dich suchen, versuchen dich.
Und die, so dich finden, binden dich
An Bild und Gebärde.

Ich aber will dich begreifen,
Wie dich die Erde begreift;
Mit meinem Reifen
Reift
Dein Reich.

Ich will von dir keine Eitelkeit,
Die dich beweist.
Ich weiß, daß die Zeit
Anders heißt
Als du.

Tu mir kein Wunder zulieb.
Gib deinen Gesetzen recht,
Die von Geschlecht zu Geschlecht
Sichtbarer sind.
All who seek you, test you.
And those who find you
bind you to image and gesture.

I would rather sense you
as the earth senses you.
In my ripening
ripens
what you are.

I need from you no tricks
to prove you exist.
Time, I know,
is other
than you.

No miracles, please.
Just let your laws
become clearer
from generation to generation.


Karol Szymanowski (1882-1937)
     Colorful Songs, Op. 22 (1910)
          V. Bestimmung (Regulation, Ricarda Huch, 1864-1947)

Was ist in deiner Seele,
was ist in meiner Brust,
daß ich mich dir befehle,
daß du mich lieben mußt?

Vom Haus, wo ich gewohnt
und zart behütet bin,
ziehst du mich, wie der Mond
nachtwandelnd zu dir, zu dir hin.

What is in your soul,
what is in my breast,
that can teach me so
that you must love me?

From the house, where I was
tenderly protected,
you draw me, like the moon's
changing phases, to you, to you


Darius Milhaud (1892-1975)   
     Poème de Gitanjali (Poem 18 from The Offerings), Op.22 (1914)
          (Rabindranath Tagore, 1861-1941; trans André Gide, 1869-1951)

Les nuages s'entassent sur les nuages
Il fait sombre.  Amour!
Ah! pourquoi me laisses-tu dehors
attendre tout send a la porte?

Dans l'affairement du travail de midi,
je suis avec la foule;
mais parce sombre jour solitaire
je n'espere seulement que toi.

Si tu ne me montres point ta face,
si tu me laisses completement de coute,
je ne sais pas comment je traverserai ces longues,
ces pluvieuses heures
Je reste a contempler le large obscurcissement du ciel,
et mon coeur plaintif rode avec le vent sans repos,

Clouds heap upon clouds and
it darkens. Ah, love,
why dost thou let me wait outside
at the door all alone?

In the busy moments of the noontide work
I am with the crowd,
but on this dark lonely day
it is only for thee that I hope.

If thou showest me not thy face,
if thou leavest me wholly aside,
I know not how I am to pass
these long, rainy hours.
I keep gazing on the far-away gloom of the sky,
and my heart wanders wailing with the restless wind.


John Cage (1912-1992)   
     Living Room Music (1940)
         II. Story (Gertrude Stein, 1874-1946, The World Is Round, 1938)

Once upon a time the world
was round and you could go
on it around and around


Benjamin Britten (1913-1976)
     Seven Sonnets of Michelangelo [di Lodovico Buonarroti Simoni (1475-1564) -
        Rime, 1623], Op. 22 (1940)
          III. Sonneto XXX

Veggio co' bei vostri occhi un dolce lume,
Che co' miei ciechi già veder non posso;
Porto co' vostri piedi un pondo addosso,
Che de' mie zoppi non è già costume.
Volo con le vostr'ale senza piume;
Col vostr'ingegno al ciel sempre son mosso;
Dal vostr'arbitrio son pallido e rosso,
Freddo al sol, caldo alle più fredde brume.
Nel voler vostro è sol la voglia mia,
I mie' pensier nel vostro cor si fanno,
Nel vostro fiato son le mie parole.
Come luna da sè sol par ch'io sia;
Chè gli occhi nostri in ciel veder non sanno
Se non quel tanto che n'accende il sole.

With your lovely eyes I see a sweet light,
That yet with my blind ones I cannot see;
With your feet I carry a weight on my back,
Which with my lame ones I cannot;
With your wings I, wingless, fly;
With your spirit I move forever heavenward;
At your wish I blush or turn pale, cold in the sunshine,
Or hot in the colest midwinter. 
My will is in your will alone,
my thoughts are born in your heart,
My words are on your breath. 
Alone, I am like the moon in the sky,
Which our eyes cannot see,
Save that part which the sun illumines.


John McGrew (b. 1942)    
     Three Haiku (2002)

I. Sierra Pine Cone

Sierra pine cone
help me remember bird calls
wood smoke and silence

II. Breath In and Out

Breath in and out
hear your pulse stretch your fingers
feel earth press your feet

III. Winter Night Bird Sings

Winter night a bird heed-
less of the sun's absence
sings into the dark

September 27 - Opus 21: Of Age


THE OPUS PROJECT
Opus 21 


8pm, Saturday, September 27, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA


Ludwig van Beethoven (1770-1827)
     Symphony No. 1 in C Major, Op. 21 (1800)
          I.  Adagio molto - Allegro con brio



Felix Mendelssohn (1809-1847)
     Overture to "A Midsummer Night's Dream", Op. 21 (1826)
          Exposition

          The Opus Project Orchestra

Sergei Taneyev (1856-1915)
     String Trio, Op. 21 (1907)
          I.  Allegro giocoso e semplice

          The Opus Project String Trio

Albert Roussel (1869-1937)
     Impromptu, Op. 21  (1919)
          Modere



Alexander Zemlinsky (1871-1942)
     Der Kreidekreis (The Chalk Circle), Op. 21 (1932)
          Introduction

          Mark Alburger, Piano / Video

Ralph Vaughan Williams (1872-1958)
     The Wasps (1909)
          III:  March Past of the Kitchen Utensils

      The Opus Project Orchestra

Sergei Rachmaninoff (1873-1943)
     Twelve Romances, Op. 21 (1902)
          V. Lilacs (Yekaterina Beketova, 1855–1892)

          Jill Wagoner, Soprano / Mark Alburger, Piano

Gustav Holst (1874-1934)
     A Somerset Rhapsody, Op 21 (1907)
          Moderato

          The Opus Project Orchestra


Arnold Schoenberg (1874-1951)
     Pierrot Lunaire (Moonstruck Pierrot), Op. 21 (1912)
     (Albert Giraud, b. Emile Albert Kayenbergh, 1860–1929, 
      trans. Otto Erich Hartleben, 1864–1905) 
         VII. Der Kranke Monde (The Sick Moon)
Leonardo de Lorenzo (1875-1962)
     Two Pieces, Op. 21 (1917)
          I. Solitudine - Theme

          Jill Wagoner, Soprano /  Alan Kingsley, Flute / Mark Alburger, Voice & Piano
 
Alma Mahler (1879-1964)
     Four Songs (1915)
          I. Light in the Night
Bela Bartok (1881-1945)
     Violin Sonata No. 1, Op. 21 (1921)
          II. Adagio / Poco agitato - Tempo I

          Jill Wagoner, Soprano / John Yoon, Violin / Mark Alburger, Piano

George Enescu (1881-1955)
     Symphony No. 3 in C Major, for Piano, Chorus, and Orchestra, Op. 21 (1918)
         I. Moderato, un poco mosso (Introduction)

         Video

Karol Szymanowski (1882-1937)
     Piano Sonata No. 2, Op. 21 (1911)
          II. Allegretto tranquillo (grazioso) TEMA
Anton Webern (1883-1945)
     Symphony, Op. 21 (1928) 
     I. Ruhig schreitend (Calmly walking / Allegro moderato)
Sergei Prokofiev (1891-1953)
     Chout 
     (The Tale of the Buffoon Who Outwits 7 Other Buffoons), Op. 21 (1915)
          I.  The Buffoon and his Bufoonette (Allegretto scherzando)
Paul Hindemith (1895-1963)
     Sancta Susanna, Op. 21 (1921) (August Stramm, 1874-1915) 
           Conclusion

           Mark Alburger, Piano / Jill Wagner, Soprano / The Opus Project Orchestra



Ernst Krenek (1900-1991)
     Orpheus und Eurydike, Op. 21 (1926) 



Dmitri Kabalevsky (1904-1987)
     Improvisation for Violin and Piano, Op. 21 (1934)  


Paul Creston (1906-1985)
     Marimba Concertino, Op. 21 (1941)
          I. Vigoroso
  
          Video

Dmitri Shostakovich (1906-1975)
     Six Japanese Romances, Op. 21 (1932) 
          II. Before Suicide (Otzuno Odzi, trans. A. Brandt, 
          Japonskaja lirika [Japanese Lyrics, 1928])
Samuel Barber (1910-1981)
     Capricorn Concerto, Op. 21 (1944)
          III. [Allegro con brio] a tempo / Andante un poco mosso / Tempo I
John Cage (1912-1992)
     Imaginary Landscape No. 2 (March No. 1, 1940)
Benjamin Britten (1913-1976)
     Diversions for Piano and Orchestra, Op. 21 (1940)
          Variation V - Chant

          Jill Wagoner, Soprano / Hussein Al-Nasrawi, Piano / The Opus Project Orchestra



Vincent Persichetti (1915-1987)
     Pastorale, Op. 21 (1943)
          Introduction

          Alan Kingsley, Flute / Michael Cox, Trumpet

Alberto Ginastera (1916-1983)
Pampeana No. 2, Op. 21 (1950)
          Lento e rubato

          Elizabeth Morrison, Cello / Mark Alburger, Piano
 
   
Pierre Boulez (b. 1925)
     Le Marteau sans Maitre (The Masterless Hammer) (1955)
     (René Char 1907-1988, Le Marteau sans Maître, 1934)
           III. L'artisanat furieux (Furious Craftsmanship) - Part I

           Jill Wagoner, Soprano / Alan Kingsley, Flute

George Crumb (b. 1929)
     Four Nocturnes (Night Music II, 1964)
          NOTTURNO IV. con un sentimento di nostalgia / piu animato
Robert Muczynski (1929-2010)
     Fables, Op. 21 (1965)
          VII.  Moderato

          Elizabeth Morrison, Cello / Mark Alburger, Piano

Steve Reich (b. 1936)
     Music for 18 Musicians (1976)
          I-II
Oliver Knussen (b. 1952)
     Higglety Pigglety Pop!, Op. 21 (1985)
          II. Trauermusik
Mark Alburger (b. 1957)
     Missa "The a Deux", Op. 21 (1980)
          I. Kyrie (Egeria, b. c. AD 351)
Scott Sterling (b. 1970)  
     Scherzo Round No. 122,694 (2014)  



Michael Stubblefield (b. 1989)
     Northrend Tides (2012)
     (after Warcraft III: World of Chaos, 2002)

           Jill Wagoner, Soprano / The Opus Project Orchestra


     THE OPUS PROJECT ORCHESTRA

Mark Alburger     Music Director and Conductor 

Piccolo / Flute / Alto Flute  
Harry Bernstein
Alan Kingsley




Oboe 
Philip Freihofner

Bassoon
Tim Machajewski

Trumpet / Cornetto
Ron Cohen
Michael Cox

Horn
Jan Pusina

Trombone
Scott Sterling

Soprano
Jill Wagoner

Tenor
Mark Alburger

Bass-Baritone
Ron Cohen

Electric Guitar
Michael Stubblefield

Piano
Mark Alburger
Hussein Al-Naswari

Percussion
Ken Crawford

Violin I
John Yoon*

Violin II
Lawrence Huang*

Viola
Harry Bernstein*

Cello
Elizabeth Morrison

Contrabass
John McGrew

Electric Bass
Michael Stubblefield


*The Opus Project String Trio


THE OPUS PROJECT presents OPUS 22: All the Dead Voices 
8pm, Saturday, October 25, 2014,
Diablo Valley College Music Building,
Viking Drive, Pleasant Hill, CA

Camille Saint-Saens (1835-1921)   Piano Concerto in G Minor, Op. 22 (1868) 
Gustav Mahler (1860-1911)   Symphony No. 1: III. Huntsman's Funeral (1888)
Jean Sibelius (1864-1957)   The Swan of Tuonela, Op. 22, No. 2 (1895)
Gustav Holst (1874-1934)   Song without Words, Op 22, No. 1 (1906)
Arnold Schoenberg (1874-1951)   Orchestral Song, Op. 22, No. 2 (1916)
George Enescu (1881-1955)   String Quartet No. 1, Op. 22, No. 1 (1920)
Anton Webern (1883-1945)   Quartet, Op. 22 (1930)
Jerzy Gablenz (1888-1937)   Legend of Turbacz, Op 22 (1925) 
Sergei Prokofiev (1891-1953)   Visions Fugitives, Op. 22 (1917)
Darius Milhaud (1892-1975)   Poème de Gitanjali, Op.22 (1914) 
Paul Hindemith (1895-1963)   String Quartet No. 4, Op. 22 (1922)
Aaron Copland (1900-1990)   Piano Concerto (1926)
Lennox Berkeley (1903-1989)   Viola Sonata in D, Op. 22 (1945) 
Dmitri Kabalevsky (1904-1987)   Symphony No. 3 ("Requiem") (1933)
Dmitri Shostakovich (1906-1975)  The Age of Gold, Op. 22 (1930)
Samuel Barber (1910-1981)   Cello Concerto, Op. 22 (1945) 
Alan Hovhaness (1911-2000)   Mystic Flute, Op. 22 (1937)
John Cage (1912-1992)   Living Room Music (1940)
Benjamin Britten (1913-1976)   Seven Sonnets of Michelangelo, Op. 22 (1940)
Alberto Ginastera (1916-1983)   Piano Sonata No. 1, Op. 22 (1952)
Malcolm Arnold (1921-2006)   Symphony No. 1, Op. 22 (1949)
Jean-Michel Damase (1928-2013)  17 Variations for Woodwind Quintet, Op. 22 (1947)
Oliver Knussen (b. 1952)  Flourish with Fireworks, Op. 22
Mark Alburger (b. 1957)  Duo Sonata No. 1 ("Hyphenated"), Op. 22 (1981)
Scott Sterling (b. 1970)   Quartet ("Dick and Jane's 1st Samhein") (2000)
Hussein Al-Nasrawi (b. 1991)   Williams Fantasy (2014)


Sergei Rachmaninoff (1873-1943)
     Twelve Romances, Op. 21 (1902)
          V. Lilacs (Yekaterina Beketova, 1855–1892)

По утру, на заре,
По росистой траве,
Я пойду свежим утром дышать;
И в душистую тень,
Где теснится сирень,
Я пойду свое счастье искать...

В жизни счастье одно
Мне найти суждено, 
И то счастье в сирени живёт;
На зелёных ветвях,
На душистых кистях
Моё бедное счастье цветёт...

In the morning, at dawn,
over the moist grass,
I go to breathe the crisp daybreak;
and in the sweet shade,
where the lilac grows,
I go to seek happiness...

Life, only one joy
was destined for discovery,
and that pleasure resides in the lilacs;
in the green branches,
in the fragrant bouquets,
my poor contentment blossoms...


Arnold Schoenberg (1874-1951)
     Pierrot Lunaire (Moonstruck Pierrot), Op. 21 (1912)
     (Albert Giraud, b. Emile Albert Kayenbergh, 1860–1929, 
     trans. Otto Erich Hartleben, 1864–1905) 
          VII. Der Kranke Monde (The Sick Moon)

Du nächtig todeskranker Mond
Dort auf des Himmels schwarzem Pfühl,
Dein Blick, so fiebernd übergroß,
Bannt mich wie fremde Melodie.

An unstillbarem Liebesleid
Stirbst du, an Sehnsucht, tief erstickt,
Du nächtig todeskranker Mond
Dort auf des Himmels schwarzem Pfühl.

Den Liebsten, der im Sinnenrausch
Gedankenlos zur Liebsten schleicht,
Belustigt deiner Strahlen Spiel -
Dein bleiches, qualgebornes Blut,
Du nächtig todeskranker Mond.
You ailing, death-awaiting moo
High upon heaven's dusky couch,
Your glance, so feverish over-large,
Lures me like strange enchanting song.

With unrequited pain of love
You die, your loving, deep concealed
You ailing death-awaiting moon
High upon heaven's dusky couch

The lover, stirred by sharp desire
Who reckless seeks for love's embrace,
Exaults in your bright play of light -
Your pallid, pain-begotten flood,
You ailing death-awaiting moon.


Alma Mahler (1879-1964)
     Four Songs (1915)
          I. Light in the Night (Otto Julius Bierbaum, 1865-1910)

Ringsum dunkle Nacht, hüllt in Schwarz mich ein,
zage flimmert gelb fern her ein Stern!
Ist mir wie ein Trost, eine Stimme still,
die dein Herz aufruft, das verzagen will.

Kleines gelbes Licht, bist mir wie der Stern
überm Hause einst Jesu Christ, des Herrn
und da löscht es aus. Und die Nacht wird schwer!
Schlafe Herz. Schlafe Herz. Du hörst keine Stimme mehr.

Dark night all around, enveloping me in black,
Timidly a star flickers yellow from afar!
It's to me like a comfort, a quiet voice,
Which calls on your heart that wants to give up.

Little yellow light, you are like a star to me
Above the house of Jesus Christ the Lord, once,
And there it goes out!  And the night turns heavy!
Sleep, my heart!  You hear no voice any more!


Paul Hindemith (1895-1963)
     Sancta Susanna, Op. 21 (1921) (August Stramm, 1874-1915)
          Conclusion

Nein!  Beichte!  Satana!     No!  Confess!  Satan!


Dmitri Shostakovich (1906-1975)
     Six Japanese Romances, Op. 21 (1932)
          II. Before Suicide
          (Otzuno Odzi, trans. A. Brandt, Japonskaja lirika 
          [Japanese Lyrics, 1928, after Hans Bethge, 1876-1946, 
          Japanischer Frühling / Nachdichtungen Japanischer Lyrik 
          {Japanese Spring /  Adapted Japanese Lyrics}, 1907-1928])

SУныло сыплются листы. Густой туман 
пруд застилает. Гуси дикие кричат испуганно
на озере, опять кричат.
Сны мрачные витают над моей главой,
на сердце тяжесть. через год, когда раздастся 
снова крик гусей, я не услышу их.

The leaves are falling discouraged, 
a thick fog covers the pond. The wild geese cry frightened
on the lake, cry yet. 
Of dreams dark on my head and a weight on my heart. 
A year will pass before the cry of the geese resounds again,
but I will not hear.


Pierre Boulez (b. 1926)
     Le Marteau sans Maitre (The Masterless Hammer) (1955)
     (René Char 1907-1988, Le Marteau sans Maître, 1934)
          III. L'artisanat furieux (Furious Craftsmanship) - Part I

La roulotte rouge au bord du clou
Et cadavre dans le panier

The red caravan on the edge of the nail
And corpse in the basket


Mark Alburger (b. 1957)
     Missa "The a Deux", Op. 21 (1980)
          I. Kyrie (Egeria, b. c. AD 351)

Kyrie eleison
Christe eleison
Kyrie eleison

Lord have mercy
Christ have mercy
Lord have mercy


Michael Stubblefield (b. 1989)
     Northrend Tides (2012)
          (after Warcraft III: World of Chaos, 2002)

Sunrise no life
Only the master
The eyes of the North and the frozen breeze
Northrend tides Icecrown throne
Ruled by the frozen throne
Plagued by unholy death
Screams of the fallen souls
Filled with eternal death
Silence
No peace
Pain now rising
Tides of Northrend
Frozen the seas
Frost in the winds
Sunrise only death
Above the frozen hills
Below the crystal lake
The lord of North and the frozen crown
Frozen the tides
Clouds fill the skies
No sounds of light
Rise unholy night

August 30 - Opus 20: Earthshaking!


THE OPUS PROJECT
Opus 20

8pm, Saturday, August 30, 2014
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA


Sergei Taneyev (1856-1915)       
     Piano Quartet, Op. 20 (1906)
          II. Adagio piu tosto largo


                        The Opus Project Piano Quartet


Alexander Gretchaninoff (1864-1956)   
     Four Melodies, Op. 20 (1899)
          IV. The Captive (Alexander Pushkin, 1799–1837)

                        Jill Wagoner, Soprano / Maria Reeves, Piano
                                   
Richard Strauss (1864-1949)       
     Don Juan, Op. 20 (1899)
          Allegro molto con brio

                        The Opus Product Orchestra


Jean Sibelius (1865-1957)       
     Malinconia, Op. 20 (1900)
          Adagio pesante

                        Elizabeth Morrison, Cello / Maria Reeves, Piano


Albert Roussel (1869-1937)       
     Two Melodies, Op. 20 (1919) (René Chalupt, 1885-1957)
          I. The Bachelor of Salamanca

                        Jill Wagoner, Soprano / Maria Reeves, Piano


Hugo Alfven (1872-1970)       
     A Legend of the Skerries, Op. 20 (1921)
          Introduction

                        Video

Sergei Rachmaninoff (1873-1943)   
     Spring, Op. 20 (1902)
          Allegro moderato - Introduction
Gustav Holst (1874-1934)       
     Songs from [Alfred Tennyson{1809-1892}'s] "The Princess" [1847],
                        Op 20a (1905)
                        I. Sweet and Low - Verse 1

                        Jill Wagoner, Soprano, The Opus Project Orchestra

Arnold Schoenberg (1874-1951)   
     Herzgewächse (Foliage of the Heart), Op. 20 (1911)
          (Maurice Maeterlinck, 1862-1949,
          Serres chaudes: Feuillage du cœur, 1889)
          Conclusion

                        Jill Wagoner, Soprano / Mark Alburger, Piano


Leonardo de Lorenzo (1875-1962)   
     Two Pieces, Op. 20  (1917)
          II. Valse Pathetique - Theme

                        Alan Kingsley, Flute / Maria Reeves, Piano


Reinhold Gliere (1875-1964)       
     String Quartet No. 2 (1905)
          I. Allegro moderato - Introduction

                        The Opus Project String Quartet

Bela Bartok (1881-1945)       
     Eight Improvisations on Hungarian Folk Songs, Op. 20 (1920)
          I. Molto moderato


Karol Szymanowski (1882-1937)   
     Six Songs, Op. 20 (1909)
          I. In the Dark Moon
Josef Matthais Hauer (1883-1959)    
     Atonal Music, Op. 20 (1922)
          I.

                        Jill Wagoner, Soprano / Mark Alburger and Maria Reeves, Piano


Anton Webern (1883-1945)       
     String Trio, Op. 20 (1927)
          II. Very belabored and full of expression
Sergei Prokofiev (1891-1953)       
     Scythian Suite, Op. 20 (1915)
          I. Adoration of Veles and Ala: Allegro feroce

                        The Opus Project String Trio and Orchestra

Darius Milhaud (1892-1975)       
     Four Poems of Leo Latil [1890-1915], Op. 20 (1914)
          I. Abandonment - Introduction

                        Jill Wagoner, Soprano / Maria Reeves, Piano

Paul Hindemith (1895-1963)       
     The Nusch-Nuschi, Op. 20 (1920) (Franz Blei, 1871-1942) 
          Fast and very lusty
Aaron Copland (1900-1990)       
     Music for the Theatre (1925)
          IV. Burlesque - Conclusion


Dmitri Kabalevsky (1904-1987)   
     Prelude, Op. 20, No. 1 (1934)
          I.
Dmitri Shostakovich (1906-1975)   
     Symphony No. 3 in Eb Major ("The First of May"), Op. 20 (1929)
          Allegro molto

                        The Opus Project Orchestra / Video           

Samuel Barber (1910-1981)       
     Excursions for Piano, Op. 20 (1944)    
          II. Blues


Alan Hovhaness (1911-2000)       
     Nocturne for Harp, Op. 20 (1937)
John Cage (1912-1992)       
     Bacchanale (1940)   
          Fast / Faster...   

                        Mark Alburger, Piano / Video   

Benjamin Britten (1913-1976)   
     Sinfonia da Requiem, Op. 20 (1940)   
          II. Dies irae - Conclusion)
Alberto Ginastera (1916-1983)   
     String Quartet No. 1, Op. 20 (1948)
          I. Allegro violonte ed agitato - Introduction



Madeleine Dring (1923-1977)   
     Trio for Flute, Oboe, and Piano (1968)
          II. Andante semplice / III. Allegro giocoso

                        The Opus Project Wind Piano Trio, String Quartet, and Orchestra

George Crumb (b. 1929)       
     Night Music I (1963)
          II. Notturno II: "Piccola Serenata" - grazioso
Oliver Knussen (b. 1952)       
     Where the Wild Things Are, Op. 20 (1983)
          Overture


Mark Alburger (b. 1957)       
     Embedded Inventions, Op. 20 (1979)
          XII. Shimmer (Henry) / XIII. Stravinsky (Requiem)


          XIV. Cha-Cha


Scott Stirling (b. 1970)       
     The Reluctant Trapezist (2011)


Michael Stubblefield (b. 1989)   
     Schlußstück (2014)

                        Jill Wagoner, Soprano / Mark Alburger, Piano /
                            The Opus Project Orchestra / Video


                    THE OPUS PROJECT ORCHESTRA

Mark Alburger                    Music Director and Conductor

Flute       
Alan Kingsley*

Oboe
Eva Langfeldt*

Clarinet
Keith Leung

Alto Saxophone
Tim Machajewski

Bassoon
Michael Garvey
Tim Machajewski

Trumpet
Michael Cox
Sue Leonardi

Horn
Jan Pusina
Bob Satterford

Trombone
Scott Sterling

Soprano
Jill Wagoner

Tenor
Mark Alburger

Piano
Mark Alburger
Maria Reeves*

Percussion
Ken Crawford
Jill Wagoner

Violin I
Carolyn Lowenthal*

Violin II
Keith Leung
Milton Wong*

Viola
Kat Walsh*
Milton Wong*

Cello
Elizabeth Morrison*
Aaron Urton*

Bass
Michael Stubblefield

*The Opus Project Trios and Quartets


THE OPUS PROJECT presents

OPUS 21: Of Age - 8pm, Saturday, September 27, 2014, Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA
A Multi-Media Event, with Alan Kingsley, Jill Wagoner, and the The Opus Project Woodwind Quintet and Orchestra

Ludwig van Beethoven (1770-1827)        Symphony No. 1, Op. 21, No. 1 (1800)
Felix Mendelssohn (1809-1847)            A Midsummer Nights Dream, Overture, Op. 21 (1826)
Gustav Holst (1874-1934)            A Summerset Rhapsody, Op 21 (1907)   
Ralph Vaughan Williams (1872-1958)        The Wasps: March Past of the Kitchen Utensils (1909)
Arnold Schoenberg (1874-1951)        Pierrot Lunaire, Op. 21, No. 7 (1912)
Bela Bartok (1881-1945)            Violin Sonata No. 1, Op. 21 (1921)
Anton Webern (1883-1945)            Symphony, Op. 21 (1928)
Sergei Prokofiev (1891-1953)            Chout, Op. 21 (1915)
Darius Milhaud (1892-1975)            Le Château, Op.21 (1914)   
Paul Hindemith (1895-1963)            Sancta Susanna, Op. 21 (1921)
Lennox Berkeley (1903-1989)        A Festival Anthem, Op. 21, No. 2 (1945)
Dmitri Kabalevsky (1904-1987)        Improvisation for Violin and Piano, Op. 21 (1934)
Dmitri Shostakovich (1906-1975)        Japanese Romance, Op. 21, No. 1 (1932)   
Samuel Barber (1910-1981)            Capricorn Concerto, Op. 21 (1944)
Alan Hovhaness (1911-2000)            Suite in D Minor, Op. 21 (1933)
Benjamin Britten (1913-1976)            Diversions for Piano and Orchestra, Op. 21 (1940)
Vincent Persichetti (1915-1987)            Pastorale, Op. 21
Alberto Ginastera (1916-1983)        Pampeana No. 2, Op. 21 (1950)
Malcolm Arnold (1921-2006)            The Smoke (Overture), Op. 21 (1948)
Oliver Knussen (b. 1952)            Higglety Pigglety Pop!, Op. 21 (1985)
Mark Alburger (b. 1957)            Missa "The a Deux", Op. 21 (1980)
Scott Sterling (b. 1970)         Scherzo Round (2014)   
Michael Stubblefield (b. 1989)        Northrend Tides (2013)


Alexander Gretchaninoff (1864-1956)   
     Four Melodies, Op. 20 (1899)
          IV. The Captive 
          (Alexander Pushkin, 1799–1837, The Captive of the Caucasus, 1822)

Сижу за решеткой в темнице сырой.
Вскормленный в неволе орел молодой,
Мой грустный товарищ, махая крылом,
Кровавую пищу клюет под окном,

Клюет, и бросает, и смотрит в окно,
Как будто со мною задумал одно;
Зовет меня взглядом и криком своим
И вымолвить хочет: «Давай улетим!

Мы вольные птицы; пора, брат, пора!
Туда, где за тучей белеет гора,
Туда, где синеют морские края,
Туда ,где гуляем лишь ветер… да я!…»

Imprisoned, I’m caged in a dungeon that’s dank,
A young eaglet, fed but on slavish grains rank,
Then aggrieved, my companion flies nigh, flapping wings,
And food, fresh, still bloody, to my window brings.

He pecks it, casts it through my bars with his beak,
Then stares at me,  as if his heart heard me speak,
With looks that are calling, with calls that would say,
If shrieks could find words, “Come! Let’s fly, fly away!

We’re free spirits, brother, let’s go, the time’s right!
Let’s rise through the clouds to the peak ever white!
Let’s soar to the borders of blue sea and sky,
And stroll on the wind where just wind strolls -- and I!”


Albert Roussel (1869-1937)       
     Two Melodies, Op. 20 (1919) (René Chalupt, 1885-1957)
          I. The Bachelor of Salamanca

Où vas-tu, toi qui passes si tard
Dans les rues désertes de Salamanque
Avec ta toque noire et ta guitare
Que tu dissimules sous ta mante ?
Le couvre-feu est déjà sonné
Et depuis longtemps, dans leurs paisibles maisons,
Les bourgeois dorment à poings fermés.
Ne sais-tu pas qu'un édit de l'alcade
Ordonne de jeter en prison
Tous les donneurs de sérénade,
Que les malandrins couperont ta chaîne d'or
Et que la fille de l'Almirante
Pour qui vainement tu te tourmentes
Se moque de toi derrière son mirador?
Where are you going, walking so late
In the empty streets of Salamanca
With your black cap and your guitar
Hidden beneath your coat?
The curfew has sounded,
And long ago, in their peaceful houses,
The bourgeois sleep with closed fists.
Don't you know that the mayor
has ordered the inprisonment
of all serenaders,
That thugs will rip off your gold chain,
and that the Admiral's daughter
who sends you into vain torments
mocks you from behind her balcony?


Gustav Holst (1874-1934)       
     Songs from [Alfred Tennyson{1809-1892}'s] "The Princess" [1847],
          Op 20a (1905)
          I. Sweet and Low   

Sweet and low, sweet and low,   
  Wind of the western sea,   
Low, low, breathe and blow,   
  Wind of the western sea!   
Over the rolling waters go,           
Come from the dying moon, and blow,   
  Blow him again to me;   
While my little one, while my pretty one, sleeps.


Arnold Schoenberg (1874-1951)   
     Herzgewächse (Foliage of the Heart), Op. 20 (1911)
          (Maurice Maeterlinck, 1862-1949,
          Serres chaudes: Feuillage du cœur, 1889)

Zum Krystall dem blauen
Sendet sie ihr mystisches Gebet.

To the crystal blue
she sends her mystical prayer.


Karol Szymanowski (1882-1937)   
     Six Songs, Op. 20 (1909) (Tadeusz Miciński, 1873-1918)
          I. In the Dark Moon

Dans la lune sombre et froide,
ou les etoiles meurent en silence,
Dans l'ombre grave et mysterieuse,
je cherche sa douce image,
et mon coeur en detresse
Ne la retrouve plus

In the moon dark and cold ,
where the stars die in silence,
In the shadow serious and mysterious,
I search its soft image,
and my heart in distress
finds nothing.


Darius Milhaud (1892-1975)       
     Four Poems of Leo Latil [1890-1915], Op. 20 (1914)
          I. Abandonment - Introduction

Pourquoi, pourquoi m'avez vous abandonné?
Il fait nuit et le grand vent de la fin de l'hiver souffle.
Il siffle dans la cheminée 
et sous les portes, et m'entoure de froid.
Dehors il doit secouer les arbres follement,
s'élancer dans les rues, contournant les maisons,
et bondir dans les campagnes au dessus des collines 
et des bruyères mortes.

Why, why have you abandoned me?
It is night and the great end-of-winter wind breathes.
It whistles in the fireplace
and under the doors, and surrounds me with cold.
Outside it must shake the trees foolishly,
jumping in the streets, bypassing the houses,
and pouncing in the countryside below the hills
and the dead heather.


Paul Hindemith (1895-1963)       
     The Nusch-Nuschi, Op. 20 (1920) (Franz Blei, 1871-1942)
          Fast and very lusty

Ich bin der Diener des schonen Herrn Zatwai
und heisse Tumtum.
Mein Herr ist sehr verliebter Artung,
und ich bekomme immer die Schlage,
wenn es schlecht usgeht.
Da hat er sich nun in den Kopf gesetzt, eine Frau des Kaisers, den Krischna segne habe ihm heute morgen von ihrem Fenster aus ein
gewisses Zeichen gemacht, und ich soll sie nun holen. 
Da druben ist der Frauenpalast.
Wenn ich nur wusste, welche von den vier Frauen es ist!
Aber wenn das Zeichen das Rechte war,
wird sie mich es schon merken lassen,
Wenn ich den verabredeten Schrei des Buliingvogels nachmache.  Da wird sie die Strickleiter
an dem Faden hinaufziehen
und heruntersteigen in meine Arme

I am the servant of the good Lord Zatwai
and my name is Tum Tum.
My master is very artful in love,
and I always suffer the consequences,
if anything goes wrong.
He's set for this woman of the emperor, and --
praise to Krishna -- a sign was made
from the palace window this morning, and I am here to arrange for her escape.
She's in the harem somewhere. 
If I only knew, which of the four women she is!
But if signals are correct,
I'll know soon enough,
when I imitate the agreed-upon cry of the Buliing-bird.
Then there will be a rope ladder
pulled up by a thread,
and she'll climb down into my arms.