December 27 - Opus 24: Second-Annual Holiday Party!
THE OPUS PROJECT
Opus 24
8pm, Saturday, December 27, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA
Michael Praetorius (1571-1621)
Es ist ein Ros entsprungen [Lo, How a Rose E'er Blooming] (1609)
Hector Berlioz (1803-1869)
The Damnation of Faust, Op. 24 (1854)
Act I: III. Hungarian March
Peter Tchaikovsky (1840-1893)
Eugene Onegin, Op 24 (1878)
Act II: I. Waltz (Finale)
Gabriel Faure (1845-1924)
Elegie, Op. 24 (1883)
Introduction
Richard Strauss (1864-1949)
Death and Transfiguration, Op. 24 (1890)
Finale
Aaron Urton, Cello / The Opus Project Orchestra
Jean Sibelius (1865-1957)
Ten Pieces for Piano, Op. 24 (1903)
I. Impromptu
Mark Alburger, Piano
Erik Satie (1866-1925)
Four Preludes (1893)
II. Prelude d'Eginhard
IV. Prelude du Nazareen II
John Veitch, Piano
Hugo Alfven (1872-1970)
Swedish Rhapsody No. 2 ("Uppsala"), Op. 24 (1907)
Introduction
Video
Ralph Vaughan Williams (1872-1958)
Hugh the Drover, or Love in the Stocks (1914)
Prelude
Sergei Rachmaninoff (1873-1943)
The Miserly Knight, Op. 24 (1905)
Prelude
The Opus Project Orchestra
Gustav Holst (1874-1934)
Hymns from the Rig Veda, Op 24 (1908)
I. Ushas (Dawn)
Mark Alburger, Tenor and Piano
Charles Ives (1874-1954)
Psalm 150 (1899)
Introduction
The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Serenade, Op. 24 (1923)
I. Marsch
Video
George Enescu (1881-1955)
Piano Sonata No. 1, Op. 24, No. 1 (1924)
III. Andante molto espressivo
Mark Alburger, Piano
Igor Stravinsky (1882-1971)
Renard [The Fox] (1916)
Marche (Entrance of the Actors)
The Opus Project Orchestra
Karol Szymanowski (1882-1937)
Six Love Songs of Hafiz [1325-1390], Op. 24 (1911)
I. Desires
Mark Alburger, Piano
Anton Webern (1883-1945)
Concerto, Op. 24 (1934)
II. Sehr Langsam
The Opus Project Orchestra
Leo Weiner (1885-1960)
Divertimento No.2, Op. 24 (1938)
Introduction
Video
Sergei Prokofiev (1891-1953)
The Gambler, Op. 24 (1917)
Prelude
Darius Milhaud (1892-1975)
Les Choéphores [The Libation Bearers], Op. 24 (1915)
I. Vociferation Funebre [Furious Funeral] (Introduction)
The Opus Project Orchestra
Paul Hindemith (1895-1963)
Kleine Kammermusik, Op. 24, No. 2 (1921)
III. Ruhig und einfach (Quiet and easy)
The Opus Project Wind Quintet
Dmitri Kabalevsky (1904-1987)
Colas Breugnon, Op. 24 (1938)
Overture
Paul Creston (1906-1985)
Five Little Dances for Piano, Op. 24 (1940)
IV. Pastoral Dance
Video
Dmitri Shostakovich (1906-1975)
The Gunshot, Op. 24 (1929)
I. Con moto
Samuel Barber (1910-1981)
Knoxville: Summer of 1915, Op. 24 (1947)
Conclusion
Kate Bautch, Soprano / The Opus Project Orchestra
Alan Hovhaness (1911-2000)
Yar Nazani (Bashful Darling), Op. 24 (1938)
Verse-Chorus I
Benjamin Britten (1913-1976)
Matinées Musicales (Rossini), Op. 24 (1941)
I. Allegro
Alberto Ginastera (1916-1983)
Pampeana No. 3, Op. 24 (1954)
Introduction
Video
George Crumb (b. 1929)
Eleven Echoes of Autumn, 1965 (Echoes I, 1966)
I. Eco I. Fantastico
Robert Muczynski (1929-2010)
Trio No. 1, Op. 24 (1967)
I. Allegro con moto
Mark Alburger, Piano
Mick Jagger (b. 1943)
(I Can't Get No) Satisfaction (1965)
The Opus Project Orchestra
Oliver Knussen (b. 1952)
Piano Variations, Op. 24 (1989)
I
Mark Alburger (b. 1957)
Orpheus Cycle, Op. 24 (1982)
II. E: The Lament - Desperate Orpheus
Mark Alburger, Tenor and Piano
Stardust (b. 1962)
Quartet No. 1 for Flute, Oboe, Clarinet, and Horn (2014)
I / II / III
The Opus Project Wind Quartet
Scott Sterling (b. 1970)
Endless Rolling Round (2011)
The Opus Project Orchestra
John Veitch (b. 1989)
Prelude and Improvization (2014)
Improvization
Video
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Piccolo / Flute
Alan Kingsley*
Oboe / English Horn
Eva Langfeldt*
Stardust
Clarinet
Chris Diggins*
Bassoon / Contrabassoon
Lori Garvey
Michael Garvey*
Tim Machajewski
Trumpet
Ron Cohen
Horn
Bob Satterford*
Trombone
Scott Sterling
Soprano
Kate Bautch
Tenor
Mark Alburger
John Veitch
Piano
Mark Alburger
Kate Bautch
Hussein Al-Naswari
John Veitch
Percussion
Ken Crawford
Hussein Al-Naswari
John Veitch
Violin
Corey Johnson
Keith Leung
Viola
Keith Leung
Cello
Aaron Urton
* The Opus Project Wind Quartet and Quintet
THE OPUS PROJECT presents OPUS 25
8pm, Saturday, January 31, 2015
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA
School of Compostela (1195) All-Powerful Generator (1225)
Heinrich Schutz (1585-1672) Saul, Saul, Why Do You Persecute Me (1625)
Johann Joseph Fux (1660-1741) Gradus ad Parnassum (1725)
Jean Sibelius (1865-1957) Historical Scenes, No. 1, Op. 25 (1911)
Ralph Vaughan Williams (1872-1958) Mystical Song (1911)
Sergei Rachmaninoff (1873-1943) Francesca da Rimini, Op. 25 (1905)
Gustav Holst (1874-1934) Savitri, Op. 25 (1909)
Arnold Schoenberg (1874-1951) Suite for Piano, Op. 25 (1923)
Edgar Varese (1883-1925) Integrales (1925)
Anton Webern (1883-1945) Song on Jone, Op. 25, No. 1 (1935)
Sergei Prokofiev (1891-1953) Symphony No. 1 ("Classical"), Op. 25 (1917)
Henry Cowell (1897-1965) The Banshee (1925)
Darius Milhaud (1892-1975) Printemps [Spring], Book I, Op. 25 (1919)
Paul Hindemith (1895-1963) Solo Cello Sonata, Op. 25 (1922)
Aaron Copland (1900-1920) Music for the Theatre: IV. Burlesque (1925)
Samuel Barber (1910-1981) Nuvoletta, Op. 25 (1947)
Benjamin Britten (1913-1975) String Quartet No. 1, Op. 25 (1941)
George Crumb (b. 1929) Echoes of Time and the River (Echoes II) (1967)
Robert Muczynski (1929-2010) Sonata for Cello and Piano, Op. 25 (1968)
Jan Pusina (b. 1940) 5/31/74 (1974)
Steve Reich (b. 1936) Tehillim [Psalms]: I (1981)
Mark Alburger (b. 1957) Stolen Students, Op. 25 (1983)
November 29 - Opus 23: Jazzed!
THE OPUS PROJECT
Opus 23
8pm, Saturday, November 29, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA
Peter Tchaikovsky (1840-1893)
Piano Concerto No. 1, Op. 23 (1875)
I. Allegro non troppo e molto maestoso
Hussein Al-Nasrawi, Piano / The Opus Project Ensemble
Sergei Taneyev (1856-1915)
Reverie, Op. 23 (1903)
Gabriel Faure (1845-1924)
Three Songs, Op. 23 (1873)
II. Notre Amour (Our Love, Armand Silvestre, 1837-1901)
Alan Kingsley, Flute / Jill Wagoner, Soprano / Mark Alburger, Piano
Richard Strauss (1864-1949)
Macbeth, Op. 23 (1890)
Introduction
Alexander Zemlinsky (1871-1942)
Sinfonietta, Op. 23 (1934)
I. Sehr lebhaft (Presto)
Hugo Alfven (1872-1970)
Symphony No. 3, Op. 23 (1905)
I. Allegro con brio
The Opus Project Ensemble / Video
Sergei Rachmaninoff (1873-1943)
Ten Piano Preludes, Op. 23 (1903)
I. Largo
Arnold Schoenberg (1874-1951)
Five Pieces for Piano, Op. 23 (1923)
I. Sehr langsam
Leonardo de Lorenzo (1875-1962)
Two Pieces for Flute and Piano, Op. 23 (1917)
I. Melodia (Allegretto grazioso)
Alan Kingsley, Flute / Mark Alburger and John Vietch, Piano
Bela Bartok (1881-1945)
Dance Suite (1923)
I. Moderato
George Enescu (1881-1955)
Oedipe, Op. 23 (1931)
Act I: Prologue
King Oliver (1881-1938)
Dippermouth Blues (1923)
The Opus Project Ensemble
Karol Szymanowski (1882-1937)
Romance, Op. 23 (1910)
Anton Webern (1883-1945)
Three Songs after Hildegard Jone's "Viae inviae" [Impassible Roads],
Op. 23, No. 1 (1934)
I. Das Dunkle Herz (The Dark Heart) - Getragen (Stately)
Alan Kingsley, Flute / Jill Wagoner, Soprano / Mark Alburger Piano
Jerzy Gablenz (1888-1937)
To My Children, Op. 23 (1925)
Video
Sergei Prokofiev (1891-1953)
Five Poems, Op. 23 (1915)
III. Follow Me
Darius Milhaud (1892-1975)
La Creation du Monde (1923)
I. Fugato
Alois Hába (1893-1973)
Suite No. 5 in the Quarter-Tone System, Op. 23 (1925)
Paul Hindemith (1895-1963)
Die Junge Magd (The Young Maid), Op. 23 (1922) (Georg Trakl, 1887 - 1914, from
Die Bauern [The Farmers]: Die junge Magd)
Jill Wagoner, Soprano / Alburger, Piano
The Opus Project Sextet and Ensemble
Kurt Weill (1900-1950)
Vom Tod im Wald (Death in the Forest), Op. 23 (1927)
Lennox Berkeley (1903-1989)
Piano Prelude, Op. 23 (1945)
I. Allegro
Dmitri Kabalevsky (1904-1987)
Piano Concerto No. 2, Op. 23 (1935)
I. Allegro moderato
Video / Mark Alburger & Hussein Al-Naswari, Piano / Opus Project Ensemble
Dmitri Shostakovich (1906-1975)
Opera Armer Columbus [Poor Columbus Opera], Op. 23 (1929)
I. Entr'acte (Overture)
Samuel Barber (1910-1981)
Medea, Op. 23 (1946)
Introduction
Alan Hovhaness (1911-2000)
Suite, Op. 23 (1949)
The Opus Project Ensemble / Video
Benjamin Britten (1913-1976)
Introduction and Rondo, Op. 23 (1940)
Introduction
Alberto Ginastera (1916-1983)
Variaciones Concertantes, Op. 23 (1953)
Theme
Aaron Urton, Cello / Mark Alburger, Piano / The Opus Project Ensemble
George Crumb (b. 1929)
Madrigals, Book II (1965)
I. Bebe el agua tranquila de la cancion aneja
(Drink the tranquil water of the antique song)
Amanda Mello, Soprano / Alan Kingsley, Flute / Mark Alburger, Piano
Robert Muczynski (1929-2010)
Diversions, Op. 23 (1967)
III. Andante molto e espressivo
Steve Reich (b. 1936)
Octet (Eight Lines, 1979)
Mark Alburger (b. 1957)
Sequence Music for a [Keyboard] Trio, Op. 23 (1982)
III. Adagio / Moderato
Mark Alburger, Piano / The Opus Project Piano Trio and Ensemble
Scott Sterling (b. 1970)
Psalm 130 (1993)
John Veitch
Prelude and Improvization (2014)
Prelude
Scott Sterling, Tenor / Jill Wagoner, Soprano
The Opus Project Quintet / John Veitch, Organ / Video
THE OPUS PROJECT ENSEMBLE
Mark Alburger
Music Director and Conductor
Piccolo / Flute / Alto Flute
Alan Kingsley*
Oboe / English Horn
Eva Langfeldt*
Stardust
Clarinet
Chris Diggins*
Alto Saxophone
Tim Machajewski
Bassoon
Michael Garvey*
Tim Machajewski
Horn
Jan Pusina
Trombone
Scott Sterling
Soprano
Amanda Mello
Jill Wagoner
Tenor
Mark Alburger
Scott Sterling
Piano
Mark Alburger*
Hussein Al-Naswari
John Veitch
Percussion
Ken Crawford
Cynthia Seagren
Viola
Carol Earley*
Cello
Aaron Urton*
*The Opus Project Trio, Quintet, and Sextet
THE OPUS PROJECT presents
OPUS 24 - 8pm, Saturday, December 27, 2014, Diablo Valley College
A Multi-Media Event, with Kate Bautch, Jill Wagoner, and The Opus Project Orchestra
Richard Strauss (1864-1949) Death and Transfiguration, Op. 24 (1890)
Gustav Holst (1874-1934) Hymn from the Rig Veda, Op 24, No. 1 (1908)
Arnold Schoenberg (1874-1951) Serenade, Op. 24 (1923)
Cyril Scott (1879-1970) Song, Op. 24 (1903)
George Enescu (1881-1955) Piano Sonata No. 1, Op. 24, No. 1 (1924)
Igor Stravinsky (1882-1971) Renard: Introduction (1916)
Anton Webern (1883-1945) Concerto for Nine Instruments, Op. 24 (1934)
Sergei Prokofiev (1891-1953) The Gambler, Op. 24 (1917)
Darius Milhaud (1892-1975) Les Choéphores, Op.24 (1915)
Paul Hindemith (1895-1963) Kammermusik No. 1, Op. 24 (1921)
Dmitri Kabalevsky (1904-1987) Colas Breugnon: Overture, Op. 24 (1936–1938)
Dmitri Shostakovich (1906-1975) The Gunshot, Op. 24 (1929)
Samuel Barber (1910-1981) Knoxville: Summer of 1915, Op. 24 (1947)
Alan Hovhaness (1911-2000) Yar Nazani, Op. 24 (1938)
Benjamin Britten (1913-1976) Matinées Musicales (Rossini), Op. 24 (1941)
Alberto Ginastera (1916-1983) Pampeana No. 3, Op. 24 (1954)
Malcolm Arnold (1921-2006) Divertimento No. 2, Op. 24 (1950)
Jean-Michel Damase (1928-2013) Piano Sonata, Op 24 (1953)
Jan Pusina (b. 1940) New Work (2014)
Oliver Knussen (b. 1952) Piano Variations, Op. 24 (1989)
Mark Alburger (b. 1957) Orpheus Cycle, Op. 24 (1982)
Stardust (b. 1960) New Work (2014)
Scott Sterling (b. 1970) Endless Rolling Round
John Vietch (b. 1989( New Work (2014)
Gabriel Faure (1845-1924)
Three Songs, Op. 23 (1873)
II. Notre Amour (Our Love, Armand Silvestre, 1837-1901)
Our love is a light thing…
Our love is a charming thing…
Our love is a sacred thing…
Our love is an infinite thing …
Our love is an eternal thing
Anton Webern (1883-1945)
Three Songs after Hildegard Jone's "Viae inviae" [Impassible Roads],
Op. 23, No. 1 (1934)
I. Das Dunkle Herz (The Dark Heart) - Getragen (Stately)
Das dunkle Herz,
das in sich lauscht,
ershaut den Fruhling
nicht nur am Hauch und Duft,
der durch das Leuchten bluht;
es fuhlt ihn
an dem dunklen Wurzelreich,
das an die Toten ruhrt:
Was wird,
legt sich mit zarten Wurzeln
an das Wartende im Dunkel,
trinkt Kraft und Stille
aus der Nacht.
eh 'sich's dem Tage schenkt,
eh' es als Liebeskelch
zum Himmel duftet
und eh' aus ihm zu ihm
ein goldnes Flattern Leben tragt:
Ich bin nicht mein.
Die Quellen meiner Seele,
sie sprudeln in die Wiesen dessen,
der micht liebt
und machen seine Blumen bluhen
und sind sein.
Du bist nicht dein.
Die Flusse deiner Seele,
du Mensch, von mir geliebt,
sie stromen in das Meine,
dass es nicht verdorre.
Wir sind nicht unser,
ich und du und All.
The dark heart
which hearkens to itself,
perceives spring
not only by the breeze and scent
which blossom through its glow;
it feels spring
in the dark realm of roots,
which reaches to the dead.
that which grows
lays its tender roots
against that which waits in the dark;
it drinks strength and repose
from the night
before it gives itself to the day,
before as a chalice of love
it sends its fragrance to heaven,
and before from heaven
a golden flutter bears it life.
I do not belong to myself.
The springs of my soul,
they flow into the meadows of him
who loves me,
and makes his flowers blossom
and are his.
You do not belong to yourself.
The rivers of your soul,
thou man, loved by me,
they flow into what is mine
so that it will not wither.
We do not belong to ourselves,
not I, not you, not anyone.
Paul Hindemith (1895-1963)
Die Junge Magd (The Young Maid), Op. 23 (1922) (Georg Trakl, 1887 - 1914, from
Die Bauern [The Farmers): Die junge Magd)
Oft am Brunnen, wenn es dämmert,
Sieht man sie verzaubert stehen
Wasser schöpfen, wenn es dämmert.
Eimer auf und nieder gehen.
In den Buchen Dohlen flattern
Und sie gleichet einem Schatten.
Ihre gelben Haare flattern
Und im Hofe schrein die Ratten.
Und umschmeichelt von Verfalle
Senkt sie die entzundenen Lider.
Dürres Gras neigt im Verfalle
Sich zu ihren Füßen nieder.
Often at the well, at dawn,
one sees it standing, spellbound.
The water-scoop, at dawn
Rises and falls.
In the beeches, western jackdaws flutter
And they resemble shades,
Their yellow hair fluttering
Above a yard-shrine of squirrels.
They compliment the purity,
lowering their fiery eyelids.
Dry grass bends, purifying itself
down to its roots.
October 25 - Opus 22: Phantom of the Opus
THE OPUS PROJECT
Opus 22
8pm, Saturday, October 25, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA
Ludwig van Beethoven (1770-1827)
Piano Sonata No. 11 in B-Flat Major, Op. 22 (1800)
I. Allegro con nrio
Geri Chang, Piano
Friedrich Kummer (1797-1879)
Three Duets, Op. 22 (1835)
I. Allegro (Introduction)
Elizabeth Morrison, Cello / Maria Reeves, Piano
Camille Saint-Saens (1835-1921)
Danse Macabre (1874)
John Yoon, Violin / The Opus Project Orchestra
Sergei Taneyev (1856-1915)
Piano Trio, Op. 22 (1908)
I. Allegro
The Opus Project Piano Trio
Gustav Mahler (1860-1911)
Symphony No. 1 (1888)
III. The Huntsman's Funeral - Dirge
Ludwig Thuille (1861-1907)
Cello Sonata, Op. 22 (1902)
I. Allegro energetico, ma non troppo presto
Albert Roussel (1869-1937)
For a Spring Festival, Op. 22 (1920)
Introduction
The Opus Project Orchestra
Sergei Rachmaninoff (1873-1943)
Chopin C-Minor Prelude Variations, Op. 22 (1903)
Theme / Variation I
Hussein Al-Naswari and Mark Alburger, Piano
Gustav Holst (1874-1934)
Two Songs without Words, Op 22 (1906)
I. Country Song
The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Four Orchestral Songs, Op. 22 (1916)
II. All Who Seek You (Rainer Maria Rilke, 1875-1926)
Jill Wagoner, Soprano / The Opus Project Orchestra
Leonardo de Lorenzo (1875-1962)
Two Pieces, Op. 22 (1917)
I. Canzonetta - Theme
Alan Kingsley, Flute / Mark Alburger, Piano
George Enescu (1881-1955)
String Quartet No. 1, Op. 22 (1920)
I. Sehr massig (Molto moderato) - Introduction
The Opus Project String Quartet
Marion Bauer (1882-1955)
Viola Sonata, Op. 22 (1932)
I. Allegretto (rubato)
Carolyn Lowenthal, Viola / Maria Reeves, Piano
Karol Szymanowski (1882-1937)
Colorful Songs, Op. 22 (1910)
V. Bestimmung - Przeznaczenie (Regulation - Ricarda Huch, 1864-1947)
Jill Wagoner, Soprano / Maria Reeves, Piano
Anton Webern (1883-1945)
Quartet, Op. 22 (1930)
I. Sehr Massig (Very Moderate)
The Opus Project Wind-String-Piano Quartet
Sergei Prokofiev (1891-1953)
Visions Fugitives, Op. 22 (1917)
XVI. Dolente
Mark Alburger, Piano
Darius Milhaud (1892-1975)
Poème de Gitanjali (Poem From "The Offerings"), Op.22 (1914)
(Rabindranath Tagore, 1861-1941; trans André Gide, 1869-1951)
Jill Wagoner, Soprano / Maria Reeves, Piano
Paul Hindemith (1895-1963)
String Quartet No. 4, Op. 22 (1922)
II. Schnell Achtell. Sehr energisch (Fast eighths. Very energetic) - Beginning
The Opus Project String Quartet
Aaron Copland (1900-1990)
Piano Concerto (1926)
II. . . . Sub. molto allegro
Maria Reeves, Piano / The Opus Project Orchestra
Lennox Berkeley (1903-1989)
Viola Sonata in D Minor, Op. 22 (1945)
II. Adagio
Carolyn Lowenthal, Viola / Maria Reeves, Piano
Dmitri Kabalevsky (1904-1987)
Symphony No. 3 in Bb ("Requiem"), Op. 22 (1933)
II. Andante marciale, lugubre (Introduction)
Video
Dmitri Shostakovich (1906-1975)
The Age of Gold, Op. 22 (1930)
III. Polka
The Opus Project Orchestra
Samuel Barber (1910-1981)
Cello Concerto, Op. 22 (1945)
I. Allegro moderato (Theme)
Aaron Urton, Cello / The Opus Project Orchestra
Alan Hovhaness (1911-2000)
Mystic Flute, Op. 22 (1937)
Alan Kingsley, Flute / Mark Alburger, Piano
John Cage (1912-1992)
Living Room Music (1940)
II. Story (Gertrude Stein, 1874-1946, The World Is Round, 1938)
The Opus Project Orchestra
Benjamin Britten (1913-1976)
Seven Sonnets of Michelangelo [di Lodovico Buonarroti Simoni (1475-1564)
Rime, 1623], Op. 22 (1940)
III. Sonneto XXX
Jill Wagoner, Soprano / Maria Reeves, Piano
Vincent Persichetti (1915-1987)
Piano Sonata No. 3, Op. 22 (1943)
II. Episode
Alberto Ginastera (1916-1983)
Piano Sonata No. 1, Op. 22 (1952)
III. Adagio molto appassionato
Mark Alburger, Piano
Malcolm Arnold (1921-2006)
Symphony No. 1, Op. 22 (1949)
I. Allegro (Introduction)
The Opus Project Orchestra
Jean-Michel Damase (1928-2013)
17 Variations for Woodwind Quintet, Op. 22 (1947)
I-VI
The Opus Project Woodwind Quintet
George Crumb (b. 1929)
Madrigals, Book I (1965, after Federico Garcia Lorca, 1898-1936)
I. Verte desnuda es recordar la tierra
(To see you naked is to remember the earth)
Mark Alburger, Voice and Piano / Elizabeth Morrison, Cello
Robert Muczynski (1929-2010)
Piano Sonata No. 2 (1966)
Mark Alburger, Piano
Carolmarie Reynolds (b. 1930)
Flying Bears Ranch (2014)
The Opus Project Orchestra
John McGrew (b. 1942)
Three Haiku (2002)
I. Sierra Pine Cone
II. Breath In and Out
III. Winter Night Bird Sings
The Opus Project String Quartet
Oliver Knussen (b. 1952)
Flourish with Fireworks, Op. 22 (1988)
The Opus Project Orchestra
Mark Alburger (b. 1957)
Duo Sonata No. 1 ("Hyphenated"), Op. 22 (1981)
IV. Dance-Syncops
Carolyn Lowenthal, Violin / Elizabeth Morrison, Cello
Hussein Al-Nasrawi (b. 1991)
Williams Fantasy (2014)
Hussein Al-Nasrawi, Piano
David Machajewski (b. 2000)
String Quartet No. 1 (2014)
The Opus Project String Quartet
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Piccolo / Flute
Alan Kingsley
Oboe / English Horn
Eva Langfeldt
Stardust
Clarinet
Christy Diggins
Soprano / Tenor Saxophone
Tim Machajewski
Bassoon
Michael Garvey
Tim Machajewski
Trumpet
Michael Cox
Horn
Bob Satterford
Trombone
Emily Sanchez
Soprano
Jill Wagoner
Tenor
Mark Alburger
Piano
Mark Alburger
Hussein Al-Naswari
Geri Chang
Maria Reeves
Percussion
Ken Crawford
John Veitch
Violin I
Carolyn Lowenthal
Stephen Yang
John Yoon
Violin II
Silvana Huynh
Corey Johnson
David Machajewski
Viola
Carol Earley
Carolyn Lowenthal
Kat Walsh
Cello
Elizabeth Morrison
Aaron Urton
Bass
John McGrew
THE OPUS PROJECT presents
OPUS 23 - 8pm, Saturday, November 29, 2014, Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA
A Multi-Media Event, with The Opus Project Orchestra
Richard Strauss 1864-1949) Macbeth, Op. 23 (1890)
Gustav Holst (1874-1934) Sita, Op 23 (1906)
Arnold Schoenberg (1874-1951) Piece for Piano, Op. 23, No. 1 (1923)
Bela Bartok (1881-1945) Dance Suite (1923)
George Enescu (1881-1955) Oedipus, Op. 23 (1931)
Anton Webern (1883-1945) Song on Hildegard Jone, Op. 23, No. 1 (1934)
Sergei Prokofiev (1891-1953) Poem, Op. 23, No. 1 (1915)
Darius Milhaud (1892-1975) Variations on Cliquet, Op.23 (1915)
Alois Hába (1893-1973) Suite No. 5 in the 1/4-Tone System, Op. 23 (1925)
Paul Hindemith (1895-1963) Die Junge Magd, Op. 23 (1922)
Kurt Weill (1900-1950) Death in the Forest, Op. 23 (1927)
Lennox Berkeley (1903-1989) Piano Prelude, Op. 23, No. 1 (1945)
Dmitri Kabalevsky (1904-1987) Piano Concerto No. 2, Op. 23, No. 1 (1935)
Dmitri Shostakovich (1906-1975) Opera Armer Columbus, Op. 23 (1929)
Samuel Barber (1910-1981) Medea, Op. 23 (1946)
Alan Hovhaness (1911-2000) Suite for Oboe and Bassoon, Op. 23 (1949)
Benjamin Britten (1913-1976) Introduction and Rondo, Op. 23 (1940)
Alberto Ginastera (1916-1983) Variaciones concertantes, Op. 23 (1953)
Oliver Knussen (b. 1952) Late Poem of Rilke, Op. 23, No. 1 (1988)
Mark Alburger (b. 1957) Sequence Music for a Trio, Op. 23 (1982)
Arnold Schoenberg (1874-1951)
Orchestral Songs, Op. 22 (1916)
II. Alle Welche Dich Suchen [All Who Seek You,
Rainer Maria Rilke, (1875-1926), Das Stundenbuch
(The Book of Hours): II. Das Buch von der Pilgerschaft, No. 15
(The Book of the Pilgrimage), 1903]
Alle, welche dich suchen, versuchen dich.
Und die, so dich finden, binden dich
An Bild und Gebärde.
Ich aber will dich begreifen,
Wie dich die Erde begreift;
Mit meinem Reifen
Reift
Dein Reich.
Ich will von dir keine Eitelkeit,
Die dich beweist.
Ich weiß, daß die Zeit
Anders heißt
Als du.
Tu mir kein Wunder zulieb.
Gib deinen Gesetzen recht,
Die von Geschlecht zu Geschlecht
Sichtbarer sind.
All who seek you, test you.
And those who find you
bind you to image and gesture.
I would rather sense you
as the earth senses you.
In my ripening
ripens
what you are.
I need from you no tricks
to prove you exist.
Time, I know,
is other
than you.
No miracles, please.
Just let your laws
become clearer
from generation to generation.
Karol Szymanowski (1882-1937)
Colorful Songs, Op. 22 (1910)
V. Bestimmung (Regulation, Ricarda Huch, 1864-1947)
Was ist in deiner Seele,
was ist in meiner Brust,
daß ich mich dir befehle,
daß du mich lieben mußt?
Vom Haus, wo ich gewohnt
und zart behütet bin,
ziehst du mich, wie der Mond
nachtwandelnd zu dir, zu dir hin.
What is in your soul,
what is in my breast,
that can teach me so
that you must love me?
From the house, where I was
tenderly protected,
you draw me, like the moon's
changing phases, to you, to you
Darius Milhaud (1892-1975)
Poème de Gitanjali (Poem 18 from The Offerings), Op.22 (1914)
(Rabindranath Tagore, 1861-1941; trans André Gide, 1869-1951)
Les nuages s'entassent sur les nuages
Il fait sombre. Amour!
Ah! pourquoi me laisses-tu dehors
attendre tout send a la porte?
Dans l'affairement du travail de midi,
je suis avec la foule;
mais parce sombre jour solitaire
je n'espere seulement que toi.
Si tu ne me montres point ta face,
si tu me laisses completement de coute,
je ne sais pas comment je traverserai ces longues,
ces pluvieuses heures
Je reste a contempler le large obscurcissement du ciel,
et mon coeur plaintif rode avec le vent sans repos,
Clouds heap upon clouds and
it darkens. Ah, love,
why dost thou let me wait outside
at the door all alone?
In the busy moments of the noontide work
I am with the crowd,
but on this dark lonely day
it is only for thee that I hope.
If thou showest me not thy face,
if thou leavest me wholly aside,
I know not how I am to pass
these long, rainy hours.
I keep gazing on the far-away gloom of the sky,
and my heart wanders wailing with the restless wind.
John Cage (1912-1992)
Living Room Music (1940)
II. Story (Gertrude Stein, 1874-1946, The World Is Round, 1938)
Once upon a time the world
was round and you could go
on it around and around
Benjamin Britten (1913-1976)
Seven Sonnets of Michelangelo [di Lodovico Buonarroti Simoni (1475-1564) -
Rime, 1623], Op. 22 (1940)
III. Sonneto XXX
Veggio co' bei vostri occhi un dolce lume,
Che co' miei ciechi già veder non posso;
Porto co' vostri piedi un pondo addosso,
Che de' mie zoppi non è già costume.
Volo con le vostr'ale senza piume;
Col vostr'ingegno al ciel sempre son mosso;
Dal vostr'arbitrio son pallido e rosso,
Freddo al sol, caldo alle più fredde brume.
Nel voler vostro è sol la voglia mia,
I mie' pensier nel vostro cor si fanno,
Nel vostro fiato son le mie parole.
Come luna da sè sol par ch'io sia;
Chè gli occhi nostri in ciel veder non sanno
Se non quel tanto che n'accende il sole.
With your lovely eyes I see a sweet light,
That yet with my blind ones I cannot see;
With your feet I carry a weight on my back,
Which with my lame ones I cannot;
With your wings I, wingless, fly;
With your spirit I move forever heavenward;
At your wish I blush or turn pale, cold in the sunshine,
Or hot in the colest midwinter.
My will is in your will alone,
my thoughts are born in your heart,
My words are on your breath.
Alone, I am like the moon in the sky,
Which our eyes cannot see,
Save that part which the sun illumines.
John McGrew (b. 1942)
Three Haiku (2002)
I. Sierra Pine Cone
Sierra pine cone
help me remember bird calls
wood smoke and silence
II. Breath In and Out
Breath in and out
hear your pulse stretch your fingers
feel earth press your feet
III. Winter Night Bird Sings
Winter night a bird heed-
less of the sun's absence
sings into the dark
September 27 - Opus 21: Of Age
THE OPUS PROJECT
Opus 21
8pm, Saturday, September 27, 2014
Diablo Valley College Music Building
Viking Drive, Pleasant Hill, CA
Ludwig van Beethoven (1770-1827)
Symphony No. 1 in C Major, Op. 21 (1800)
I. Adagio molto - Allegro con brio
Felix Mendelssohn (1809-1847)
Overture to "A Midsummer Night's Dream", Op. 21 (1826)
Exposition
The Opus Project Orchestra
Sergei Taneyev (1856-1915)
String Trio, Op. 21 (1907)
I. Allegro giocoso e semplice
The Opus Project String Trio
Albert Roussel (1869-1937)
Impromptu, Op. 21 (1919)
Modere
Alexander Zemlinsky (1871-1942)
Der Kreidekreis (The Chalk Circle), Op. 21 (1932)
Introduction
Mark Alburger, Piano / Video
Ralph Vaughan Williams (1872-1958)
The Wasps (1909)
III: March Past of the Kitchen Utensils
The Opus Project Orchestra
Sergei Rachmaninoff (1873-1943)
Twelve Romances, Op. 21 (1902)
V. Lilacs (Yekaterina Beketova, 1855–1892)
Jill Wagoner, Soprano / Mark Alburger, Piano
Gustav Holst (1874-1934)
A Somerset Rhapsody, Op 21 (1907)
Moderato
The Opus Project Orchestra
Arnold Schoenberg (1874-1951)
Pierrot Lunaire (Moonstruck Pierrot), Op. 21 (1912)
(Albert Giraud, b. Emile Albert Kayenbergh, 1860–1929,
trans. Otto Erich Hartleben, 1864–1905)
VII. Der Kranke Monde (The Sick Moon)
Leonardo de Lorenzo (1875-1962)
Two Pieces, Op. 21 (1917)
I. Solitudine - Theme
Jill Wagoner, Soprano / Alan Kingsley, Flute / Mark Alburger, Voice & Piano
Alma Mahler (1879-1964)
Four Songs (1915)
I. Light in the Night
Bela Bartok (1881-1945)
Violin Sonata No. 1, Op. 21 (1921)
II. Adagio / Poco agitato - Tempo I
Jill Wagoner, Soprano / John Yoon, Violin / Mark Alburger, Piano
George Enescu (1881-1955)
Symphony No. 3 in C Major, for Piano, Chorus, and Orchestra, Op. 21 (1918)
I. Moderato, un poco mosso (Introduction)
Video
Karol Szymanowski (1882-1937)
Piano Sonata No. 2, Op. 21 (1911)
II. Allegretto tranquillo (grazioso) TEMA
Anton Webern (1883-1945)
Symphony, Op. 21 (1928)
I. Ruhig schreitend (Calmly walking / Allegro moderato)
Sergei Prokofiev (1891-1953)
Chout
(The Tale of the Buffoon Who Outwits 7 Other Buffoons), Op. 21 (1915)
I. The Buffoon and his Bufoonette (Allegretto scherzando)
Paul Hindemith (1895-1963)
Sancta Susanna, Op. 21 (1921) (August Stramm, 1874-1915)
Conclusion
Mark Alburger, Piano / Jill Wagner, Soprano / The Opus Project Orchestra
Ernst Krenek (1900-1991)
Orpheus und Eurydike, Op. 21 (1926)
Dmitri Kabalevsky (1904-1987)
Improvisation for Violin and Piano, Op. 21 (1934)
Paul Creston (1906-1985)
Marimba Concertino, Op. 21 (1941)
I. Vigoroso
Video
Dmitri Shostakovich (1906-1975)
Six Japanese Romances, Op. 21 (1932)
II. Before Suicide (Otzuno Odzi, trans. A. Brandt,
Japonskaja lirika [Japanese Lyrics, 1928])
Samuel Barber (1910-1981)
Capricorn Concerto, Op. 21 (1944)
III. [Allegro con brio] a tempo / Andante un poco mosso / Tempo I
John Cage (1912-1992)
Imaginary Landscape No. 2 (March No. 1, 1940)
Benjamin Britten (1913-1976)
Diversions for Piano and Orchestra, Op. 21 (1940)
Variation V - Chant
Jill Wagoner, Soprano / Hussein Al-Nasrawi, Piano / The Opus Project Orchestra
Vincent Persichetti (1915-1987)
Pastorale, Op. 21 (1943)
Introduction
Alan Kingsley, Flute / Michael Cox, Trumpet
Alberto Ginastera (1916-1983)
Pampeana No. 2, Op. 21 (1950)
Lento e rubato
Elizabeth Morrison, Cello / Mark Alburger, Piano
Pierre Boulez (b. 1925)
Le Marteau sans Maitre (The Masterless Hammer) (1955)
(René Char 1907-1988, Le Marteau sans Maître, 1934)
III. L'artisanat furieux (Furious Craftsmanship) - Part I
Jill Wagoner, Soprano / Alan Kingsley, Flute
George Crumb (b. 1929)
Four Nocturnes (Night Music II, 1964)
NOTTURNO IV. con un sentimento di nostalgia / piu animato
Robert Muczynski (1929-2010)
Fables, Op. 21 (1965)
VII. Moderato
Elizabeth Morrison, Cello / Mark Alburger, Piano
Steve Reich (b. 1936)
Music for 18 Musicians (1976)
I-II
Oliver Knussen (b. 1952)
Higglety Pigglety Pop!, Op. 21 (1985)
II. Trauermusik
Mark Alburger (b. 1957)
Missa "The a Deux", Op. 21 (1980)
I. Kyrie (Egeria, b. c. AD 351)
Scott Sterling (b. 1970)
Scherzo Round No. 122,694 (2014)
Michael Stubblefield (b. 1989)
Northrend Tides (2012)
(after Warcraft III: World of Chaos, 2002)
Jill Wagoner, Soprano / The Opus Project Orchestra
THE OPUS PROJECT ORCHESTRA
Mark Alburger Music Director and Conductor
Piccolo / Flute / Alto Flute
Harry Bernstein
Alan Kingsley
Oboe
Philip Freihofner
Bassoon
Tim Machajewski
Trumpet / Cornetto
Ron Cohen
Michael Cox
Horn
Jan Pusina
Trombone
Scott Sterling
Soprano
Jill Wagoner
Tenor
Mark Alburger
Bass-Baritone
Ron Cohen
Electric Guitar
Michael Stubblefield
Piano
Mark Alburger
Hussein Al-Naswari
Percussion
Ken Crawford
Violin I
John Yoon*
Violin II
Lawrence Huang*
Viola
Harry Bernstein*
Cello
Elizabeth Morrison
Contrabass
John McGrew
Electric Bass
Michael Stubblefield
*The Opus Project String Trio
THE OPUS PROJECT presents OPUS 22: All the Dead Voices
8pm, Saturday, October 25, 2014,
Diablo Valley College Music Building,
Viking Drive, Pleasant Hill, CA
Camille Saint-Saens (1835-1921) Piano Concerto in G Minor, Op. 22 (1868)
Gustav Mahler (1860-1911) Symphony No. 1: III. Huntsman's Funeral (1888)
Jean Sibelius (1864-1957) The Swan of Tuonela, Op. 22, No. 2 (1895)
Gustav Holst (1874-1934) Song without Words, Op 22, No. 1 (1906)
Arnold Schoenberg (1874-1951) Orchestral Song, Op. 22, No. 2 (1916)
George Enescu (1881-1955) String Quartet No. 1, Op. 22, No. 1 (1920)
Anton Webern (1883-1945) Quartet, Op. 22 (1930)
Jerzy Gablenz (1888-1937) Legend of Turbacz, Op 22 (1925)
Sergei Prokofiev (1891-1953) Visions Fugitives, Op. 22 (1917)
Darius Milhaud (1892-1975) Poème de Gitanjali, Op.22 (1914)
Paul Hindemith (1895-1963) String Quartet No. 4, Op. 22 (1922)
Aaron Copland (1900-1990) Piano Concerto (1926)
Lennox Berkeley (1903-1989) Viola Sonata in D, Op. 22 (1945)
Dmitri Kabalevsky (1904-1987) Symphony No. 3 ("Requiem") (1933)
Dmitri Shostakovich (1906-1975) The Age of Gold, Op. 22 (1930)
Samuel Barber (1910-1981) Cello Concerto, Op. 22 (1945)
Alan Hovhaness (1911-2000) Mystic Flute, Op. 22 (1937)
John Cage (1912-1992) Living Room Music (1940)
Benjamin Britten (1913-1976) Seven Sonnets of Michelangelo, Op. 22 (1940)
Alberto Ginastera (1916-1983) Piano Sonata No. 1, Op. 22 (1952)
Malcolm Arnold (1921-2006) Symphony No. 1, Op. 22 (1949)
Jean-Michel Damase (1928-2013) 17 Variations for Woodwind Quintet, Op. 22 (1947)
Oliver Knussen (b. 1952) Flourish with Fireworks, Op. 22
Mark Alburger (b. 1957) Duo Sonata No. 1 ("Hyphenated"), Op. 22 (1981)
Scott Sterling (b. 1970) Quartet ("Dick and Jane's 1st Samhein") (2000)
Hussein Al-Nasrawi (b. 1991) Williams Fantasy (2014)
Sergei Rachmaninoff (1873-1943)
Twelve Romances, Op. 21 (1902)
V. Lilacs (Yekaterina Beketova, 1855–1892)
По утру, на заре,
По росистой траве,
Я пойду свежим утром дышать;
И в душистую тень,
Где теснится сирень,
Я пойду свое счастье искать...
В жизни счастье одно
Мне найти суждено,
И то счастье в сирени живёт;
На зелёных ветвях,
На душистых кистях
Моё бедное счастье цветёт...
In the morning, at dawn,
over the moist grass,
I go to breathe the crisp daybreak;
and in the sweet shade,
where the lilac grows,
I go to seek happiness...
Life, only one joy
was destined for discovery,
and that pleasure resides in the lilacs;
in the green branches,
in the fragrant bouquets,
my poor contentment blossoms...
Arnold Schoenberg (1874-1951)
Pierrot Lunaire (Moonstruck Pierrot), Op. 21 (1912)
(Albert Giraud, b. Emile Albert Kayenbergh, 1860–1929,
trans. Otto Erich Hartleben, 1864–1905)
VII. Der Kranke Monde (The Sick Moon)
Du nächtig todeskranker Mond
Dort auf des Himmels schwarzem Pfühl,
Dein Blick, so fiebernd übergroß,
Bannt mich wie fremde Melodie.
An unstillbarem Liebesleid
Stirbst du, an Sehnsucht, tief erstickt,
Du nächtig todeskranker Mond
Dort auf des Himmels schwarzem Pfühl.
Den Liebsten, der im Sinnenrausch
Gedankenlos zur Liebsten schleicht,
Belustigt deiner Strahlen Spiel -
Dein bleiches, qualgebornes Blut,
Du nächtig todeskranker Mond.
You ailing, death-awaiting moo
High upon heaven's dusky couch,
Your glance, so feverish over-large,
Lures me like strange enchanting song.
With unrequited pain of love
You die, your loving, deep concealed
You ailing death-awaiting moon
High upon heaven's dusky couch
The lover, stirred by sharp desire
Who reckless seeks for love's embrace,
Exaults in your bright play of light -
Your pallid, pain-begotten flood,
You ailing death-awaiting moon.
Alma Mahler (1879-1964)
Four Songs (1915)
I. Light in the Night (Otto Julius Bierbaum, 1865-1910)
Ringsum dunkle Nacht, hüllt in Schwarz mich ein,
zage flimmert gelb fern her ein Stern!
Ist mir wie ein Trost, eine Stimme still,
die dein Herz aufruft, das verzagen will.
Kleines gelbes Licht, bist mir wie der Stern
überm Hause einst Jesu Christ, des Herrn
und da löscht es aus. Und die Nacht wird schwer!
Schlafe Herz. Schlafe Herz. Du hörst keine Stimme mehr.
Dark night all around, enveloping me in black,
Timidly a star flickers yellow from afar!
It's to me like a comfort, a quiet voice,
Which calls on your heart that wants to give up.
Little yellow light, you are like a star to me
Above the house of Jesus Christ the Lord, once,
And there it goes out! And the night turns heavy!
Sleep, my heart! You hear no voice any more!
Paul Hindemith (1895-1963)
Sancta Susanna, Op. 21 (1921) (August Stramm, 1874-1915)
Conclusion
Nein! Beichte! Satana! No! Confess! Satan!
Dmitri Shostakovich (1906-1975)
Six Japanese Romances, Op. 21 (1932)
II. Before Suicide
(Otzuno Odzi, trans. A. Brandt, Japonskaja lirika
[Japanese Lyrics, 1928, after Hans Bethge, 1876-1946,
Japanischer Frühling / Nachdichtungen Japanischer Lyrik
{Japanese Spring / Adapted Japanese Lyrics}, 1907-1928])
SУныло сыплются листы. Густой туман
пруд застилает. Гуси дикие кричат испуганно
на озере, опять кричат.
Сны мрачные витают над моей главой,
на сердце тяжесть. через год, когда раздастся
снова крик гусей, я не услышу их.
The leaves are falling discouraged,
a thick fog covers the pond. The wild geese cry frightened
on the lake, cry yet.
Of dreams dark on my head and a weight on my heart.
A year will pass before the cry of the geese resounds again,
but I will not hear.
Pierre Boulez (b. 1926)
Le Marteau sans Maitre (The Masterless Hammer) (1955)
(René Char 1907-1988, Le Marteau sans Maître, 1934)
III. L'artisanat furieux (Furious Craftsmanship) - Part I
La roulotte rouge au bord du clou
Et cadavre dans le panier
The red caravan on the edge of the nail
And corpse in the basket
Mark Alburger (b. 1957)
Missa "The a Deux", Op. 21 (1980)
I. Kyrie (Egeria, b. c. AD 351)
Kyrie eleison
Christe eleison
Kyrie eleison
Lord have mercy
Christ have mercy
Lord have mercy
Michael Stubblefield (b. 1989)
Northrend Tides (2012)
(after Warcraft III: World of Chaos, 2002)
Sunrise no life
Only the master
The eyes of the North and the frozen breeze
Northrend tides Icecrown throne
Ruled by the frozen throne
Plagued by unholy death
Screams of the fallen souls
Filled with eternal death
Silence
No peace
Pain now rising
Tides of Northrend
Frozen the seas
Frost in the winds
Sunrise only death
Above the frozen hills
Below the crystal lake
The lord of North and the frozen crown
Frozen the tides
Clouds fill the skies
No sounds of light
Rise unholy night
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