December 28 - Opus 12
Mark Alburger and Harriet March Page request
the honor of your presence at a
Holiday Concert-Party...
THE OPUS PROJECT presents
OPUS 12
8pm, Saturday, December 28, 2013
Berkeley Arts Festival
2133 University Avenue, Berkeley, CA
A Multi-Media Event, with Shauna Fallihee, Heather Klein, Golden Age Duo, and The Opus Project Trios, Bassoon Quartet, Piano Quintet, and Orchestra
Gustav Holst (1874-1934) In the Bleak Midwinter (1905)
Arnold Schoenberg (1874-1951) Jane Grey, Op. 12 (1907)
Julius Lenzberg (1878-1956) Operatic Rag (1914)
Bela Bartok (1881-1945) Piece for Orchestra, Op. 12, No. 2 (1912)
Zoltan Kodaly (1882-1967) Serenade, Op. 12 (1920)
Anton Webern (1883-1945) The Day Is Over, Op. 12, No. 1 (1917)
Sergei Prokofiev (1891-1953) Humoresque Scherzo, Op. 12, No. 9 (1913)
Paul Hindemith (1895-1963) Murderer, Hope of Women, Op. 12 (1918)
Kurt Weill (1900-1950) Concerto for Violin & Winds, Op. 12, No. 2 (1925)
Irving Schlein (1905-1986) Trio: II. Presto (1940)
Dmitri Shostakovich (1906-1975) Piano Sonata No. 1, Op. 12, No. 2 (1926)
Samuel Barber (1910-1981) First Essay for Orchestra, Op. 12: Finale (1938)
Alan Hovhaness (1911-2000) Sonata Ricercare, Op. 12, No. 2 (1935)
Benjamin Britten (1913-1976) Mont Juic, Op. 12: Excerpts (1937)
Alberto Ginastera (1916-1983) American Prelude, Op. 12, No. 3 (1944)
Oliver Knussen (b. 1952) Trumpets, Op. 12 (1973)
Mark Alburger (b. 1957) Procession, Op. 12, No. 1 (1978)
Stardust (b. 1962) Motherequiem (2013)
Michael Stubblefield (b. 1989) Nightfall Dreams: III. Midnight Dream (2011)
November 30 - Opus 11
THE OPUS PROJECT presents
OPUS 11
8pm, Saturday, November 30, 2013
Diablo Valley College Music Building, Pleasant Hill, CA.
A Multi-Media Event,
with Raphael Gold,
Charith Premawardhana, and
The Opus Project Orchestra
Scott Joplin (1867-1917) Treemonisha: Overture (1911)
Arnold Schoenberg (1874-1951) Piano Piece, Op. 11, No. 1 (1909)
Bela Bartok (1881-1945) Duke Bluebeard's Castle: Door 5, Op. 11 (1911)
Anton Webern (1883-1945) 3 Little Pieces for Cello & Piano, Op. 11 (1913)
Sergei Prokofiev (1891-1953) Toccata, Op. 11 (1912)
Paul Hindemith (1895-1963) Viola Sonata, Op. 11, No. 4 (1918)
Kurt Weill (1900-1950) Recordare, Op. 11 (1923)
Dmitri Shostakovich (1906-1975) Piece for String Octet, Op. 11, No. 1 (1925)
Samuel Barber (1910-1981) Adagio for Strings, Op. 11a (1936)
Benjamin Britten (1913-1976) On This Island (Auden), Op. 11 (1937)
Terry Riley (b. 1935) In C (in an 11-minute performance) (1964)
John Bilotta (b. 1948) The Ikariad (Electronic Composition 11) (2000)
Mark Alburger (b. 1957) Portraits of Three [Flute] Players, Op. 11 (1978)
Stardust (b. 1962) Shelter (2013)
***
THE OPUS PROJECT
Opus 11
8pm, Saturday, November 30, 2013
Diablo Valley College Music Building
Pleasant Hill, CA
Op. 11, No. 1
Scott Joplin (1867-1917
Treemonisha (1911)
Overture (Beginning, Elided)
The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Three Pieces for Piano, Op. 11 (1909)
I. Moderately, in 4
Video - Eduard Steuermann, Piano
Bela Bartok (1881-1945)
Duke Bluebeard's Castle, Op. 11 (1911) (Bela Belazs)
Door 5
Jill Wagoner, Soprano
Richard Mix, Bass
The Opus Project Orchestra
Anton Webern (1883-1945)
Three Little Pieces for Cello and Piano, Op. 11 (1913)
I. Moderately
II. Very agitatedly
III. Extremely peacefully
Lewis Patzner, Cello
Mark Alburger, Piano
Sergei Prokofiev (1891-1953)
Toccata, Op. 11 (1912)
Video - Sergei Prokofiev, Piano
Paul Hindemith (1895-1963)
Viola Sonata, Op. 11, No. 4 (1918)
I. Fantasie (Introduction)
Kat Walsh, Viola
Mark Alburger, Piano
Kurt Weill (1900-1950)
Recordare, Op. 11 (1923) (Lamentations, V)
Introduction
Street Scene (1946) (Langston Hughes)
What Good Would the Moon Be?
Jill Wagoner, Soprano
Mark Alburger, Piano
The Opus Project Orchestra
Dmitri Shostakovich (1906-1975)
Two Pieces for String Octet, Op. 11 (1925)
I. Prelude (Adagio) - Introduction
II. Scherzo - Introduction
The Opus Project Strings
Op. 11, No. 2
Samuel Barber (1910-1981)
Adagio for Strings, Op. 11a (1936)
The Opus Project Strings
Benjamin Britten (1913-1976)
On This Island, Op. 11 (1937) (W.H. Auden)
IV. Nocturne (Andante piacevole)
Jill Wagoner, Voice
Mark Alburger, Piano
Aaron Blumenfeld (b. 1932)
Duo Sonatina (2013)
I. Disputation
II. Resentment
III. Reconciliation
IV. Joyful Dance
The Gold Duo
Terry Riley (b. 1935)
In C (1964)
The Opus Project Orchestra
Jan Pusina (b. 1940)
String Quartet, Op. 11 (1972)
I. Adagio
The Opus Project Quartet
John Bilotta (b. 1948)
Electronic Composition No. 11 ("The Ikariad") (2000)
Video, John Bilotta - Sound File
Mark Alburger (b. 1957)
Portraits of Three [Flute] Players, Op. 11 (1978)
II. Anne's Ten-Dollar Music
Alan Kingsley, Flute
The Opus Project Orchestra
Stardust (b. 1962)
Shelter (2013)
I. Stomping Ground
II. Resting Place
The Shelter Quartet
THE OPUS PROJECT presents
OPUS 12
8pm, Saturday, December 28, 2013
Community Music Center, 544 Capp Street, San Francisco, CA.
A Multi-Media Event, with Heather Klein and The Opus Project Orchestra
Arnold Schoenberg (1874-1951) Jane Grey, Op. 12, No. 1 (1907)
Bela Bartok (1881-1945) Piece for Orchestra, Op. 12, No. 2 (1912)
Anton Webern (1883-1945) The Day Is Over, Op. 12, No. 1 (1917)
Sergei Prokofiev (1891-1953) March, Op. 12, No. 1 (1913)
Paul Hindemith (1895-1963) Murderer, Hope of Women, Op. 12 (1918)
Dmitri Shostakovich (1906-1975) Piano Sonata No. 1, Op. 12, No. 1 (1926)
Samuel Barber (1910-1981) Essay for Orchestra, Op. 12 (1938)
Alan Hovhaness (1911-2000) Sonata Ricercare, Op. 12 (1935)
Benjamin Britten (1913-1976) Mont Juic (with Lennox Berkeley), Op. 12 (1937)
Jan Pusina (b. 1940) Tantara (2013)
Oliver Knussen (b. 1952) Trumpets, Op. 12 (1975)
Mark Alburger (b. 1957) Procession, Op. 12, No. 4 (1978)
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Flute
Alan Kingsley
Oboe
Stardust*
Clarinet
Keith Leung
Bassoon
Nat Echols*
Michael Garvey
Trumpet
Keith Leung
Horn
Jan Pusina
Trombone
Emily Sanchez
Soprano
Jill Wagoner
Tenor
Mark Alburger
Bass
Richard Mix
Piano
Mark Alburger
Anne Calloway
Richard Mix
Percussion
Ken Crawford
Violin I
Carole Cloud*
Joseph Gold
Violin II
Corey Johnson
Carol Earley*
Rozalia Valentine
Viola
Raphael Gold
Kristy Venstrom*
Kat Walsh*
Cello
Lewis Patzner*
Aaron Urton*
*The Opus Project and Shelter Quartets
THE OPUS PROJECT presents
OPUS 13
8pm, Saturday, January 25, 2014
Berkeley Arts Festival, 2133 University Avenue, Berkeley, CA
A Multi-Media Event, with The Opus Project Orchestra
Arnold Schoenberg (1874-1951) Peace on Earth, Op. 13 (1907)
Bela Bartok (1881-1945) The Wooden Prince, Op. 13 (1914)
Anton Webern (1883-1945) Lonely Girl, Op. 13, No. 2 (1918)
Sergei Prokofiev (1891-1953) Maddalena, Op. 13 (1913)
Paul Hindemith (1895-1963) Melancholie, Op. 13 (1919)
Dmitri Kabalevsky (1904-1987 Piano Sonatina No. 1, Op. 13, No. 1 (1930)
Dmitri Shostakovich (1906-1975) Aphorism for Piano, Op. 13, No. 1(1927)
Samuel Barber (1910-1981) Song, Op. 13, No. 1 (1940)
Benjamin Britten (1913-1976) Piano Concerto, Op. 13, No. 1 (1938)
Mark Alburger (b. 1957) Three Places in America, Op. 13 (1978)
Bela Bartok (1881-1945)
Duke Bluebeard's Castle, Op. 11 (1911) (Bela Belazs)
Door 5
JUDITH:
Ah!
BLUEBEARD:
Now, behold my spacious kingdom!
Gaze ye down the dwindling vistas
Is it not a noble country?
JUDITH:
Fair and spacious is your country.
BLUEBEARD:
Silken meadows, velvet forests,
Tranquil streams of winding silver
Lofty mountains, blue and hazy.
JUDITH:
Fair and spacious is your country.
BLUEBEARD:
All is thine forever, Judith
Here both dawn and twilight flourish
Here, sun, moon, and star have dwelling
They shall be thy deathless playmates
Kurt Weill (1900-1950)
Recordare, Op. 11 (1923) (Lamentations, V)
Introduction
Recordare, Domine
quid acciderit nobis
intuere, et respice
opprobrium nostrum.
Remember me, O Lord,
what has fallen upon us,
consider, then, and behold
our doleful punishment.
Street Scene (1946) (Langston Hughes)
What Good Would the Moon Be?
I've looked in the windows at diamonds,
They're beautiful but they're cold.
I've seen Broadway stars in fur coats
That cost a fortune so I'm told.
I guess I'd look nice in diamonds,
and sables might add to my charms,
But if someone I don't care would buy them
I'd rather have two loving arms!
What good would the moon be
Unless the right one shared its beams?
What good would dreams-come-true be
If love wasn't in those dreams?
And a primrose path --
What would be the fun
Of walking down a path like that
without the right one?
What good would the night be
Unless the right lips whisper low:
Kiss me, oh, darling, kiss me,
While ev'ning stars still glow?
No, it won't be a primrose path for me,
No, it won't be diamonds or gold,
But maybe there will be
Someone who'll love me,
Someone who'll love just me
To have and to hold!
Benjamin Britten (1913-1976)
On This Island, Op. 11 (1937) (W.H. Auden)
IV. Nocturne
Now through night's caressing grip
Earth and all her oceans slip,
Capes of China slide away
From her fingers into day
And th'Americas incline
Coasts towards her shallow line.
Now the ragged vagrants creep
Into crooked holes to sleep:
Just and unjust, worst and blest
Change their places as they rest
Awkward lovers lie in fields
Where disdainful beauty yields
While the splendid and the proud
Naked stand before the crowd
And the losing gambler gains
And the beggar entertains:
May sleep's healing power extend
Through these hours to our friend.
Unpursued by hostile force,
Traction engine, bull or horse
Or revolting succubus:
Calmly till the morning break
Let him lie then gently wake
October 26 - Opus 10
THE OPUS PROJECT presents
OPUS 10 - 8pm, Saturday, October 26, 2013, Community Music Center, 544 Capp Street, San Francisco, CA
A Multi-Media Event, with Sarita Cannon, Harriet March Page, Lo Chau, Melissa Smith, Naomi Stine, Corey Johnson, and The Opus Project Quartet, Piano and Viola-Wind Quintets, Strings, and Orchestra
Arnold Schoenberg (1874-1951) String Quartet No. 2, Op. 10, No. 3 (1908)
Bela Bartok (1881-1945) Image, Op. 10, No. 2 (1910)
Igor Stravinsky (1882-1971) Petrushka: Russian Dance (1911)
Anton Webern (1883-1945) Five Pieces for Orchestra, Op. 10 (1913)
Sergei Prokofiev (1891-1953) Piano Concerto No. 1, Op. 10, No. 1 (1912)
Darius Milhaud (1892-1975) Poem of Chateaubriand, Op. 10, No. 3 (1913)
Paul Hindemith (1895-1963) String Quartet No. 2, Op. 10, No. 1 (1918)
Kurt Weill (1900-1950) Frauentanz, Op. 10, No. 1 (1923)
Dmitri Shostakovich (1906-1975) Symphony No. 1, Op. 10, No. 2: Trio (1925)
Samuel Barber (1910-1981) James Joyce Song, Op. 10, No. 1 (1936)
Benjamin Britten (1913-1976) Bridge Variation, Op. 10, No. 1 (1937)
John Bilotta (b. 1948) The Lottery of Babylon (EC 10) (2000)
Oliver Knussen (b. 1952) Ocean de Terre, Op. 10, No. 1: Introduction (1973)
Mark Alburger (b. 1957) Nocturnes for Insomniacs, Op. 10, No. 3 (1978)
Michael Stubblefield (b. 1989) Nightfall Dreams (2011)
Tickets -- $10 - $20 -- available at the door.
***
THE OPUS PROJECT
Opus 10
8pm, Saturday, October 26, 2013
Community Music Center, 544 Capp Street
San Francisco, CA
Op. 10, No. 1
Arnold Schoenberg (1874-1951)
String Quartet No. 2, Op. 10 (1908)
III. Litanie (Litany) (Stephan George)
Sarita Cannon, Soprano
The Opus Project Quartet
Bela Bartok (1881-1945)
Two Images, Op. 10 (1910)
II. Village Dance (Allegro) - Part I
The Opus Project Orchestra
Igor Stravinsky (1882-1971)
Petrushka (1911)
I. First Tableau / The Shrovetide Fair: Russian Dance
The Opus Project Orchestra
Anton Webern (1883-1945)
Five Pieces for Orchestra, Op. 10 (1913)
I. Sehr ruhig und zart (Very calmy and tenderly)
IV. Fliessend, ausserst zart (Flowing, extremely tenderly)
The Opus Project Orchestra
Sergei Prokofiev (1891-1953)
Piano Concerto No. 1, Op. 10 (1912)
I. Allegro brioso
Naomi Stine, Piano
The Opus Project Orchestra
Darius Milhaud (1892-1975)
Three Poems of Lucile Chateaubriand, Op. 10 (1913)
III. Innocence
Harriet March Page, Mezzo-Soprano
Melissa Smith, Piano
Paul Hindemith (1895-1963)
String Quartet No. 2 in F Minor, Op. 10 (1918)
I. Sehr lebhaft, straff im Rhythmus (Very lively, tautly in rhythm)
Introduction
The Opus Project Quartet
Kurt Weill (1900-1950)
Frauentanz, Op. 10 (1923)
I. Andantino, quasi Tempo di Menuetto
Harriet March Page, Mezzo-Soprano
The Opus Project Viola-Wind Quintet
Op. 10, No. 2
Dmitri Shostakovich (1906-1975)
Symphony No. 1, Op. 10 (1925)
II. ... [Trio] Meno mosso
The Opus Project Orchestra
Samuel Barber (1910-1981)
Three Songs, Op. 10 (1936) (James Joyce)
I. Rain Has Fallen
Sarita Cannon, Soprano
Melissa Smith, Piano
Benjamin Britten (1913-1976)
Variations on a Theme of Frank Bridge, Op. 10, No. 1 (1937)
Variation I
The Opus Project Strings
Oliver Knussen (b. 1952)
Ocean de Terre, Op. 10 (1973)
I. Misurato (Excerpt)
Video
John Bilotta (b. 1948)
Electronic Composition No. 10 "The Lottery in Babylon"
(2000, Jorge Luis Borges)
John Bilotta, Electronics - Video
Mark Alburger (b. 1957)
Nocturnes for Insomniacs, Op. 10 (1978)
III. Night Music II
Mark Alburger, Voice
Carole Cloud, Violin
The Opus Project Orchestra
Michael Stubblefield (b. 1987)
Nightfall Dreams (2011)
II. Dream of the Sabbath
The Opus Project Piano Quintet
Austin Oz Graham (b. 1992)
Arkantos, the Dark Father (2013)
I. Vrazhni Kalroz
The Opus Project Bassoon-Pierrot Ensemble
THE OPUS PROJECT presents
OPUS 11
8pm, Saturday, November 30, 2013, Diablo Valley College Music Building, Pleasant Hill, CA
A Multi-Media Event, with Raphael Gold, Charith Premawardhana, and The Opus Project Orchestra
Scott Joplin (1867-1917) Treemonisha: Overture (1911)
Arnold Schoenberg (1874-1951) Piano Piece, Op. 11, No 1 (1909)
Bela Bartok (1881-1945) Duke Bluebeard's Castle, Op. 11: Doorway (1911)
Anton Webern (1883-1945) Three Little Pieces for Cello and Piano, Op. 11 (1913)
Sergei Prokofiev (1891-1953) Toccata, Op. 11 (1912)
Paul Hindemith (1895-1963) Viola Sonata, Op. 11, No. 4 (1918)
Kurt Weill (1900-1950) Recordare, Op. 11 (1923)
Dmitri Shostakovich (1906-1975) Two Pieces for Octet, Op. 11 (1925)
Samuel Barber (1910-1981) Adagio for Strings, Op. 11 (1936)
Benjamin Britten (1913-1976) On This Island (Auden), Op. 11 (1937)
Terry Riley (b. 1935) In C (in an 11-minute performance) (1964)
John Bilotta (b. 1948) Electronic Composition No. 11 "The Ikariad " (2000)
Mark Alburger (b. 1957) Portraits of Three [Flute] Players, Op. 11 (1978)
THE OPUS PROJECT ORCHESTRA
Mark Alburger
Music Director and Conductor
Flute
Rhina Reese
Martha Stoddard*
Oboe
Ashley Ertz
Eva Langfeldt
Anthony Perry
Clarinet
Michael Kimbell*
Bassoon
Michael Garvey*
Horn
Daniel Bao
Sally Johnson
Emily Sanchez*
Trombone
Emily Sanchez
Soprano
Sarita Cannon
Mezzo-Soprano
Harriet March Page
Guitar
Michael Stubblefield
Harp
Samantha Garvey
Piano
Lo Chau*
Melissa Smith*
Naomi Stine
Percussion
Ken Crawford
Violin I
Corey Johnson
Carole Mooney*
Violin II
Carol Earley*
Rozalia Valentine
Viola
Carol Earley
Kat Walsh*
Cello
Austin Graham*
Bass
Michael Stubblefield
*The Opus Project String Quartet,
and Piano, Viola-Wind, and Bassoon-Pierrot Quintets
Arnold Schoenberg (1874-1951)
String Quartet No. 2, Op. 10 (1908)
III. Litanie (Litany)
(Stephan George, 1868-1933, from Der sibente Ring [The Seventh Ring], 1907)
Tief ist die trauer die mich umdüstert,
Ein tret ich wieder, Herr! in dein haus.
Lang war die reise, matt sind die glieder,
Leer sind die schreine, voll nur die qual.
Durstende zunge darbt nach dem weine.
Hart war gestritten, starr ist mein arm.
Gönne die ruhe schwankenden schritten,
Hungrigem gaume bröckle dein brot!
Schwach ist mein atem rufend dem traume,
Hohl sind die hände, fiebernd der mund.
Leih deine kühle, lösche der brände.
Tilge das hoffen, sende das licht!
Gluten im herzen lodern noch offen,
Innerst im grunde wacht noch ein schrei.
Töte das sehnen, schliesse die wunde!
Nimm mir die liebe, gib mir dein glück!
Deep is the sadness that gloomily comes over me,
Again I step, Lord, in your house.
Long was the ride, my limbs are weary,
The shrines are empty, only anguish is full.
My thirsty tongue desires wine.
The battle was hard, my arm is stiff.
Grudge peace to my staggering steps,
for my hungry gums break your bread!
Weak is my breath, bringing the dream,
my hands are hollow, my mouth fevers.
Lend your cool, douse the fires,
rub out hope, send the light!
Fires in my heart still glow, open,
inside my heart a cry wakes.
Kill the longing, close the wound!
Take my love away, give me your joy.
Darius Milhaud (1892-1975)
Three Poems of Lucile Chateaubriand [1764-1804], Op. 10 (1913)
III. Innocence
Fille du ciel, aimable innocence,
Si j'osais de quelques-uns de tes traits
essayer une faible peinture,
Je dirais que tu tiens lieu de vertu à l'enfance,
De sagesse au printemps de la vie,
De beauté à la vieillesse
et de bonheur à l'infortune;
Qu'étrangère à nos erreurs,
tu ne verses que des larmes pures,
Et que ton sourire n'a rien que de céleste.
Belle innocence! Mais quoi! les dangers t'environnent,
L'envie t'adresse tous ses traits:
trembleras-tu, modeste innocence?
Chercheras-tu à te dérober
aux périls qui te menacent?
Non, je te vois debout, endormie,
la tête appuyée sur un autel.
Daughter of heaven, kind Innocence!
If I dared use some of your features
to attempt a weak portrait of you,
I would say that you substitute for virtue in childhood,
And for wisdom in the springtime of life;
For beauty in old age,
and for happiness in misfortune.
That, a stranger to our indiscretions,
you weep only pure tears,
And there is only divinity in your smile.
Beautiful Innocence! But wait! Dangers surround you;
Envy looks you full in the face.
Will you tremble, modest Innocence?
Will you seek to shy away
From the perils that threaten you?
No: I see you standing asleep,
your head resting upon an altar.
Kurt Weill (1900-1950)
Frauentanz, Op. 10 (1923)
I. Andantino, quasi Tempo di Menuetto (Dietmar von Aist?, b. c. 1100)
Wir haben die winterlange Nacht
Mit Freuden wohl empfangen
Ich und ein Ritter wohlbedacht,
Sein Wille ist ergangen.
Wie wir es beide uns gedacht,
So hat ers an ein End gebracht,
Mit mancher Freude und Liebe viel,
Er ist wie ihn mein Herze will.
With joy did we bid welcome to
The lengthy winter's night
I and an admirable knight,
His will has fled from him.
His joy and mine did he foretell
In coming to an end
With certain gladness and much love
He's how I'd have him be.
Samuel Barber (1910-1981)
Three Songs, Op. 10 (1936) (James Joyce, 1882-1941)
I. Rain Has Fallen (Moderato) (Chamber Music: XXXI [1907])
Rain has fallen all the day.
O come along the laden trees:
The leaves lie thick upon the way
Of memories.
Staying a little by the way
Of memories shall we depart.
Come, my beloved, where I may
Speak to your heart.
September 28 - Opus 9
THE OPUS PROJECT
Opus 9
8pm, Saturday, September 28, 2013
Diablo Valley College Music Building
Pleasant Hill, CA
Op. 9, No. 1
Alexander Scriabin (1872-1915)
Prelude and Nocturne for the Left-Hand, Op. 9 (1894)
I. Prelude in C-Sharp Minor
II. Nocturne in D-Flat Major
Lo Chau, Piano
Arnold Schoenberg (1874-1951)
Chamber Symphony No. 1 in E Major, Op. 9 (1906)
Introduction
The Opus Project Orchestra
Bela Bartok (1881-1945)
Four Dirges, Op. 9 (1910)
I. Adagio
Mark Alburger, Piano
Igor Stravinsky (1882-1971)
Two Poems of Paul Verlaine, Op. 9 (1910)
I. Un Grand Sommeil Noir (A Great, Black Sleep)
Megan Cullen, Soprano
The Opus Project Orchestra
Anton Webern (1883-1945)
Six Bagatelles, Op. 9 (1913)
I. Massig (Moderato)
The Opus Project Quartet
Sergei Prokofiev (1891-1953)
Two Poems, Op. 9 (1911)
I. Jest' Drugije Planety (There Are Other Planets)
(Konstantin Bal'mont) (Verse 1)
Megan Cullen, Soprano
The Opus Project Orchestra
Paul Hindemith (1895-1963)
Three Songs for Voice and Orchestra, Op. 9 (1917)
I. Meine Nachte Sind Heiser Zerschrien
(My Throat Is Hoarse from Screaming)
(Ernst Wilhelm Lotz) (Vocal Introduction)
Megan Cullen, Soprano
The Opus Project Orchestra
Kurt Weill (1900-1950)
Quodlibet, Op. 9 (1923)
I. Andante non troppo (Introduction)
The Opus Project Orchestra
Opus 9, No. 2
Dmitri Kabalevsky (1904-1987)
Piano Concerto No. 1 in A Minor, Op. 9 (1928)
III. Vivace marcato (Introduction)
Video
Samuel Barber (1910-1981)
Symphony No. 1 in One Movement, Op. 9 (1936)
Introduction
The Opus Project Orchestra
Alan Hovhaness (1911-2000)
Piano Quintet, Op. 9 (1926)
I. Andante
The Opus Project Piano Quintet
Benjamin Britten (1913-1976)
Soirees Musicales, Op. 9 (1936)
I. March
The Opus Project Orchestra
John Lennon (1940-1980)
Revolution 9 (1968)
The Opus Project Orchestra
Mark Alburger (b. 1957)
Psalm 92, Op. 9 (1977)
V-XI
Megan Cullen, Soprano
The Opus Project Orchestra
Michael Stubblefield (b. 1989)
Distant Worlds (2009)
Sumeria
Alan Kingsley, Flute
Peter Brown, Clarinet
Michael Stubblefield, Guitar
Austin Graham (b. 1992)
Mild Insanity (2013)
The Opus Project End-Of-Time Quartet
THE OPUS PROJECT presents
OPUS 10 - 8pm, Saturday, October 26, 2013, Community Music Center, 544 Capp Street, San Francisco, CA
A Multi-Media Event, with Sarita Cannon, and The Opus Project Quartet and Orchestra
Arnold Schoenberg (1874-1951) String Quartet No. 2, Op. 10, No. 3 (1908)
Bela Bartok (1881-1945) Image, Op. 10, No. 2 (1910)
Igor Stravinsky (1882-1971) Petrushka: Russian Dance (1911)
Anton Webern (1883-1945) Five Pieces for Orchestra, Op. 10 (1913)
Sergei Prokofiev (1891-1953) Piano Concerto No. 1, Op. 10: Introduction (1912)
Darius Milhaud (1892-1975) Poem of Lucile de Chateaubriand, Op. 10, No. 1 (1913)
Paul Hindemith (1895-1963) String Quartet in F Minor, Op. 10, No. 1 (1918)
Dmitri Shostakovich (1906-1975) Symphony No. 1, Op. 10, No. 2: Trio (1925)
Samuel Barber (1910-1981) James Joyce Song, Op. 10, No. 1 (1936)
Benjamin Britten (1913-1976) Variation on a Theme of Frank Bridge, Op. 10, No. 1 (1937)
Mark Alburger (b. 1957) Nocturnes for Insomniacs, Op. 10, No. 1, (1978)
THE OPUS PROJECT ORCHESTRA
Mark Alburger
Music Director and Conductor
Flute
Alan Kingsley
Oboe
Eva Langfeldt
Clarinet
Peter Brown*
Bassoon
Nat Echols
Lori Garvey
Michael Garvey
Trumpet
David Graber
Anthony Ragus
Trombone
Zack Newbegin
Soprano
Megan Cullen
Tenor
Mark Alburger
Guitar
Michael Stubblefield
Piano
Mark Alburger*
Lo Chau
Percussion
Ken Crawford
Violin I
Jaehee Kim*
Violin II
Rozalia Valentine*
Viola
Carol Earley*
Cello
Austin Graham*
Bass
Michael Stubblefield
*The Opus Project
End-of-Time and
String Quartets, and
Piano Quintet
Igor Stravinsky (1882-1971)
Two Poems of Paul Verlaine, Op. 9, No. 1 (1910)
I. Un Grand Sommeil Noir (A Great Black Sleep)
Un grand sommeil noir
Tombe sur ma vie:
Dormez, tout espoir,
Dormez, toute envie!
Je ne vois plus rien,
Je perds la memoire
Eu mal et du bien...
O la triste histoire!
Je suis un berceau
Qu' une main balance
Au creux d'un caveau....
Silence, silence.
A great black sleep
Falls on my life:
Sleep, all hope,
Sleep, all desire!
I am not able to see,
I have lost my memory,
Of bad and good...
O sad story!
I am a cradle
Balanced by hand
In the hollowness of a cave...
Silence, silence.
Sergei Prokofiev (1891-1953)
Two Poems, Op. 9 (1911)
I. Jest' Drugije Planety (There Are Other Planets)
(Konstantin Dmitrevich Bal'mont) (Verse 1)
Jest' drugije planety,
gde vetry pevuchije tishe,
Gde nebo bledneje,
travy ton'she i vyshe,
Gde preryvisto l'jutsja
peremennyje svety,
No svojej peremenoj tol'ko laskajut, smejutsja.
There are other planets,
where the skies are clear and calm
Mimosa blossoms are softer,
sweet grasses grow higher.
The clarity that plays there,
it is less changable than here,
We cherish it always and can always smile.
Paul Hindemith (1895-1963)
Three Songs, Op. 9 (1917)
I. Meine Nachte sind heiser zerschrien
(My Throat Is Hoarse from Screaming)
(Ernst Wilhelm Lotz) (Vocal Introduction)
Meine Nachte sind heiser zerschrieen.
Eine Wunde, die riss.
Ein Zum Fenster flakkerte ein Schrei herein
Voll Sommer, Laub und Herz.
My throat is hoarse from screaming,
A wound, a tear.
From a window flickered a cry in here --
Full summer, leaves and heart.
Mark Alburger (b. 1957)
Psalm 92, Op. 9 (1977)
V-XI
O Lord, how great are thy works, and thy thoughts are very deep.
A brutish man knows not, neither do fools understand.
When the wicked spring as the grass, and thrive the workers of iniquity --
It is that thy shall be destroyed forever.
Oh Thou Lord are most high, forever evermore,
For lo, thine enemies shall perish evermore,
And all the workers of iniquity shall perish.
Exalts my soul like a unicorn, I am anointed with fresh oil.
Mine eyes have seen the downfull of my enemies.
Mine ears have heard the doom of my assailants.
August 31 - Opus 8
THE OPUS PROJECT
presents
OPUS 8
8pm, Saturday, August 31, 2013
Berkeley Arts Festival
2133 University Avenue, Berkeley, CA
A Multi-Media Event, with Sarita Cannon, Megan Cullen, Letitia C. Page, Elizabeth Lee, Maria Reeves, Elizabeth Morrison, and The Opus Project Piano Trio, String Quartet, and Orchestra
Arnold Schoenberg (1874-1951) Nature, Op. 8, No. 1 (1905)
Bela Bartok (1881-1945) Romanian Folk Dance, Op. 8a, No. 1 (1910)
Igor Stravinsky (1882-1971) The Firebird: Dance, Berceuse, Finale (1910)
Anton Webern (1883-1945) Song after a Poem of Rilke, Op. 8, No. 1 (1910)
Sergei Prokofiev (1891-1953) Autumnal Sketch, Op. 8 (1910)
Darius Milhaud (1892-1975) Suite for Piano, Op. 8, No. 1 (1910)
Paul Hindemith (1895-1963) Fantasy for Cello and Piano, Op. 8, No. 2 (1917)
Kurt Weill (1900-1950) String Quartet No. 1, Op. 8, No. 1 (1923)
Dmitri Kabalevsky (1904-1987) String Quartet No. 1, Op. 8, No. 1 (1928)
Dmitri Shostakovich (1906-1975) Piano Trio No. 1 in C Minor, Op. 8, No. 1 (1923)
Samuel Barber (1910-1981) Let Down the Bars, O Death, Op. 8, No. 2 (1936)
Benjamin Britten (1913-1976) Insect Piece (1935) / Our Hunting Fathers, Op. 8 (1936)
Jan Pusina (b. 1940) Pool (2011)
Michael Kimbell (b. 1946) Celestial Encounters (1986)
Harry Bernstein (b. 1948) Mary Had a Little Lamp (1997)
Mark Alburger (b. 1957) The Twelve Fingers: March, Op. 8, No. 12 (1977)
Stardust (b. 1962) Opus 8 (2013)
Michael Stubblefield (b. 1989) March of the Defiled Horde (2013)
Tickets -- $10 - $20 -- available at the door.
July 27 - Opus 7
THE OPUS PROJECT
presents
OPUS 7
8pm, Saturday, July 27, 2013
Diablo Valley College Music Building
Viking Drive
Pleasant Hill, CA.
A Multi-Media Event, with Megan Cullen, Carol Reynolds, Maria Gusenkov, Classical Brass Quintet, and The Opus Project Piano and String Quartets, and Orchestra
Arnold Schoenberg (1874-1951) String Quartet No. 1, Op. 7, No. 4 (1905)
Bela Bartok (1881-1945) String Quartet No. 1, Op. 7, No. 2 (1909)
Igor Stravinsky (1882-1971) Etude, Op. 7, No. 4 (1908)
Anton Webern (1883-1945) Pieces for Violin and Piano, Op. 7, Nos. 1, 3 (1909)
Alban Berg (1885-1935) Wozzeck: Lullaby, Op. 7 (1922)
Darius Milhaud (1892-1974) Le Point, Op 7, No. 7 (1913)
Dmitri Shostakovich (1906-1975) Scherzo in Eb-Major for Orchestra, Op. 7 (1924)
Samuel Barber (1910-1981) Music for a Scene from Shelley, Op. 7 (1933)
Benjamin Britten (1913-1976) Friday Afternoons: Jazz Man, Op. 7, No. 10 (1935)
Bill Holcomb (1924-2010) Katrina Suite: The Storm (2010)
Mark Alburger (b. 1957) Interrupted Interludes, Op. 7, Nos. 2-3 (1976)
Doug Michael (b. 1962) Extensions No. 2 for Tape (1996)
Michael Stubblefield (b. 1989) String Quartet No. 1: III (2012)
Omri-Shir Dallal (b. 1994) Frail and Falling (2013)
Tickets -- $10 - $20 -- available at the door.
***
THE OPUS PROJECT
Opus 7
8pm, Saturday, July 27, 2013
Diablo Valley College Music Building Auditorium
Viking Drive, Pleasant Hill, CA
Arnold Schoenberg (1874-1951)
String Quartet No. 1, Op. 7, No. 4 (1905)
M. Massig = heiter (Moderately = cheerful)
The Opus Project String Quartet
Bela Bartok (1881-1945)
String Quartet No. 1, Op. 7, No. 4 (1909)
II. Allegretto
The Opus Project String Quartet
Igor Stravinsky (1882-1971)
Four Etudes, Op. 7 (1908)
IV. Vivo
George N. Gianopoulos - Video
Anton Webern (1883-1945)
Four Pieces for Violin and Piano, Op. 7 (1909)
I. Sehr langsam
III. Sehr langsam
Maria Gusenkov, Violin
Mark Alburger, Piano
Alban Berg (1885-1935)
Wozzeck, Op. 7 (1922)
Megan Cullen, Soprano
The Opus Project Orchestra
Darius Milhaud (1892-1974)
Sept Poemes de La Conaissance d'Este, Op 7 (1913)
VII. Le Point (Introduction)
Megan Cullen, Soprano
Carol Reynolds, Piano
Dmitri Shostakovich (1906-1975)
Scherzo in Eb-Major for Orchestra, Op. 7 (1923)
Introduction
The Opus Project Orchestra
Samuel Barber (1910-1981)
Music for a Scene from Shelley, Op. 7 (1933)
Crescendo poco a poco
The Opus Project Orchestra
Benjamin Britten (1913-1976)
Friday Afternoons, Op. 7 (1935)
X. The Jazz Man (Eleanor Farjeon)
Coro Femminile
Zaccaria da Teramo Ensemble - Video
Bill Holcombe
(1924-2010)
Katrina Suite
(2010)
II. The Storm
Classical Brass Quintet
Mark Alburger (b. 1957)
Interrupted Interludes, Op. 7 (1976)
II. Rod Song
III. Spoil Song
The Opus Project Orchestra
Doug Michael (b. 1962)
Extensions No. 2 for Tape (1996)
Doug Michael - Audio
Michael Stubblefield (b. 1989)
String Quartet No. 1 in A Minor (2012)
III. Allegretto
The Opus Project String Quartet
Omri-Shir Dallal (b. 1994)
Frail and Falling (2013)
The Opus Project Piano Quartet
THE OPUS PROJECT ORCHESTRA
Mark Alburger
Music Director and Conductor
Flute
Harry Bernstein
Alan Kingsley
Oboe
Stardust
Clarinet
Rachel Condry
Bassoon
Nat Echols
Trumpet
John Hagglof+
Mancho Gonzalez+
Horn
Sally Johnson+
Priscilla Nunn
Trombone
Dean Leonard+
Zack Newbegin
Tuba
Dustin Short+
Francis Upton IV
Soprano
Megan Cullen
Piano
Mark Alburger
Omri-Shir Dallal*
Carol Reynolds
Electronics
Doug Michael
Percussion
Mark Alburger
Violin I
Lawrence Huang
Moses Lei*
Violin II
Maria Gusenkov*
Corey Johnson*
Viola
Harry Bernstein*
Carol Earley
Kat Walsh*
Cello
Aaron Urton*
Bass
Michael Stubblefield
+ Classical Brass Quintet
*The Opus Project
Piano and String Quartets
Alban Berg (1885-1935)
Wozzeck, Op. 7 (1922): Act I, Scene 3: Lullaby
Eia popeia...
Madel, was fanst Du jetzt an?
Hast ein klein Kind un kein Mann!
Ei, was frag' ich dar nach,
Sing' ich die ganze Nacht:
Eia popeia, mein susser Bu',
Gibt mir kein Mensch nix dazu!
Hansel, spann' Deine sechs Schimmel an,
Gib sie zu fressen auf's neu
Kein Haber fresse sie,
Kein Wasser saufe sie,
Lauter kuhle Wein muss es sein!
Lauter kuhle Wein muss es sein!
Hush-a-bye, baby...
Maiden, what song shall you sing?
You have a child, but no ring.
Why such sorrow pursue?
Singing the whole night through:
Hush-a-bye, baby, my darling son,
Nobody cares, ne 'er a one.
Hansel, go saddle your horses now,
Give them to eat and to spare,
No oats to eat today,
No water to drink today,
Purest, coolest wine shall it be!
Purest, coolest wine shall it be!
Darius Milhaud (1892-1974)
Sept Poemes de La Conaissance d'Este, Op 7 (1913) (Paul Claudel)
VII. Le Point (Introduction)
Je m'arrete: il y a un point a ma promenade
comme a une phrase que l'on a finie.
C'est le titre d'une tombe a mes pieds,
a ce detour ou le chemin descend.
De la je prends ma derniere vue de la terre,
j'envisage le pays des morts.
I stop: there is a point to my walk
as a sentence has which has been finished.
It is the title of a tomb at my feet,
on this turning or descending path.
Here I take my last sight of the earth,
I imagine the land of the dead.
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