October 25 - Opus 22: Phantom of the Opus
THE OPUS PROJECT
Opus 22
8pm, Saturday, October 25, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA
Ludwig van Beethoven (1770-1827)
Piano Sonata No. 11 in B-Flat Major, Op. 22 (1800)
I. Allegro con nrio
Geri Chang, Piano
Friedrich Kummer (1797-1879)
Three Duets, Op. 22 (1835)
I. Allegro (Introduction)
Elizabeth Morrison, Cello / Maria Reeves, Piano
Camille Saint-Saens (1835-1921)
Danse Macabre (1874)
John Yoon, Violin / The Opus Project Orchestra
Sergei Taneyev (1856-1915)
Piano Trio, Op. 22 (1908)
I. Allegro
The Opus Project Piano Trio
Gustav Mahler (1860-1911)
Symphony No. 1 (1888)
III. The Huntsman's Funeral - Dirge
Ludwig Thuille (1861-1907)
Cello Sonata, Op. 22 (1902)
I. Allegro energetico, ma non troppo presto
Albert Roussel (1869-1937)
For a Spring Festival, Op. 22 (1920)
Introduction
The Opus Project Orchestra
Sergei Rachmaninoff (1873-1943)
Chopin C-Minor Prelude Variations, Op. 22 (1903)
Theme / Variation I
Hussein Al-Naswari and Mark Alburger, Piano
Gustav Holst (1874-1934)
Two Songs without Words, Op 22 (1906)
I. Country Song
The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Four Orchestral Songs, Op. 22 (1916)
II. All Who Seek You (Rainer Maria Rilke, 1875-1926)
Jill Wagoner, Soprano / The Opus Project Orchestra
Leonardo de Lorenzo (1875-1962)
Two Pieces, Op. 22 (1917)
I. Canzonetta - Theme
Alan Kingsley, Flute / Mark Alburger, Piano
George Enescu (1881-1955)
String Quartet No. 1, Op. 22 (1920)
I. Sehr massig (Molto moderato) - Introduction
The Opus Project String Quartet
Marion Bauer (1882-1955)
Viola Sonata, Op. 22 (1932)
I. Allegretto (rubato)
Carolyn Lowenthal, Viola / Maria Reeves, Piano
Karol Szymanowski (1882-1937)
Colorful Songs, Op. 22 (1910)
V. Bestimmung - Przeznaczenie (Regulation - Ricarda Huch, 1864-1947)
Jill Wagoner, Soprano / Maria Reeves, Piano
Anton Webern (1883-1945)
Quartet, Op. 22 (1930)
I. Sehr Massig (Very Moderate)
The Opus Project Wind-String-Piano Quartet
Sergei Prokofiev (1891-1953)
Visions Fugitives, Op. 22 (1917)
XVI. Dolente
Mark Alburger, Piano
Darius Milhaud (1892-1975)
Poème de Gitanjali (Poem From "The Offerings"), Op.22 (1914)
(Rabindranath Tagore, 1861-1941; trans André Gide, 1869-1951)
Jill Wagoner, Soprano / Maria Reeves, Piano
Paul Hindemith (1895-1963)
String Quartet No. 4, Op. 22 (1922)
II. Schnell Achtell. Sehr energisch (Fast eighths. Very energetic) - Beginning
The Opus Project String Quartet
Aaron Copland (1900-1990)
Piano Concerto (1926)
II. . . . Sub. molto allegro
Maria Reeves, Piano / The Opus Project Orchestra
Lennox Berkeley (1903-1989)
Viola Sonata in D Minor, Op. 22 (1945)
II. Adagio
Carolyn Lowenthal, Viola / Maria Reeves, Piano
Dmitri Kabalevsky (1904-1987)
Symphony No. 3 in Bb ("Requiem"), Op. 22 (1933)
II. Andante marciale, lugubre (Introduction)
Video
Dmitri Shostakovich (1906-1975)
The Age of Gold, Op. 22 (1930)
III. Polka
The Opus Project Orchestra
Samuel Barber (1910-1981)
Cello Concerto, Op. 22 (1945)
I. Allegro moderato (Theme)
Aaron Urton, Cello / The Opus Project Orchestra
Alan Hovhaness (1911-2000)
Mystic Flute, Op. 22 (1937)
Alan Kingsley, Flute / Mark Alburger, Piano
John Cage (1912-1992)
Living Room Music (1940)
II. Story (Gertrude Stein, 1874-1946, The World Is Round, 1938)
The Opus Project Orchestra
Benjamin Britten (1913-1976)
Seven Sonnets of Michelangelo [di Lodovico Buonarroti Simoni (1475-1564)
Rime, 1623], Op. 22 (1940)
III. Sonneto XXX
Jill Wagoner, Soprano / Maria Reeves, Piano
Vincent Persichetti (1915-1987)
Piano Sonata No. 3, Op. 22 (1943)
II. Episode
Alberto Ginastera (1916-1983)
Piano Sonata No. 1, Op. 22 (1952)
III. Adagio molto appassionato
Mark Alburger, Piano
Malcolm Arnold (1921-2006)
Symphony No. 1, Op. 22 (1949)
I. Allegro (Introduction)
The Opus Project Orchestra
Jean-Michel Damase (1928-2013)
17 Variations for Woodwind Quintet, Op. 22 (1947)
I-VI
The Opus Project Woodwind Quintet
George Crumb (b. 1929)
Madrigals, Book I (1965, after Federico Garcia Lorca, 1898-1936)
I. Verte desnuda es recordar la tierra
(To see you naked is to remember the earth)
Mark Alburger, Voice and Piano / Elizabeth Morrison, Cello
Robert Muczynski (1929-2010)
Piano Sonata No. 2 (1966)
Mark Alburger, Piano
Carolmarie Reynolds (b. 1930)
Flying Bears Ranch (2014)
The Opus Project Orchestra
John McGrew (b. 1942)
Three Haiku (2002)
I. Sierra Pine Cone
II. Breath In and Out
III. Winter Night Bird Sings
The Opus Project String Quartet
Oliver Knussen (b. 1952)
Flourish with Fireworks, Op. 22 (1988)
The Opus Project Orchestra
Mark Alburger (b. 1957)
Duo Sonata No. 1 ("Hyphenated"), Op. 22 (1981)
IV. Dance-Syncops
Carolyn Lowenthal, Violin / Elizabeth Morrison, Cello
Hussein Al-Nasrawi (b. 1991)
Williams Fantasy (2014)
Hussein Al-Nasrawi, Piano
David Machajewski (b. 2000)
String Quartet No. 1 (2014)
The Opus Project String Quartet
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Piccolo / Flute
Alan Kingsley
Oboe / English Horn
Eva Langfeldt
Stardust
Clarinet
Christy Diggins
Soprano / Tenor Saxophone
Tim Machajewski
Bassoon
Michael Garvey
Tim Machajewski
Trumpet
Michael Cox
Horn
Bob Satterford
Trombone
Emily Sanchez
Soprano
Jill Wagoner
Tenor
Mark Alburger
Piano
Mark Alburger
Hussein Al-Naswari
Geri Chang
Maria Reeves
Percussion
Ken Crawford
John Veitch
Violin I
Carolyn Lowenthal
Stephen Yang
John Yoon
Violin II
Silvana Huynh
Corey Johnson
David Machajewski
Viola
Carol Earley
Carolyn Lowenthal
Kat Walsh
Cello
Elizabeth Morrison
Aaron Urton
Bass
John McGrew
THE OPUS PROJECT presents
OPUS 23 - 8pm, Saturday, November 29, 2014, Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA
A Multi-Media Event, with The Opus Project Orchestra
Richard Strauss 1864-1949) Macbeth, Op. 23 (1890)
Gustav Holst (1874-1934) Sita, Op 23 (1906)
Arnold Schoenberg (1874-1951) Piece for Piano, Op. 23, No. 1 (1923)
Bela Bartok (1881-1945) Dance Suite (1923)
George Enescu (1881-1955) Oedipus, Op. 23 (1931)
Anton Webern (1883-1945) Song on Hildegard Jone, Op. 23, No. 1 (1934)
Sergei Prokofiev (1891-1953) Poem, Op. 23, No. 1 (1915)
Darius Milhaud (1892-1975) Variations on Cliquet, Op.23 (1915)
Alois Hába (1893-1973) Suite No. 5 in the 1/4-Tone System, Op. 23 (1925)
Paul Hindemith (1895-1963) Die Junge Magd, Op. 23 (1922)
Kurt Weill (1900-1950) Death in the Forest, Op. 23 (1927)
Lennox Berkeley (1903-1989) Piano Prelude, Op. 23, No. 1 (1945)
Dmitri Kabalevsky (1904-1987) Piano Concerto No. 2, Op. 23, No. 1 (1935)
Dmitri Shostakovich (1906-1975) Opera Armer Columbus, Op. 23 (1929)
Samuel Barber (1910-1981) Medea, Op. 23 (1946)
Alan Hovhaness (1911-2000) Suite for Oboe and Bassoon, Op. 23 (1949)
Benjamin Britten (1913-1976) Introduction and Rondo, Op. 23 (1940)
Alberto Ginastera (1916-1983) Variaciones concertantes, Op. 23 (1953)
Oliver Knussen (b. 1952) Late Poem of Rilke, Op. 23, No. 1 (1988)
Mark Alburger (b. 1957) Sequence Music for a Trio, Op. 23 (1982)
Arnold Schoenberg (1874-1951)
Orchestral Songs, Op. 22 (1916)
II. Alle Welche Dich Suchen [All Who Seek You,
Rainer Maria Rilke, (1875-1926), Das Stundenbuch
(The Book of Hours): II. Das Buch von der Pilgerschaft, No. 15
(The Book of the Pilgrimage), 1903]
Alle, welche dich suchen, versuchen dich.
Und die, so dich finden, binden dich
An Bild und Gebärde.
Ich aber will dich begreifen,
Wie dich die Erde begreift;
Mit meinem Reifen
Reift
Dein Reich.
Ich will von dir keine Eitelkeit,
Die dich beweist.
Ich weiß, daß die Zeit
Anders heißt
Als du.
Tu mir kein Wunder zulieb.
Gib deinen Gesetzen recht,
Die von Geschlecht zu Geschlecht
Sichtbarer sind.
All who seek you, test you.
And those who find you
bind you to image and gesture.
I would rather sense you
as the earth senses you.
In my ripening
ripens
what you are.
I need from you no tricks
to prove you exist.
Time, I know,
is other
than you.
No miracles, please.
Just let your laws
become clearer
from generation to generation.
Karol Szymanowski (1882-1937)
Colorful Songs, Op. 22 (1910)
V. Bestimmung (Regulation, Ricarda Huch, 1864-1947)
Was ist in deiner Seele,
was ist in meiner Brust,
daß ich mich dir befehle,
daß du mich lieben mußt?
Vom Haus, wo ich gewohnt
und zart behütet bin,
ziehst du mich, wie der Mond
nachtwandelnd zu dir, zu dir hin.
What is in your soul,
what is in my breast,
that can teach me so
that you must love me?
From the house, where I was
tenderly protected,
you draw me, like the moon's
changing phases, to you, to you
Darius Milhaud (1892-1975)
Poème de Gitanjali (Poem 18 from The Offerings), Op.22 (1914)
(Rabindranath Tagore, 1861-1941; trans André Gide, 1869-1951)
Les nuages s'entassent sur les nuages
Il fait sombre. Amour!
Ah! pourquoi me laisses-tu dehors
attendre tout send a la porte?
Dans l'affairement du travail de midi,
je suis avec la foule;
mais parce sombre jour solitaire
je n'espere seulement que toi.
Si tu ne me montres point ta face,
si tu me laisses completement de coute,
je ne sais pas comment je traverserai ces longues,
ces pluvieuses heures
Je reste a contempler le large obscurcissement du ciel,
et mon coeur plaintif rode avec le vent sans repos,
Clouds heap upon clouds and
it darkens. Ah, love,
why dost thou let me wait outside
at the door all alone?
In the busy moments of the noontide work
I am with the crowd,
but on this dark lonely day
it is only for thee that I hope.
If thou showest me not thy face,
if thou leavest me wholly aside,
I know not how I am to pass
these long, rainy hours.
I keep gazing on the far-away gloom of the sky,
and my heart wanders wailing with the restless wind.
John Cage (1912-1992)
Living Room Music (1940)
II. Story (Gertrude Stein, 1874-1946, The World Is Round, 1938)
Once upon a time the world
was round and you could go
on it around and around
Benjamin Britten (1913-1976)
Seven Sonnets of Michelangelo [di Lodovico Buonarroti Simoni (1475-1564) -
Rime, 1623], Op. 22 (1940)
III. Sonneto XXX
Veggio co' bei vostri occhi un dolce lume,
Che co' miei ciechi già veder non posso;
Porto co' vostri piedi un pondo addosso,
Che de' mie zoppi non è già costume.
Volo con le vostr'ale senza piume;
Col vostr'ingegno al ciel sempre son mosso;
Dal vostr'arbitrio son pallido e rosso,
Freddo al sol, caldo alle più fredde brume.
Nel voler vostro è sol la voglia mia,
I mie' pensier nel vostro cor si fanno,
Nel vostro fiato son le mie parole.
Come luna da sè sol par ch'io sia;
Chè gli occhi nostri in ciel veder non sanno
Se non quel tanto che n'accende il sole.
With your lovely eyes I see a sweet light,
That yet with my blind ones I cannot see;
With your feet I carry a weight on my back,
Which with my lame ones I cannot;
With your wings I, wingless, fly;
With your spirit I move forever heavenward;
At your wish I blush or turn pale, cold in the sunshine,
Or hot in the colest midwinter.
My will is in your will alone,
my thoughts are born in your heart,
My words are on your breath.
Alone, I am like the moon in the sky,
Which our eyes cannot see,
Save that part which the sun illumines.
John McGrew (b. 1942)
Three Haiku (2002)
I. Sierra Pine Cone
Sierra pine cone
help me remember bird calls
wood smoke and silence
II. Breath In and Out
Breath in and out
hear your pulse stretch your fingers
feel earth press your feet
III. Winter Night Bird Sings
Winter night a bird heed-
less of the sun's absence
sings into the dark
September 27 - Opus 21: Of Age
THE OPUS PROJECT
Opus 21
8pm, Saturday, September 27, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA
Ludwig van Beethoven (1770-1827)
Symphony No. 1 in C Major, Op. 21 (1800)
I. Adagio molto - Allegro con brio
Felix Mendelssohn (1809-1847)
Overture to "A Midsummer Night's Dream", Op. 21 (1826)
Exposition
The Opus Project Orchestra
Sergei Taneyev (1856-1915)
String Trio, Op. 21 (1907)
I. Allegro giocoso e semplice
The Opus Project String Trio
Albert Roussel (1869-1937)
Impromptu, Op. 21 (1919)
Modere
Alexander Zemlinsky (1871-1942)
Der Kreidekreis (The Chalk Circle), Op. 21 (1932)
Introduction
Mark Alburger, Piano / Video
Ralph Vaughan Williams (1872-1958)
The Wasps (1909)
III: March Past of the Kitchen Utensils
The Opus Project Orchestra
Sergei Rachmaninoff (1873-1943)
Twelve Romances, Op. 21 (1902)
V. Lilacs (Yekaterina Beketova, 1855–1892)
Jill Wagoner, Soprano / Mark Alburger, Piano
Gustav Holst (1874-1934)
A Somerset Rhapsody, Op 21 (1907)
Moderato
The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Pierrot Lunaire (Moonstruck Pierrot), Op. 21 (1912)
(Albert Giraud, b. Emile Albert Kayenbergh, 1860–1929,
trans. Otto Erich Hartleben, 1864–1905)
VII. Der Kranke Monde (The Sick Moon)
Leonardo de Lorenzo (1875-1962)
Two Pieces, Op. 21 (1917)
I. Solitudine - Theme
Jill Wagoner, Soprano / Alan Kingsley, Flute / Mark Alburger, Voice & Piano
Alma Mahler (1879-1964)
Four Songs (1915)
I. Light in the Night
Bela Bartok (1881-1945)
Violin Sonata No. 1, Op. 21 (1921)
II. Adagio / Poco agitato - Tempo I
Jill Wagoner, Soprano / John Yoon, Violin / Mark Alburger, Piano
George Enescu (1881-1955)
Symphony No. 3 in C Major, for Piano, Chorus, and Orchestra, Op. 21 (1918)
I. Moderato, un poco mosso (Introduction)
Video
Karol Szymanowski (1882-1937)
Piano Sonata No. 2, Op. 21 (1911)
II. Allegretto tranquillo (grazioso) TEMA
Anton Webern (1883-1945)
Symphony, Op. 21 (1928)
I. Ruhig schreitend (Calmly walking / Allegro moderato)
Sergei Prokofiev (1891-1953)
Chout
(The Tale of the Buffoon Who Outwits 7 Other Buffoons), Op. 21 (1915)
I. The Buffoon and his Bufoonette (Allegretto scherzando)
Paul Hindemith (1895-1963)
Sancta Susanna, Op. 21 (1921) (August Stramm, 1874-1915)
Conclusion
Mark Alburger, Piano / Jill Wagner, Soprano / The Opus Project Orchestra
Ernst Krenek (1900-1991)
Orpheus und Eurydike, Op. 21 (1926)
Dmitri Kabalevsky (1904-1987)
Improvisation for Violin and Piano, Op. 21 (1934)
Paul Creston (1906-1985)
Marimba Concertino, Op. 21 (1941)
I. Vigoroso
Video
Dmitri Shostakovich (1906-1975)
Six Japanese Romances, Op. 21 (1932)
II. Before Suicide (Otzuno Odzi, trans. A. Brandt,
Japonskaja lirika [Japanese Lyrics, 1928])
Samuel Barber (1910-1981)
Capricorn Concerto, Op. 21 (1944)
III. [Allegro con brio] a tempo / Andante un poco mosso / Tempo I
John Cage (1912-1992)
Imaginary Landscape No. 2 (March No. 1, 1940)
Benjamin Britten (1913-1976)
Diversions for Piano and Orchestra, Op. 21 (1940)
Variation V - Chant
Jill Wagoner, Soprano / Hussein Al-Nasrawi, Piano / The Opus Project Orchestra
Vincent Persichetti (1915-1987)
Pastorale, Op. 21 (1943)
Introduction
Alan Kingsley, Flute / Michael Cox, Trumpet
Alberto Ginastera (1916-1983)
Pampeana No. 2, Op. 21 (1950)
Lento e rubato
Elizabeth Morrison, Cello / Mark Alburger, Piano
Pierre Boulez (b. 1925)
Le Marteau sans Maitre (The Masterless Hammer) (1955)
(René Char 1907-1988, Le Marteau sans Maître, 1934)
III. L'artisanat furieux (Furious Craftsmanship) - Part I
Jill Wagoner, Soprano / Alan Kingsley, Flute
George Crumb (b. 1929)
Four Nocturnes (Night Music II, 1964)
NOTTURNO IV. con un sentimento di nostalgia / piu animato
Robert Muczynski (1929-2010)
Fables, Op. 21 (1965)
VII. Moderato
Elizabeth Morrison, Cello / Mark Alburger, Piano
Steve Reich (b. 1936)
Music for 18 Musicians (1976)
I-II
Oliver Knussen (b. 1952)
Higglety Pigglety Pop!, Op. 21 (1985)
II. Trauermusik
Mark Alburger (b. 1957)
Missa "The a Deux", Op. 21 (1980)
I. Kyrie (Egeria, b. c. AD 351)
Scott Sterling (b. 1970)
Scherzo Round No. 122,694 (2014)
Michael Stubblefield (b. 1989)
Northrend Tides (2012)
(after Warcraft III: World of Chaos, 2002)
Jill Wagoner, Soprano / The Opus Project Orchestra
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Piccolo / Flute / Alto Flute
Harry Bernstein
Alan Kingsley
Oboe
Philip Freihofner
Bassoon
Tim Machajewski
Trumpet / Cornetto
Ron Cohen
Michael Cox
Horn
Jan Pusina
Trombone
Scott Sterling
Soprano
Jill Wagoner
Tenor
Mark Alburger
Bass-Baritone
Ron Cohen
Electric Guitar
Michael Stubblefield
Piano
Mark Alburger
Hussein Al-Naswari
Percussion
Ken Crawford
Violin I
John Yoon*
Violin II
Lawrence Huang*
Viola
Harry Bernstein*
Cello
Elizabeth Morrison
Contrabass
John McGrew
Electric Bass
Michael Stubblefield
*The Opus Project String Trio
THE OPUS PROJECT presents OPUS 22: All the Dead Voices
8pm, Saturday, October 25, 2014,
Diablo Valley College Music Building,
Viking Drive, Pleasant Hill, CA
Camille Saint-Saens (1835-1921) Piano Concerto in G Minor, Op. 22 (1868)
Gustav Mahler (1860-1911) Symphony No. 1: III. Huntsman's Funeral (1888)
Jean Sibelius (1864-1957) The Swan of Tuonela, Op. 22, No. 2 (1895)
Gustav Holst (1874-1934) Song without Words, Op 22, No. 1 (1906)
Arnold Schoenberg (1874-1951) Orchestral Song, Op. 22, No. 2 (1916)
George Enescu (1881-1955) String Quartet No. 1, Op. 22, No. 1 (1920)
Anton Webern (1883-1945) Quartet, Op. 22 (1930)
Jerzy Gablenz (1888-1937) Legend of Turbacz, Op 22 (1925)
Sergei Prokofiev (1891-1953) Visions Fugitives, Op. 22 (1917)
Darius Milhaud (1892-1975) Poème de Gitanjali, Op.22 (1914)
Paul Hindemith (1895-1963) String Quartet No. 4, Op. 22 (1922)
Aaron Copland (1900-1990) Piano Concerto (1926)
Lennox Berkeley (1903-1989) Viola Sonata in D, Op. 22 (1945)
Dmitri Kabalevsky (1904-1987) Symphony No. 3 ("Requiem") (1933)
Dmitri Shostakovich (1906-1975) The Age of Gold, Op. 22 (1930)
Samuel Barber (1910-1981) Cello Concerto, Op. 22 (1945)
Alan Hovhaness (1911-2000) Mystic Flute, Op. 22 (1937)
John Cage (1912-1992) Living Room Music (1940)
Benjamin Britten (1913-1976) Seven Sonnets of Michelangelo, Op. 22 (1940)
Alberto Ginastera (1916-1983) Piano Sonata No. 1, Op. 22 (1952)
Malcolm Arnold (1921-2006) Symphony No. 1, Op. 22 (1949)
Jean-Michel Damase (1928-2013) 17 Variations for Woodwind Quintet, Op. 22 (1947)
Oliver Knussen (b. 1952) Flourish with Fireworks, Op. 22
Mark Alburger (b. 1957) Duo Sonata No. 1 ("Hyphenated"), Op. 22 (1981)
Scott Sterling (b. 1970) Quartet ("Dick and Jane's 1st Samhein") (2000)
Hussein Al-Nasrawi (b. 1991) Williams Fantasy (2014)
Sergei Rachmaninoff (1873-1943)
Twelve Romances, Op. 21 (1902)
V. Lilacs (Yekaterina Beketova, 1855–1892)
По утру, на заре,
По росистой траве,
Я пойду свежим утром дышать;
И в душистую тень,
Где теснится сирень,
Я пойду свое счастье искать...
В жизни счастье одно
Мне найти суждено,
И то счастье в сирени живёт;
На зелёных ветвях,
На душистых кистях
Моё бедное счастье цветёт...
In the morning, at dawn,
over the moist grass,
I go to breathe the crisp daybreak;
and in the sweet shade,
where the lilac grows,
I go to seek happiness...
Life, only one joy
was destined for discovery,
and that pleasure resides in the lilacs;
in the green branches,
in the fragrant bouquets,
my poor contentment blossoms...
Arnold Schoenberg (1874-1951)
Pierrot Lunaire (Moonstruck Pierrot), Op. 21 (1912)
(Albert Giraud, b. Emile Albert Kayenbergh, 1860–1929,
trans. Otto Erich Hartleben, 1864–1905)
VII. Der Kranke Monde (The Sick Moon)
Du nächtig todeskranker Mond
Dort auf des Himmels schwarzem Pfühl,
Dein Blick, so fiebernd übergroß,
Bannt mich wie fremde Melodie.
An unstillbarem Liebesleid
Stirbst du, an Sehnsucht, tief erstickt,
Du nächtig todeskranker Mond
Dort auf des Himmels schwarzem Pfühl.
Den Liebsten, der im Sinnenrausch
Gedankenlos zur Liebsten schleicht,
Belustigt deiner Strahlen Spiel -
Dein bleiches, qualgebornes Blut,
Du nächtig todeskranker Mond.
You ailing, death-awaiting moo
High upon heaven's dusky couch,
Your glance, so feverish over-large,
Lures me like strange enchanting song.
With unrequited pain of love
You die, your loving, deep concealed
You ailing death-awaiting moon
High upon heaven's dusky couch
The lover, stirred by sharp desire
Who reckless seeks for love's embrace,
Exaults in your bright play of light -
Your pallid, pain-begotten flood,
You ailing death-awaiting moon.
Alma Mahler (1879-1964)
Four Songs (1915)
I. Light in the Night (Otto Julius Bierbaum, 1865-1910)
Ringsum dunkle Nacht, hüllt in Schwarz mich ein,
zage flimmert gelb fern her ein Stern!
Ist mir wie ein Trost, eine Stimme still,
die dein Herz aufruft, das verzagen will.
Kleines gelbes Licht, bist mir wie der Stern
überm Hause einst Jesu Christ, des Herrn
und da löscht es aus. Und die Nacht wird schwer!
Schlafe Herz. Schlafe Herz. Du hörst keine Stimme mehr.
Dark night all around, enveloping me in black,
Timidly a star flickers yellow from afar!
It's to me like a comfort, a quiet voice,
Which calls on your heart that wants to give up.
Little yellow light, you are like a star to me
Above the house of Jesus Christ the Lord, once,
And there it goes out! And the night turns heavy!
Sleep, my heart! You hear no voice any more!
Paul Hindemith (1895-1963)
Sancta Susanna, Op. 21 (1921) (August Stramm, 1874-1915)
Conclusion
Nein! Beichte! Satana! No! Confess! Satan!
Dmitri Shostakovich (1906-1975)
Six Japanese Romances, Op. 21 (1932)
II. Before Suicide
(Otzuno Odzi, trans. A. Brandt, Japonskaja lirika
[Japanese Lyrics, 1928, after Hans Bethge, 1876-1946,
Japanischer Frühling / Nachdichtungen Japanischer Lyrik
{Japanese Spring / Adapted Japanese Lyrics}, 1907-1928])
SУныло сыплются листы. Густой туман
пруд застилает. Гуси дикие кричат испуганно
на озере, опять кричат.
Сны мрачные витают над моей главой,
на сердце тяжесть. через год, когда раздастся
снова крик гусей, я не услышу их.
The leaves are falling discouraged,
a thick fog covers the pond. The wild geese cry frightened
on the lake, cry yet.
Of dreams dark on my head and a weight on my heart.
A year will pass before the cry of the geese resounds again,
but I will not hear.
Pierre Boulez (b. 1926)
Le Marteau sans Maitre (The Masterless Hammer) (1955)
(René Char 1907-1988, Le Marteau sans Maître, 1934)
III. L'artisanat furieux (Furious Craftsmanship) - Part I
La roulotte rouge au bord du clou
Et cadavre dans le panier
The red caravan on the edge of the nail
And corpse in the basket
Mark Alburger (b. 1957)
Missa "The a Deux", Op. 21 (1980)
I. Kyrie (Egeria, b. c. AD 351)
Kyrie eleison
Christe eleison
Kyrie eleison
Lord have mercy
Christ have mercy
Lord have mercy
Michael Stubblefield (b. 1989)
Northrend Tides (2012)
(after Warcraft III: World of Chaos, 2002)
Sunrise no life
Only the master
The eyes of the North and the frozen breeze
Northrend tides Icecrown throne
Ruled by the frozen throne
Plagued by unholy death
Screams of the fallen souls
Filled with eternal death
Silence
No peace
Pain now rising
Tides of Northrend
Frozen the seas
Frost in the winds
Sunrise only death
Above the frozen hills
Below the crystal lake
The lord of North and the frozen crown
Frozen the tides
Clouds fill the skies
No sounds of light
Rise unholy night
August 30 - Opus 20: Earthshaking!
THE OPUS PROJECT
Opus 20
8pm, Saturday, August 30, 2014
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA
Sergei Taneyev (1856-1915)
Piano Quartet, Op. 20 (1906)
II. Adagio piu tosto largo
The Opus Project Piano Quartet
Alexander Gretchaninoff (1864-1956)
Four Melodies, Op. 20 (1899)
IV. The Captive (Alexander Pushkin, 1799–1837)
Jill Wagoner, Soprano / Maria Reeves, Piano
Richard Strauss (1864-1949)
Don Juan, Op. 20 (1899)
Allegro molto con brio
The Opus Product Orchestra
Jean Sibelius (1865-1957)
Malinconia, Op. 20 (1900)
Adagio pesante
Elizabeth Morrison, Cello / Maria Reeves, Piano
Albert Roussel (1869-1937)
Two Melodies, Op. 20 (1919) (René Chalupt, 1885-1957)
I. The Bachelor of Salamanca
Jill Wagoner, Soprano / Maria Reeves, Piano
Hugo Alfven (1872-1970)
A Legend of the Skerries, Op. 20 (1921)
Introduction
Video
Sergei Rachmaninoff (1873-1943)
Spring, Op. 20 (1902)
Allegro moderato - Introduction
Gustav Holst (1874-1934)
Songs from [Alfred Tennyson{1809-1892}'s] "The Princess" [1847],
Op 20a (1905)
I. Sweet and Low - Verse 1
Jill Wagoner, Soprano, The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Herzgewächse (Foliage of the Heart), Op. 20 (1911)
(Maurice Maeterlinck, 1862-1949,
Serres chaudes: Feuillage du cœur, 1889)
Conclusion
Jill Wagoner, Soprano / Mark Alburger, Piano
Leonardo de Lorenzo (1875-1962)
Two Pieces, Op. 20 (1917)
II. Valse Pathetique - Theme
Alan Kingsley, Flute / Maria Reeves, Piano
Reinhold Gliere (1875-1964)
String Quartet No. 2 (1905)
I. Allegro moderato - Introduction
The Opus Project String Quartet
Bela Bartok (1881-1945)
Eight Improvisations on Hungarian Folk Songs, Op. 20 (1920)
I. Molto moderato
Karol Szymanowski (1882-1937)
Six Songs, Op. 20 (1909)
I. In the Dark Moon
Josef Matthais Hauer (1883-1959)
Atonal Music, Op. 20 (1922)
I.
Jill Wagoner, Soprano / Mark Alburger and Maria Reeves, Piano
Anton Webern (1883-1945)
String Trio, Op. 20 (1927)
II. Very belabored and full of expression
Sergei Prokofiev (1891-1953)
Scythian Suite, Op. 20 (1915)
I. Adoration of Veles and Ala: Allegro feroce
The Opus Project String Trio and Orchestra
Darius Milhaud (1892-1975)
Four Poems of Leo Latil [1890-1915], Op. 20 (1914)
I. Abandonment - Introduction
Jill Wagoner, Soprano / Maria Reeves, Piano
Paul Hindemith (1895-1963)
The Nusch-Nuschi, Op. 20 (1920) (Franz Blei, 1871-1942)
Fast and very lusty
Aaron Copland (1900-1990)
Music for the Theatre (1925)
IV. Burlesque - Conclusion
Dmitri Kabalevsky (1904-1987)
Prelude, Op. 20, No. 1 (1934)
I.
Dmitri Shostakovich (1906-1975)
Symphony No. 3 in Eb Major ("The First of May"), Op. 20 (1929)
Allegro molto
The Opus Project Orchestra / Video
Samuel Barber (1910-1981)
Excursions for Piano, Op. 20 (1944)
II. Blues
Alan Hovhaness (1911-2000)
Nocturne for Harp, Op. 20 (1937)
John Cage (1912-1992)
Bacchanale (1940)
Fast / Faster...
Mark Alburger, Piano / Video
Benjamin Britten (1913-1976)
Sinfonia da Requiem, Op. 20 (1940)
II. Dies irae - Conclusion)
Alberto Ginastera (1916-1983)
String Quartet No. 1, Op. 20 (1948)
I. Allegro violonte ed agitato - Introduction
Madeleine Dring (1923-1977)
Trio for Flute, Oboe, and Piano (1968)
II. Andante semplice / III. Allegro giocoso
The Opus Project Wind Piano Trio, String Quartet, and Orchestra
George Crumb (b. 1929)
Night Music I (1963)
II. Notturno II: "Piccola Serenata" - grazioso
Oliver Knussen (b. 1952)
Where the Wild Things Are, Op. 20 (1983)
Overture
Mark Alburger (b. 1957)
Embedded Inventions, Op. 20 (1979)
XII. Shimmer (Henry) / XIII. Stravinsky (Requiem)
XIV. Cha-Cha
Scott Stirling (b. 1970)
The Reluctant Trapezist (2011)
Michael Stubblefield (b. 1989)
Schlußstück (2014)
Jill Wagoner, Soprano / Mark Alburger, Piano /
The Opus Project Orchestra / Video
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Flute
Alan Kingsley*
Oboe
Eva Langfeldt*
Clarinet
Keith Leung
Alto Saxophone
Tim Machajewski
Bassoon
Michael Garvey
Tim Machajewski
Trumpet
Michael Cox
Sue Leonardi
Horn
Jan Pusina
Bob Satterford
Trombone
Scott Sterling
Soprano
Jill Wagoner
Tenor
Mark Alburger
Piano
Mark Alburger
Maria Reeves*
Percussion
Ken Crawford
Jill Wagoner
Violin I
Carolyn Lowenthal*
Violin II
Keith Leung
Milton Wong*
Viola
Kat Walsh*
Milton Wong*
Cello
Elizabeth Morrison*
Aaron Urton*
Bass
Michael Stubblefield
*The Opus Project Trios and Quartets
THE OPUS PROJECT presents
OPUS 21: Of Age - 8pm, Saturday, September 27, 2014, Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA
A Multi-Media Event, with Alan Kingsley, Jill Wagoner, and the The Opus Project Woodwind Quintet and Orchestra
Ludwig van Beethoven (1770-1827) Symphony No. 1, Op. 21, No. 1 (1800)
Felix Mendelssohn (1809-1847) A Midsummer Nights Dream, Overture, Op. 21 (1826)
Gustav Holst (1874-1934) A Summerset Rhapsody, Op 21 (1907)
Ralph Vaughan Williams (1872-1958) The Wasps: March Past of the Kitchen Utensils (1909)
Arnold Schoenberg (1874-1951) Pierrot Lunaire, Op. 21, No. 7 (1912)
Bela Bartok (1881-1945) Violin Sonata No. 1, Op. 21 (1921)
Anton Webern (1883-1945) Symphony, Op. 21 (1928)
Sergei Prokofiev (1891-1953) Chout, Op. 21 (1915)
Darius Milhaud (1892-1975) Le Château, Op.21 (1914)
Paul Hindemith (1895-1963) Sancta Susanna, Op. 21 (1921)
Lennox Berkeley (1903-1989) A Festival Anthem, Op. 21, No. 2 (1945)
Dmitri Kabalevsky (1904-1987) Improvisation for Violin and Piano, Op. 21 (1934)
Dmitri Shostakovich (1906-1975) Japanese Romance, Op. 21, No. 1 (1932)
Samuel Barber (1910-1981) Capricorn Concerto, Op. 21 (1944)
Alan Hovhaness (1911-2000) Suite in D Minor, Op. 21 (1933)
Benjamin Britten (1913-1976) Diversions for Piano and Orchestra, Op. 21 (1940)
Vincent Persichetti (1915-1987) Pastorale, Op. 21
Alberto Ginastera (1916-1983) Pampeana No. 2, Op. 21 (1950)
Malcolm Arnold (1921-2006) The Smoke (Overture), Op. 21 (1948)
Oliver Knussen (b. 1952) Higglety Pigglety Pop!, Op. 21 (1985)
Mark Alburger (b. 1957) Missa "The a Deux", Op. 21 (1980)
Scott Sterling (b. 1970) Scherzo Round (2014)
Michael Stubblefield (b. 1989) Northrend Tides (2013)
Alexander Gretchaninoff (1864-1956)
Four Melodies, Op. 20 (1899)
IV. The Captive
(Alexander Pushkin, 1799–1837, The Captive of the Caucasus, 1822)
Сижу за решеткой в темнице сырой.
Вскормленный в неволе орел молодой,
Мой грустный товарищ, махая крылом,
Кровавую пищу клюет под окном,
Клюет, и бросает, и смотрит в окно,
Как будто со мною задумал одно;
Зовет меня взглядом и криком своим
И вымолвить хочет: «Давай улетим!
Мы вольные птицы; пора, брат, пора!
Туда, где за тучей белеет гора,
Туда, где синеют морские края,
Туда ,где гуляем лишь ветер… да я!…»
Imprisoned, I’m caged in a dungeon that’s dank,
A young eaglet, fed but on slavish grains rank,
Then aggrieved, my companion flies nigh, flapping wings,
And food, fresh, still bloody, to my window brings.
He pecks it, casts it through my bars with his beak,
Then stares at me, as if his heart heard me speak,
With looks that are calling, with calls that would say,
If shrieks could find words, “Come! Let’s fly, fly away!
We’re free spirits, brother, let’s go, the time’s right!
Let’s rise through the clouds to the peak ever white!
Let’s soar to the borders of blue sea and sky,
And stroll on the wind where just wind strolls -- and I!”
Albert Roussel (1869-1937)
Two Melodies, Op. 20 (1919) (René Chalupt, 1885-1957)
I. The Bachelor of Salamanca
Où vas-tu, toi qui passes si tard
Dans les rues désertes de Salamanque
Avec ta toque noire et ta guitare
Que tu dissimules sous ta mante ?
Le couvre-feu est déjà sonné
Et depuis longtemps, dans leurs paisibles maisons,
Les bourgeois dorment à poings fermés.
Ne sais-tu pas qu'un édit de l'alcade
Ordonne de jeter en prison
Tous les donneurs de sérénade,
Que les malandrins couperont ta chaîne d'or
Et que la fille de l'Almirante
Pour qui vainement tu te tourmentes
Se moque de toi derrière son mirador?
Where are you going, walking so late
In the empty streets of Salamanca
With your black cap and your guitar
Hidden beneath your coat?
The curfew has sounded,
And long ago, in their peaceful houses,
The bourgeois sleep with closed fists.
Don't you know that the mayor
has ordered the inprisonment
of all serenaders,
That thugs will rip off your gold chain,
and that the Admiral's daughter
who sends you into vain torments
mocks you from behind her balcony?
Gustav Holst (1874-1934)
Songs from [Alfred Tennyson{1809-1892}'s] "The Princess" [1847],
Op 20a (1905)
I. Sweet and Low
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.
Arnold Schoenberg (1874-1951)
Herzgewächse (Foliage of the Heart), Op. 20 (1911)
(Maurice Maeterlinck, 1862-1949,
Serres chaudes: Feuillage du cœur, 1889)
Zum Krystall dem blauen
Sendet sie ihr mystisches Gebet.
To the crystal blue
she sends her mystical prayer.
Karol Szymanowski (1882-1937)
Six Songs, Op. 20 (1909) (Tadeusz Miciński, 1873-1918)
I. In the Dark Moon
Dans la lune sombre et froide,
ou les etoiles meurent en silence,
Dans l'ombre grave et mysterieuse,
je cherche sa douce image,
et mon coeur en detresse
Ne la retrouve plus
In the moon dark and cold ,
where the stars die in silence,
In the shadow serious and mysterious,
I search its soft image,
and my heart in distress
finds nothing.
Darius Milhaud (1892-1975)
Four Poems of Leo Latil [1890-1915], Op. 20 (1914)
I. Abandonment - Introduction
Pourquoi, pourquoi m'avez vous abandonné?
Il fait nuit et le grand vent de la fin de l'hiver souffle.
Il siffle dans la cheminée
et sous les portes, et m'entoure de froid.
Dehors il doit secouer les arbres follement,
s'élancer dans les rues, contournant les maisons,
et bondir dans les campagnes au dessus des collines
et des bruyères mortes.
Why, why have you abandoned me?
It is night and the great end-of-winter wind breathes.
It whistles in the fireplace
and under the doors, and surrounds me with cold.
Outside it must shake the trees foolishly,
jumping in the streets, bypassing the houses,
and pouncing in the countryside below the hills
and the dead heather.
Paul Hindemith (1895-1963)
The Nusch-Nuschi, Op. 20 (1920) (Franz Blei, 1871-1942)
Fast and very lusty
Ich bin der Diener des schonen Herrn Zatwai
und heisse Tumtum.
Mein Herr ist sehr verliebter Artung,
und ich bekomme immer die Schlage,
wenn es schlecht usgeht.
Da hat er sich nun in den Kopf gesetzt, eine Frau des Kaisers, den Krischna segne habe ihm heute morgen von ihrem Fenster aus ein
gewisses Zeichen gemacht, und ich soll sie nun holen.
Da druben ist der Frauenpalast.
Wenn ich nur wusste, welche von den vier Frauen es ist!
Aber wenn das Zeichen das Rechte war,
wird sie mich es schon merken lassen,
Wenn ich den verabredeten Schrei des Buliingvogels nachmache. Da wird sie die Strickleiter
an dem Faden hinaufziehen
und heruntersteigen in meine Arme
I am the servant of the good Lord Zatwai
and my name is Tum Tum.
My master is very artful in love,
and I always suffer the consequences,
if anything goes wrong.
He's set for this woman of the emperor, and --
praise to Krishna -- a sign was made
from the palace window this morning, and I am here to arrange for her escape.
She's in the harem somewhere.
If I only knew, which of the four women she is!
But if signals are correct,
I'll know soon enough,
when I imitate the agreed-upon cry of the Buliing-bird.
Then there will be a rope ladder
pulled up by a thread,
and she'll climb down into my arms.
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